Job Recruitment Website - Zhaopincom - Experience of 202 1 art study: There are three general model essays with 2000 words.

Experience of 202 1 art study: There are three general model essays with 2000 words.

Art advocates nature, naturalness and undisguised, which is also the reason why famous foreign oil paintings are enduring. The following are the relevant reference materials I shared with you about the 202 1 model essay on art learning experience for your reference and welcome to read.

?

Art learning experience 1

?

Not long ago, I went to see the centennial oil painting exhibition in China, and I got a panoramic understanding of China's oil painting, from the landscape sketches of painters studying in France at the beginning of the century to founding ceremony and then to my father. After all, oil painting has a history of only a hundred years in China, and the famous works are still passed down from mouth to mouth, and none of them are buried. Pearl? . However, in the western world, in the course of hundreds of years' development, famous artists are like stars in the southern sky, but not many of them really shine all the time, and more of them are hidden with the development of the times and the change of tastes.

?

184 1 year, then the most popular French painter Paul? Delaroche, a famous painter from13rd century to17th century, was invited by the Paris Academy of Fine Arts to create the mural "Semicircular Room"? Erect a monument? . In this mural, he depicts the goddess of victory kneeling at the feet of three mythical gods who symbolize architecture, sculpture and painting respectively, while 40 artists from all ages are around them, including Raphael, Leonardo da Vinci, Michelangelo, Titian, Pu Sang, Lorraine, Verona, Van Eyck, Giotto, Diu Lei, holbein and Rubens.

?

As can be seen from the above list, in the eyes of people of that era represented by Delaroche, the best works and painters were concentrated in the Renaissance. Angelico's name seems to have been added to the list at the last minute. If we have almost forgotten the names of Edrink, Porter and Raimondi today, we can't find Botticelli, greco, Bosch, Brugell, Grunewald and Piero among these 40 great artists. The face of Della Francesca or Vermeer.

?

If we do a similar experiment in every era, there is no doubt that we will be interested in the so-called? Master of Arts? List of huge differences. Because, except for a few people, they enjoyed great fame before their death, and they are still alive after their death? The incense is strong? Some artists, such as Leonardo da Vinci, Raphael, Michelangelo, Rubens, Rembrandt, and perhaps Picasso, almost all the painters we consider talented and immortal today were not appreciated again until several years after their death.

?

For example,/kloc-Quito 0/9 century ago? Renee's name is better than now? The founder of modern painting? Giotto has a loud voice. But today, we can make a fair evaluation by comparing the works of these two paintings comprehensively. Although Rennie was quite active at the end of 16 and the beginning of 2007, Giotto's position in the history of painting is undoubtedly more important than him. Although Giotto's technique is relatively rough in terms of the application of perspective rule. Today, we classify him as a master, not because he paints well, but because he created a new painting method, which opened another door for future generations to see the world? The window? . Similarly, there is the monk angelico, who is now generally believed to have laid the foundation for the Renaissance in the16th century.

?

In fact, the evaluation of painters is always changing, and the taste of western art appreciation depends largely on the social values at that time, such as economic, aesthetic, moral and even political factors. Just as we re-evaluate Zhou Zuoren today, there is no room for Hua Tuo in any French cultural history. This painter was deeply loved by the public before his death, and was not considered as a famous painter of his time until the 9th century. The reason is that in 100 years after the French Revolution, his paintings, together with Fragona's, were regarded as rubbish of the old regime and were put in the cold.

?

Interestingly, the acceptance of the painting style at that time in a certain era also changed the previous evaluation. For example, during the period of 1950, Van Gogh was valued by people at that time, and then the Spanish painter greco was reborn. Similarly, surrealism became fashionable in 1960, prompting people to re-examine Bosch and Grunewald. In addition, the artistic theories and schools that occupy a statistical position also affect people's appreciation habits. The rise of romanticism made Italy and Flanders? Primitive painting school? Painters regained their appreciation in the early19th century. /kloc-Neoclassicists in the 0/8th century advocated simple lines and thought that technology took precedence over materials. After 1830, the opposite is true: people rediscover the importance of color and like vagueness and mystery, just as painters before Raphael first tried.

?

Repeat or even repeat? Shape? In this process, art critics and writers have played a considerable role. /kloc-At the end of 0/8th century, people only appreciated the works of Renaissance masters. This? Children? Actually, what was that? Three Renaissance heroes? Leonardo da Vinci, Raphael and Michelangelo. However, vasari's comments on Italian painting circles from 14 to16th century can not be ignored, such as Simabue, Giotto and angelico. Although people still can't agree with their style, they think it's unnatural. 1820 or so, the first batch of discoveries? Primitive painting school? Art critics appreciate them? Mysterious? Style. And by the end of 19, it will be theirs? Concise? What about theirs? Pure? , or theirs? Pre-modernity? , attracted the critic Ruskin, who influenced the art and literature of that era through these pre-Raphaelite figures and his French translation Proust.

