What is the history of the Spring Festival? Why is there a Spring Festival? Who built it?

"Spring" in Ganzhou is a street art after the rise of Yuan Zaju, and it is an organic combination of drama and bamboo paper binding skills. First, it has a wide range of materials, and can hunt for themes from classical dramas, folk stories and folk myths and legends. Second, the structure is rigorous. There are one or three people in each spring story, and the time is calculated by the month. In December of a year, there is a spring and thirteen leap months. In addition to the first five traditional spring stories, other spring stories can be randomly selected according to the industry. Third, the modeling is exaggerated, and difficult movements such as running, jumping and jumping are selected to further shape and portray characters. Fourth, bright colors, combining folk art painting with folk handmade paper binding skills, carefully designing and decorating the layout of people, plants and spring, making it more artistic and ornamental, and achieving a publicity effect. For example, the colored paper on the spring cattle indicates drought, black indicates waterlogging and white indicates cotton, which indicates the spring scenery of the year. This has gone beyond art itself. Therefore, Ganzhou Spring is not only a street art, but also closely related to the ancient farming culture and artistic characteristics.

"Spring" in Ganzhou is the epitome of farming civilization in western Hunan. He told people to persuade and attach importance to agriculture by setting up shrines to worship the gods of the ancestors. Especially by holding the mass folk art activity of "spring outing", people can not only appreciate art, but also get agricultural meteorology and information from art and predict the spring scenery of a year. For example, the color change of cattle in "Spring Cattle Map" is judged according to the almanac over the years, which has certain reference value and scientific and technological value for agricultural cultivation at that time.

"Spring" in Ganzhou is related to classical drama, folk stories, folk myths and legends and local folk customs. It comprehensively uses folk handicraft skills, folk art painting and folk character stories for careful design, and reproduces the ancient civilization and historical development process of human beings with vivid modeling, bright colors and unique forms.

"Spring" in Ganzhou embodies the cultural tradition and origin of the people of all ethnic groups in Ganzhou, fully reflects the aesthetic consciousness and national feelings of the people of all ethnic groups in Ganzhou, lashes the false, ugly and evil, promotes the truth, goodness and beauty, and displays its material and cultural attributes and connotations in a unique artistic form, thus becoming a comprehensive street art for the world to know Ganzhou, understand Ganzhou and study its national beliefs and character modeling. This is of special significance to the formation of local characteristic culture and the development of cultural tourism in western Hunan. Culture is a symbol of a place's comprehensive strength, economic development can inject vitality into culture, and tourism can provide a platform for culture and art to display. In recent years, with the deepening of tourism development in western Hunan, various characteristic cultures have been continuously protected, developed and utilized. The unique street art of Ganzhou "Spring" contains rich folk culture and should have a broader stage.