In the Qing Dynasty, the provincial level, such as Ningtai, Fantai, and weaving, were all in charge of such things.

Since the Ming Dynasty, provincial-level local officials have been divided into three divisions, namely the Chief Envoys Division, the Inspection Envoys Division and the Capital Command Envoys Division. The capital commander is in charge of "the military affairs of a province". The three divisions are roughly equivalent to the current provincial governor, president of the provincial court, and commander of the provincial military region. In the Qing Dynasty, the imperial envoys were abandoned and not established. Become "Second Division". The chief officers of the second department are the chief envoy and the envoy. The chief secretary is commonly known as Fantai, and the envoy is commonly known as Nietai. Fantai is in charge of administration and finance, and Gentai is in charge of judicial supervision and post office. Weaving is an official name. In the Ming and Qing Dynasties, special bureaus were set up in Jiangning, Suzhou and Hangzhou to weave various clothing materials and make silk and imperial silk ribbons for the emperor and the palace to offer sacrifices and awards. In the Ming Dynasty, one admiral and weaving eunuch was appointed in each of the three places. In the Qing Dynasty, he was appointed as a member of the Ministry of Internal Affairs and was called weaving. The silk weaving and dyeing industry operated by the government in the Ming Dynasty. The officials who oversee this industry are also called weavers. The Ming government also directly used internal officials to supervise the weaving of the government bureaus, called weaving eunuchs. In the Ming Dynasty, three bureaus were set up in Nanjing, Suzhou, and Hangzhou to weave silk fabrics for palace use. Ming Dynasty was under the supervision of the admiral and weaving eunuch, with one person in each department, and he was responsible for many blessings. It was still the same in the early Qing Dynasty. In the fifth year of Shunzhi (1648), the Ministry of Household Affairs assigned personnel to manage it. In the thirteenth year, he still returned to the 13th Yamen (eunuch organization) to send people, who were replaced every year. In the second year of Kangxi (1663), the Ministry of Internal Affairs assigned officials to serve for a long time. During the Kangxi period, weavers had the task of reporting the situation in various places with secret folds. Yongzhengchu continued to implement it. It was abolished in the thirteenth year of Yongzheng's reign (1735). According to the management system of weaving in the Ming Dynasty, it can be divided into imperial government bureaus and local government bureaus. The official bureaus of the imperial court included: the Inner Weaving and Dyeing Bureau, also known as the Southern Bureau, located in Nanjing, under the Ministry of Industry, and used materials to make silk cloth of various colors for the palace; Silk cloth is the main product; there are also a sacred silk hall (under the supervision of the ceremonial department) and a supply machine room in Liujing in Nanjing. The former specializes in making sacred silk, and the latter is prepared for weaving from time to time. There were 22 weaving and dyeing bureaus in eight provinces including Zhejiang and Southern Zhili. After the seventh year of Jiajing (1528), there were 19 bureaus in four provinces. The raw materials used by local weaving and dyeing bureaus to make pieces (including silk, Luo, silk, etc.) are the tax silk paid by the people of the prefecture; most of the funds come from Lijia Dingtian tax bank. Although official weaving in the Ming Dynasty spread across all provinces, its focus was on the Jiangnan region. Most of the official bureaus of the imperial court were only engaged in fabric dyeing and training, and the various categories of rewards used by the emperor were mainly processed by the local weaving and dyeing bureaus in Suzhou, Hangzhou and other prefectures. Although there is a fixed quota for the annual number of pieces, they are often added to the amount of the amount, and the additional number of sitting pieces is often much larger than the regular amount. In the Ming Dynasty, Tai Supervisor was appointed to take charge of weaving. Initially, he supervised the production of high-quality items, and later developed into a supervisor who also took charge of local weaving bureaus. Relying on their authority, these people raided and robbed endlessly, and their crimes were increasing day by day. Weaving is mainly based on the unpaid labor of dyeing and weaving craftsmen in various places. It generally adopts the form of bureau weaving and centralized production. These service craftsmen were forcibly recruited through the craftsmanship system and incorporated into various local weaving and dyeing bureaus in different forms of labor. The craftsmen used by the weaving and dyeing bureaus in the two capitals are mainly resident craftsmen; the local weaving and dyeing bureaus in Suzhou, Hangzhou and other prefectures are mainly made up of retained craftsmen, who belong to the category of shift craftsmen (see craftsmen households). In the Ming Dynasty, government-run weaving evolved over time. Weaving in Su and Hangzhou was stopped due to edicts to stop weaving. The production and operation methods of various weaving and dyeing bureaus have also undergone many changes. The changes mainly focus on the alternate implementation of three forms: bureau weaving, market purchase and collar weaving. Market purchase and collar weaving are usually supplementary means used by the government to search for pieces of clothing for the year when the bureau's weaving output is insufficient or stagnant. By the late Ming Dynasty, due to the decline of official weaving in the Jiangnan Su and Hangzhou areas, machine households took over the production of collar weaving and developed greatly. Collar weaving became the main way for the government to control and plunder the folk silk weaving industry. In the Ming Dynasty, weaving became an official position similar to that of an undercover agent. The prototype of Jia Mu in "A Dream of Red Mansions" is the sister of Li Xu, a weaver in Suzhou during the Kangxi Dynasty.