?

Spanish painting was not known until the beginning of the19th century, and it was not until after the Napoleonic movement that it began to be known by people at that time. In fact, from Sulva Lang to Goya and greco, Spain's creation and contribution in painting is no less than that of France on the other side of the Pyrenees. The strong distortion, disregard for perspective principle, vitriolic style and spirituality in greco's paintings have aroused great repercussions. In the era when he lived, people thought his grotesque style was because of his madness, even because of his visual impairment. It was not until the second half of19th century that people recognized his imagination and listed him as one of the greatest painters through the strong recommendation of Delacroix, Gautier and Baudelaire.

?

1842, French leftist activist and art critic Theophile? Tuo Lei found Vermeer in the Royal Dutch Museum of Art, but he searched all the books about art, and he couldn't find a word about the French painter LeBron except a few words of praise published at the end of18th century. Because Tuo Lei portrayed it as a representative in his works published in 1866? Painter of human destiny? Painters began to be gradually accepted by people. After more than half a century, 192 1 year, Proust's Female Prisoner was recognized as a master of art.

?

People in the 20th century admired it? Modernist? , with the so-called? Development? Or? Progress? Interpret art from a new angle. Therefore, neoclassicism at the end of 18 and historical paintings of 19 century are unknown in this era. Similarly, because of this view, painters who left the modernist camp in those days, such as Dylan, Flemish, Chirico and others, were all spurned, and even pointed fingers for their contacts with the Nazis many times. On the contrary, some marginal painters in the past, such as Baithasar and Lv Xian? Freund and others were accused of being too? Academic? , is now considered orthodox. Simply put, all this seems to be because every era proves its correctness by raising the past. In order to achieve this goal, sometimes even to the point of fabricating history.

?

More interestingly, evaluating the merits of a painter is often emphasized because of the needs of the times. For example, Vermeer, first because of the humanity in his works, and later because of the rise of impressionism, critics praised his good control of light. Watto regained his favor a hundred years after his death. At first, it was because the dynasty restored people's nostalgia. What was valued later was his reputation as an excellent color painter and his view of the world? Sad? The point of view. The process of these discoveries is not only self-evident, but also often cyclical, because some painters who have been rediscovered may return to the obscurity they should be used to because of some special reasons or the change of aesthetic taste in a certain era.

?

Art learning experience II

?

I am very grateful to the Education Bureau for arranging such art training for us this summer vacation, and I am also very grateful to Teacher Han Simin for taking time out of his busy schedule to discuss art teaching with us. The training these days has really gained a lot. In three days, we trained the following:

?

1. Have you learned how to watch and discuss classes? What is observation and discussion? How to discuss in class?

?

2. How to teach? Every teacher has prepared a wonderful lesson. We watch and discuss the course.

?

3. Various problems existing in communication teaching.

?

Through such training, I want to make great progress and better improvement in my future teaching work. Although the training time is not very long, it has benefited me a lot.

?

From joining in September last year to working for a school year in June this year, I met new leaders and colleagues. A year's work has both happiness and trouble. During this year, the children I contacted were students from four classes in Grade Four and one class in Grade Six. Compared with the lower classes, the students in the middle and high classes have grown a lot, and there are always unexpected words in the classroom dialogue. I have a good time with them. Sometimes I play a little joke with them and the class becomes active. As for the classroom, as an art teacher, I think only by moving students can we stimulate our imagination. But sometimes, children who can't control themselves will create classroom chaos. Some classes have poor self-control ability, so I can't manage them. I've tried many ways, which really bothers me. Sometimes I wonder if I am suitable to be a qualified people's teacher. Therefore, I still want to strengthen the classroom learning atmosphere.

?

During the working time of one year, we will encounter various problems in teaching management and teaching. The three-day training this summer vacation has given me a lot of help in art teaching. From the teaching of new art teachers in recent five years, I feel a * * * similarity-reality. Everyone's teaching is more or less different, just as no two leaves are the same in this world. Everyone's lectures have their own distinctive lecture characteristics. The only male teacher in the training has a rigorous and steady teaching style. The classroom atmosphere of female teachers is lively and relaxed. Every teacher integrates his own personality characteristics into classroom teaching and runs his own teaching style through art class.

?

Each teacher carefully prepared the lecture in advance. The teaching steps are clear and clear

?

