The relationship between lovelive and Bandai

Love life! "It is a cross-media idol project launched by the planning team of Bandai Nanmenggong Group in Japan, including music production, animation production, game production and sales of surrounding goods. Bandai Nanmenggong Group is a Japanese toy, entertainment and animation model company, a subsidiary of Bandai Toy Company and a representative animation derivative product manufacturer in Japan.

In LoveLive! In terms of planning and operation, Bandai Nanmenggong Group is responsible for its own business, including animation production and distribution, music production and distribution and concert operation. Specifically, the IP production department of Bandai Nanmeng Palace (under the jurisdiction of Risheng Animation, Landis Music, Bandai Film and Television and many other subsidiaries) is responsible for LoveLive! Animation production and music production, as well as concert operation. In addition, LoveLive has many external companies and Bandai Nanmeng Palace! There is cooperation in planning and operation. For example, Bushido Group in Japan is authorized to operate mobile games; Japan Kakukawa Bookstore Group is authorized to publish magazines and novels; AMUSE Group of Japan assists in planning and managing some seiyuu, and is responsible for overseas concerts, movies and live performances.

In terms of revenue, the total revenue of Bandai Nanmenggong Group in fiscal year 2002/KLOC-0 was about RMB 50-55 billion, mainly from the toy model department and the video game department. And LoveLive! The revenue of series planning is not listed separately in the market report, but according to the estimation of up owner in the past column, it is about 6-8 billion yen/year in recent five years, accounting for 1.0- 1.5% of the total revenue of Bandai Nanmenggong Group and1-65433 of the revenue of Bandai Nanmenggong IP production department. Meanwhile, lovely life! The income from series of music products is the number one source of income for Landis Music and Bandai Film and Television in the past five years, while the income from animation works is the second largest source of income for Rising Animation in the past five years.