What is Liu Dehai's occupation?

Liu Dehai (1937 August 13 -2020 April 1 1) was born in Shanghai. Chinese pipa player, educator and composer. Former vice president of China Conservatory of Music, former director of China Music Department, professor and doctoral supervisor.

65438-0950 began to learn pipa and other musical instruments, and joined the amateur national band of Shanghai Radio Station. 1954 studied under pipa player and was a descendant of Pudong School, Lin Shicheng. 1957, admitted to the pipa major of the Central Conservatory of Music. 1960, graduated early and stayed in school to teach; In the same year, "Malanhuakai" was adapted, which opened the road of his music creation. 65438-0970 worked as a pipa soloist in the Central Orchestra. 1972 participated in the creation of China's first pipa concerto Little Sisters on the Grassland. 1975 performed his adaptation of pipa solo "House of Flying Daggers" for the first time. 1976 played the role of flying daggers in the news documentary China's visit to the United States.

1979, performed in collaboration with conductors Seiji Ozawa and Boston Symphony Orchestra. 198 1 performed with Berlin Philharmonic, becoming the first China musician to cooperate with the troupe. 1983 Up to now, professor and vice president of China Conservatory of Music. 1984 He composed works such as Swan and old boys in the pipa solo series Life. 1989 won the first domestic gold record award with pipa "House of Flying Daggers". In 2004, Liu Dehai Pipa Art International Symposium was held in Hainan. In 2007, he won the third prestigious teacher award in colleges and universities. In 20 19, he won the excellent folk music educator in the 8th Hua Le Forum.

On April 1 1, 2020, Liu Dehai died in Beijing at the age of 82.

Chinese name: Liu Dehai.

Nationality: China.

Place of birth: Shanghai

Date of birth: 1937 August 13.

Date of death: April 2020 1 1.

Occupation: Pipa player, educator, composer

Graduate school: Central Conservatory of Music

Main achievements: 1989 China first golden record award.

In 2007, he won the third prize of master of teaching in colleges and universities.

20 19 outstanding national music educators in the 8th Hua Le Forum and New Art Cup.

Representative works: House of Flying Daggers, Miss Grassland, Swan and old boys.

Character experience

1August, 93713rd, Liu Dehai was born in Shanghai, and his ancestral home is Cang County, Hebei Province. 65438-0950 began to learn pipa, erhu, sanxian, flute and other musical instruments; In the same year, he joined the amateur national band of Shanghai Radio Station.

65438-0954 studied under Lin Shicheng, a pipa player and a descendant of Pudong School. 1957 was admitted to the pipa major of the Central Conservatory of Music. In addition to continuing to study, he also studied under Cao Anhe of Wuxi School, Yang Dajun of Wang School and Pinghu School, and studied guzheng, banjo and bass from guqin players.

1960, graduated one year in advance and stayed in school as a pipa teacher; In the same year, at the first national erhu and pipa teaching exchange meeting in Shanghai, the pipa music "Five Strong Men of Langya Mountain" composed by composer Lu Shaoen was played for the first time, which made a great breakthrough in the content and techniques of traditional music and promoted the development of modern pipa playing art; In the same year, after adapting the song "Malanhuakai", he began to create music. 1964, Martin's "Faraway Guests Please Stay" was adapted into a pipa.

65438-0970, Pipa solo by Central Orchestra. 1972 collaborated with Wu Zuqiang and Yan Wang Bridge to compose China's first pipa concerto Little Sisters on the Grassland. 1975 performed his adaptation of Pipa "House of Flying Daggers" for the first time.

1976 participated in the news documentary "China Art Troupe's Visit to the United States" produced by the Central News Film Studio, and played the adapted Pipa "House of Flying Daggers" for 5 minutes.

1979, Liu Dehai collaborated with conductor Seiji Ozawa and American Boston Symphony Orchestra to play Little Sisters on the Grassland. From February 3rd to 5th, 198 1, held a concert with conductor Huang Yijun and Berlin Philharmonic, and played two pipa concertos "Little Sisters". Liu Dehai also became the first China musician to cooperate with the group.

1983 Up to now, professor and vice president of China Conservatory of Music. 1984 Composed Swan, old boys and Spring Silkworm in the pipa solo series Life. 1985, he created the Qin warrior and his childhood.

1989 won the first gold record award in China, and the winning work was pipa solo "House of Flying Daggers". /kloc-from 0/996 to 2000, he created a series of "local customs" of pipa solo work Pastoral, including outing, mill, spinning wheel, spinning wheel, juggling, tumbler, wooden duck, wind chimes and so on.

