What does this film about the undertaker tell?

What does this film about the undertaker tell?

What does this film about the undertaker tell? It tells a very heavy story with a very gentle narrative technique, and this story is simple but very touching, because it is impossible for everyone to buy Where are you going? What does this film about the undertaker tell?

What's the movie about the undertaker? 1 The Master of Funeral was filmed by Japanese director Y?jir? Takita in 2008. Douban scored 8.8, ranking first in TOP2550, and won 8 1 Oscar for best foreign language film, which was a bumper harvest of the Japan Film Academy Award that year. At the same time, he also won the Best Asian Film Award at the Hong Kong Academy Awards that year.

The Dying Master is a gentle and peaceful film, which tells a simple story, that is, the cellist Lin Dawu sold his beloved instrument and returned home with his wife under the premise that the orchestra declined and owed a lot of loans. In his hometown, he found a job that many people, including his wife, didn't understand or even hate. In the end, Kobayashi Dawu gained the understanding of his wife, the respect of people around him and the reconciliation with his father through his persistence in his career and respect for death.

In my opinion, The Dying Lord is a very gentle film. He told a very heavy story with a very gentle narrative technique. This story is very simple but also very touching, because when it comes to where you are going, no one can buy it. Kan, there is only one life and only one relative, so even if this story expresses not only the pain of where you will go, it is enough to make the audience cry.

Personally, I think "embarrassment" is mainly manifested in three aspects. The first aspect is respect for death. Everyone may have experienced death and witnessed the complicated etiquette after death. In our country, most things about the aftermath of death are done by professionals, forming an industrial chain, but under this industrial chain are amazing benefits, which I think people who have experienced the death of their loved ones will understand. There is also a saying in our hometown that "the dead make the most money", which also reflects the huge profits of this industry from the side. The Japanese film "The Corpser" conveys the characteristics of this industry, which is not only a respect for death, but also the last contact with the deceased, so that the living can finally say goodbye and the deceased can go on the road freely. For example, this work is particularly serious. The list of "the cadre" did not deliberately sensationalize or enlarge the death, but started with the details of the cadre's work. From the beginning, Kobayashi was looked down upon and scolded by his family, and at the end, his family was full of respect for him, because his job was to let the deceased go to another world beautifully, and his attitude towards work and respect for the deceased were awe-inspiring.

The second aspect is to express the work regardless of rank, and also to express the Japanese craftsman spirit. Kobayashi's initial taboo and discomfort, and finally his seriousness and respect for his work are also a point to be expressed in this film. In people's traditional impression, the funeral profession is unlucky first, unclean second and profiteering third. The film changes from Kobayashi's attitude towards work, from his initial amazement and disgust at working for money, to the end of the film when he gently sends his father away. Such people's mentality has changed, their attitudes and ideas about work have changed, and they are equal to work. Trying to respect it is the real craftsman spirit. It is also the attitude and awe of the president and Kobayashi's seriousness and respect for his work, and his wife will finally understand him. His career is high or low, and hard work will make a job valuable.

The third aspect of the film is death, where will you go, human nature. When we are alive, we are often unaware of the fear of death, but when people around us suddenly die, we will find that death is so close. When my grandfather left me, I found that all the uncomfortable regrets were really insignificant in the face of death, but when I died, I was really where you were going. The person I love is the fate of my life. I will never see you again in my next life. Don't wait for real regret.

What does the film about the funeral teacher tell? Bereavement of Teachers expresses family stories in traditional families, reminding the living that if they are not afraid of death, they can live better.

As a traditional family feature film produced by Matsuzaka, The Dying Master exudes a cordial human touch. The film highlights the affection in different family relationships and can win the favor of middle-aged and elderly Japanese audiences.

However, there are also novel elements in the book, that is, Japan's unique cultural aesthetics, such as the funeral process. In addition, the story is easy to understand, funny and sensational, and the cello and other contents will not be separated.

Crucially, in the western world, the behaviors related to death often involve religion, while the dying teacher has almost no involvement with religion (the film director has a corresponding statement that he does not believe in the three major religions), which obviously provides an alternative oriental perspective.

The film seems to be talking about different deaths throughout, but it is actually reminding the living that only by not being afraid of death can we live better. As for the true feelings of the characters in the film, audiences in different countries can feel them.

Brief introduction to the story of "dying master"

The cellist Lin Dawu (Masahiro Motoki) lost his job due to the dissolution of the band. He and his wife Xiang Mei (Ryoko Hirosue) left Tokyo and returned to their hometown Yamagata Prefecture. However, even in Yamagata, it is difficult to find a job without practical knowledge.

"The age is not limited, the high salary is guaranteed, and the actual working hours are extremely short. We are looking for a travel assistant. " An eye-catching job advertisement attracted an epiphany. Unexpectedly, when he rushed to NK office to apply for a job with an advertisement, he learned, "Oh, that's misleading. We need someone to be an assistant to people who go to that world. "

The boss of this company, Sasaki (Tsutomu Yamazaki), explained the nature of his work to Dawu. The so-called "travel assistant" is actually the undertaker, who is responsible for putting the body in the coffin and making up.

Dawu hesitated for a long time and accepted the job. He vaguely told Xiang Mei that he was an assistant at weddings and funerals, which made her think she was a wedding assistant. A transvestite youth, a mother who left her young daughter behind, and a grandfather who died of countless kisses, in all kinds of deaths, Dawu gradually fell in love with the job of undertaker. However, after Xiang Mei learned the truth, she quarreled with him.