From the lead-in part, people-oriented learning, students' thinking, students' hands-on drawing to students' self-evaluation and mutual evaluation, as well as teachers' comments, they are all very serious. The course went well. I think every teacher's class can make people feel your serious attitude and attend classes seriously. I think this is very important as a teacher.

?

During the three-day training, I learned a lot:

?

1, an art class is actually very simple. As long as you have a clear mind, tell everyone the knowledge points and leave the rest of the time for students to practice. Only in this way can we take students as the center. For example, the second volume of the fourth grade "A Still Life Family", when I was talking about this lesson, was very complicated and the effect was not good. But after listening to teacher Zhang Huijun's lecture, I think she used colorful physical patterns and magnetic paper to solve the key problem of spelling scenery in this class by making students put it together. It is simple and clear, and students like it. It's worth learning. You don't need to think too much about teaching methods. As long as you are straightforward, clear and clear, arouse students' interest, and students do well on their own, you can succeed in this course.

?

2. Sometimes the teacher asks questions for too long in class, such as struggling for a long time to make students stand up and answer? How are you going to do your work? 、? What do you think a pattern stands for? Instead of giving them more time to think, it is better to use their imagination and really do their work. I think children should be given more time to really do it, not just answer it. Just saying these things is not good for developing students' imagination and creativity.

?

There are many teachers trained, but in the end, I found that there are almost no teachers who make board paintings for art teachers. After listening to my lecture, Teacher Han pointed out my shortcomings. The next high-quality class made a board painting and found that their basic skills of stick figure were not very good. The composition of the blackboard painting is unreasonable and the painting is not good. I think the teacher's painting is not good, and the students will not be persuaded by this art teacher, so I think I should practice strengthening my painting again in the rest of this summer vacation.

?

The teacher's presentation is too complete.

?

The teacher's sketching is of course important, but the teacher's too many demonstrations have created a preconceived impression and reduced the space for students' imagination and creation. For example, our art teacher spent a lot of time drawing the shape of a dog on the blackboard, and then all the students chose to follow the teacher to draw on the blackboard? Like what? Painting? Dogs? . This demonstration is counterproductive. Although the teacher is very serious, the result is that his thinking is imprisoned. I have the same problem in the teaching process. During this summer training, I discussed this issue with so many art teachers in my spare time, and everyone felt the same way. We have to pay attention to board painting in the future. Board painting only guides children, not just board painting. We let the children have more imagination through this board painting.

?

Although art class is painting, both Chinese and writing are very important. Mandarin must be standard and the writing order must be correct. I am very grateful to the teachers for pointing out my mistakes. Let me pay more attention to details in the future.

?

An important feature of art class is to cultivate students' sentiment and improve their aesthetic ability in art class. Art is a kind of visual art, which expresses life and transmits information through its own beautiful modeling. Teachers learn under the interaction of old and new experiences, instead of imposing knowledge on students, they guide students to transfer their existing knowledge and skills positively, which not only mobilizes students' subjective participation, but also embodies the main role of teachers. Good point, but we often do badly in teaching. As an art teacher, we should know how to tap the inner beauty and outer beauty of modeling and integrate them into classroom teaching, so that the visual image full of aesthetic feeling can be integrated with the classroom teaching art full of aesthetic feeling. We still have a lot to learn. Enrich yourself and your students with knowledge.

?

As a new teacher, I still have a long way to go in education and teaching, and there are still many places to learn and improve. I believe that I will make progress as long as I am motivated. On the way forward, I will keep my feet on the ground and move forward step by step.

?

Experience of art learning 3

?

In fact, I have been secretly looking forward to hearing that the district will arrange to go out to sketch, especially when I attended the annual art exhibition in the city not long ago and saw a teacher's sketch oil painting creation. Is that really the case? Envy, jealousy, hate? ! This time, we finally have a chance! Although my painting skills are not very good, I am very pleased with my progress in learning.

?

It was just that the weather was not very good, and it began to rain before departure, which lasted until the day before the end of sketching. Two and a half days' sketching time is a little short, but it is also a lot of gains, and I am still unfinished. This is my first time to come here and see the natural beauty of the original ecology for the first time. Dawa is really a beautiful place, especially in this season, the colors in the mountains become rich and gorgeous. Poplar trees can be seen everywhere, the leaves turn from yellow to green, dotted with persimmon trees, and the fruits are as lovely as small lanterns. In addition, some plants of various colors that can't be named are brightly decorated, which immediately reminds people of a word-layered forest? Many painters like to come here to sketch, as painters in the province? Sketching resort? , is still very real. It's a pity that even the water here has been polluted, and many originally clear streams have become dirty. Even the rocks inside have been dyed black, and there are no traces of small fish and shrimp? Although the villagers here are still simple and kind, they don't know that the most precious thing they lost can never be found again.