On June 5438,2004+February 65438,2004+July, the Liu Dehai International Symposium on Pipa Art was held in Hainan, which was also the first international symposium on Pipa held by contemporary individuals. In 2007, he won the third prize of Master of Teaching in higher education institutions of the Ministry of Education. On 20th111October12nd, a lecture on pipa was held in Nanjing University.

20 16 65438+ 10/0, Liu Dehai Pipa Art Lecture was held in the Concert Hall of the Central Conservatory of Music, and the work Mantis and Snowman was performed live. 20 17 April 29th-30th, "Liu Dehai Pipa Teachers and Students Seminar and Concert" was held in Zhengzhou.

On July 20 18, he played and sang "Liuyang River" at the 60th anniversary celebration concert of Shanghai Minle No.1 Factory. In October19, he was selected as an outstanding educator of folk music in the 8th Hua Le Forum and the New Art Cup, and performed his work "Listening to Tea" at the award ceremony.

Liu Dehai died at the age of 82 on April 0, 2020 1 14: 25.

Main work

musical creation

Pipa creation

Adaptation of traditional music

Chinese and foreign song adaptation

Transplantation of foreign music

Publish a collection of music

Sources of the above major works

Kicking style

Playback type

Liu Dehai's earliest music education was influenced by Jiangnan silk and bamboo music and Jiangnan folk opera, and then inherited his first professional pipa teacher, Lin Shicheng, a beautiful and dexterous pipa playing style in Pudong School. He studied under Yang Dajun, Cao Anhe, Sun Yude and others. Among these people, Yang Dajun belongs to Pinghu School, Cao Anhe belongs to Wuxi School and Wang School, while Cao Anhe is the direct biography of Liu Tianhua, and Liu Tianhua is personally taught by Shen Zhaozhou of Chongming School. Therefore, Wuxi School, Pinghu School, Pudong School, Chongming School, Wangpai School, Liu Dehai School and so on of Jiangnan Pipa have all studied seriously, so their pipa playing styles have integrated the characteristics of Jiangnan School. In him, we can see the majesty of Wang school, the poetic sentiment of Pinghu school, the simplicity and beauty of Chongming school, the rich pronunciation of Wei Zhongle, the strong hand shape of Li and the round gesture. It is these characteristics that bring together the strengths of many experts that make Liu Dehai's pipa performance form its own unique style, break away from the stereotype of the genre, abandon the "one track" playing method, connect with the modernization and socialization atmosphere in the new century, and keep pace with the times.

Playing skills

Liu Dehai has developed new skills and techniques in playing pipa. To sum up, it is mainly divided into four aspects: left-handed skill, right-handed skill, two-handed coordination skill and special sound: first, left-handed skill refers to pressing the tone, winding the tone, taking off the tone, twisting the string by the tone, and twisting the string in high and low tones; Second, right-hand skills, including backhand (big rebound, index finger positive rebound, middle rebound, ring finger positive rebound, reverse wheel, inside string picking outside line), meat sweeping, ring finger shaking, Yamaguchi plucking string and double stroke; Third, the methods of hand coordination are overtone (artificial overtone, phase-shifted treble overtone, compound overtone), false overtone, phase angle soft string and weak playing; Fourth, special vocal skills, such as loosening strings, hitting the panel, clapping hands, stabbing strings, the sound of iron hoofs and wooden fish, etc.

Orbit range

His works include Four Poems of Qinglian Yuefu, Eight Poems of Yingzhou Ancient Music, Eight Allegro Poems of Yingzhou Ancient Music, Ping Sha Yan and Autumn Moon in Han Palace. Based on the biographies of senior performers Fan, Cao Anhe, Li and Yang Dajun; And "Birds Return to their Nest" is based on Fan's biography.

Creative characteristics

Engineering overview

From 1960, Liu Dehai began his music creation. Some compositions premiered in the 1960s and 1970s, such as Five Strong Men of Langya Mountain, Singing a Folk Song for the Party and Concerto Little Sisters on the Grassland, were all performed by myself. He further realized its cultural value in traditional music, among which old songs and new dramas, such as Sui Chen and Overlord, rearranged traditional music; In terms of religious music, Liu Dehai adapted and created nine pieces of temple music and local customs, such as White Horse Tuojing, Happy Lohan and Drip Guanyin. Since 1980s, Liu Dehai's creation has entered a mature stage, and the philosophy of music has been further strengthened in the series of life sketches of pipa solo-Qin Warrior, Childhood, Swan, old boys and Spring Silkworm. Pastoral articles-Jin Meng, Yizhichan and Tianchi broke through the traditional writing of national music with an open mind and a beautiful daydream about nature. In addition, Liu Dehai also transplanted a large number of etudes and music fragments of western musical instruments for pipa training. For example, he transplanted "