How can you cry like an actor? Urgent!

On this issue, the common treatment in film and television dramas is eye drops, or lens switching to cover your face so that everyone can hear crying. But we can't do this in drama or on the stage, especially in the art test. During the art test, the examiner won't make you cry during the performance. What the examiner needs to see is your true feelings, which are brewed by your emotions step by step. In the end, you cried with emotions, not for crying.

Then back to the topic, there is a link called "emotional memory" in the process of learning performance, and emotional memory is one of the essential elements of actor training. Emotional memory is the memory of the actor's past emotional experience and sensory reaction. It allows the actor to find his own feelings and reactions at that time by recalling what he experienced in the past, and then bring these feelings and reactions into the emotions needed during the performance, and imagine the relationship between the characters in the play as the real relationship between the characters, so as to awaken his emotions and find the feelings and emotional reactions of the characters.

Stanislavski described emotional memory in this way: "On the stage, the soul of the depicted image is organized by actors with their own living soul, their own emotional memory and other elements. How many mental elements, moods, moods and emotional notes does a person have? We should consume the means and skills we have mastered and draw emotional materials from our hearts. Secondly, we should use the emotional materials we have mastered to form a variety of cooperative methods such as the mind, personality, emotion and enthusiasm of the characters. First, learn to use emotional memory to revive. "

Here is an example. When actor Bo Huang was filming the film Dear, he needed to show his regret, sadness and helplessness after losing his child. Then he found the joy of the child, and the child didn't want to admit his loss and despair.

Bo Huang said when talking about the characterization of this film in The Performer's Words. "Say' dear' that. That role is just a performance at that time. When you are not sure, you suddenly change the name of the little friend, the lost child, into the name of your own child. When you suddenly read the lines, you will suddenly "wow …". Why is this happening? What he makes you feel is true. "

Then there is the method of body memory. Stanislavski said, "Body memory begins with body movements, so that external movements can stimulate joint emotions. For example, when you encounter a crying scene, you will recall your physical state when you are crying, short of breath and depressed, and then you will find that you will cry. "

Therefore, when we can't cry during the performance, we can think about the above two methods, use emotional memory and physical memory to open your body and mind, quickly enter your role and release your emotions.