?

Sad thoughts are back. Let's talk about painting. We have 27 teachers here this time, according to? Chinese painting? 、? Sketch? And then what? "Colors" are divided into three groups. In order to save time, we packed our bags as soon as we arrived at our destination. Everyone took a bag of dry food and began to gather in the mountains.

?

Our group followed the experienced director Shang to the front, crossed a small bridge and then turned right. Suddenly, a path covered with fallen leaves appeared in front of us, winding and pointing to an unknown distance. While admiring this mysterious and beautiful nature, we continued to look for places suitable for painting, and finally found an interesting thatched cottage with a low wall made of stone. We heard it coming from inside? Huh? The cry was originally a sheepfold? The sheep here are also very interesting. It's all black goats, and I can't see a familiar white sheep on weekdays. Then, the first painting was dedicated to this? Antiques? Sheep pen Looking at this painting now, the relationship between reality and reality is not handled well and the subject object is not prominent. The painting is very immature-after lunch on the mountain, we found another hut on the mountain, but unfortunately, before we finished painting, it began to rain, so we had to go home and stay up until evening. I only painted for half a day on the first day.

?

Before breakfast the next day, there was a unified evaluation of the painting. Many Chinese paintings and colored paintings are beautiful, especially Mr. Chen's Chinese painting, which is very admirable. He has a deep foundation and skillful skills. At first glance, he is an old painter in China. After breakfast, he set off again, but this time it rained again an hour before the painting was finished, so we had to run back to our residence. On the way, we met many teachers who also came back. Back to the dormitory, I made up the sketch I had just finished according to my memory. I heard that Director Shang and Teacher Gu painted very well, and several of us went to learn. I feel really far from it! Mr. Gu's brushwork is skillful, and his composition is atmospheric. No matter his modeling or brushwork lines, he shows profound artistic skills everywhere. Director Shang's painting brush is flexible, rigorous in shape, appropriate in reality and reality, skilled in skills and rich in brushwork. No matter how trees or rocks change, they all have great artistic beauty. At the same time, they also gave us some guidance on several people's works and gave us detailed answers one by one. While discovering my own shortcomings, I also feel that I have really improved through learning, at least broadening my horizons.

?

In the afternoon, the rain stopped a little. We went out with an umbrella to continue painting. We found the mountain path on the first day and strolled on the path covered with golden leaves. There were trees with different postures and colors on both sides. What about the opposite side of the tree? All the layers of forest are dyed? Clusters of more trees, streams, rocks of different sizes, rock houses hidden among trees, the autumn wind rises at first, and the leaves falling in a whirl are gorgeous, even if it rains, it is a very beautiful artistic conception! As you can imagine, if there is bright sunshine, it will be another scene. I told my friends that this is really a paradise! Unfortunately, it rained again soon, so we took some photos in a hurry and reluctantly left here with unfinished paintings? Xanadu

?

Today is the last day, we are going back, but the weather is sunny! Early in the morning, before meals, there are many good works, not only good Chinese paintings, good oil paintings, good colors, but also many good sketches. Compared with before, I am embarrassed to take out the sketch. Everyone has their own unique style. Teacher Chen's Chinese painting this time is a stone house in the mountains to show the contrast between black and white and gray, and it is still impressive with his profound modeling ability and skillful Chinese painting techniques. The traditional Chinese paintings of several other teachers also have their own characteristics, and the effect is good; Several other color works, including oil paintings, are very rich in color; The colorful works completed by two people with colored chalk are bright and decorative; There is also the diligent and earnest teacher Wang Zhenzhen's colorful paintings, which are elegant and very aura; The last group of essays also have their own merits, and I was deeply impressed by Mr. Zhou and him. The composition is ingenious, and the spatial relationship of the close-up view of COSCO is well handled. Finally, adding a little color will make it more concise and beautiful, and the effect is very good. Another teacher, Mr. Zhang, is skilled in sketching, beautiful in composition and good in overall effect-there are other teachers whose works can't be named. Some specialize in shooting a small scene, but they are also very interesting, very decorative and aesthetic, and have obvious personal style. In short, everyone has made progress compared with the previous day, and the effect is obvious.

?

After evaluating this painting, there are still more than two hours. Using this precious time, we drew another sketch and took some beautiful photos. At noon, we will meet at 12, and finally all the teachers will take a group photo and leave this unforgettable place.

?

Two and a half days is really too short, and I don't feel enough, because my painting level is not very good, I have learned a lot and made a lot of progress. This is the best harvest, unforgettable beauty, unforgettable colleagues, unforgettable food, unforgettable spirit of mutual help and solidarity, although I can't name each other! I hope we can come again next year!