Highlights of escape dramas 1942

We can all see tough and hardworking female images in Chang 'an, Ye Luo, Who Will Serve Mom, A Thorn and The Old Village Woman, but the difference is that this drama has a more profound epic style.

Aspect 1: Chen Xiaoyi Dahongni plays an old lady, a young wife and Tamia Liu's mother and daughter.

Chang 'an in Ye Luo has gathered many powerful stars, especially Dahong Ni and Chen Xiaoyi, who play "young and old couples" in the play. Although the two had cooperated in the play before, it was the first time for Ye Luo Changan to get together on the screen. At the beginning of the play, 17-year-old Hao Yulan was sold by 50 yuan to 18-year-old Bai Laosi. Bai Laosi, who has a bad temper, is often angered by his kannika nimtragol, who is full of ideas. But he was also moved by Chen Xiaoyi's Yulan. The "young and old" in the play seems to be a pair of friends who have stumbled through half a century's life journey, which makes people sad and touching.

In the play, two beautiful women, Chen Xiaoyi and Tamia Liu, "clash" in the play, which is equally wonderful. Chen Xiaoyi and Tamia Liu, who are elegant in temperament, play spicy mother and daughter in Chang 'an, Ye Luo, and their same stubborn personality makes them fall into contradiction several times. Tamia Liu, who looks sweet, plays Yulan's eldest daughter "Bai Lianhua" in the play. Lotus is as stubborn and strong as its mother. As the eldest daughter, she sacrificed a lot for her family. She loves studying, but her mother forced her to give up her studies and look after the children for her aunt. Therefore, Lotus fell in love with her mother and vowed never to talk to her again. Lotus's life is also bumpy. Suffering made her grow into an independent woman like her mother. With the growth of age and rich experience, she also understood her mother's difficulties at that time. Spicy mother and daughter finally turned against each other. Tamia Liu revealed that when she got the script, she couldn't get over it. She was deeply moved by Lotus's mother and daughter and once cried. In her opinion, Chen Xiaoyi and Dahong Ni, who plays her father, are artists, so it is an excellent learning opportunity for her. When shooting, she often came to the scene early to watch other teachers' performances, and felt that every scene was wonderful.

Aspect 2: the history of northwest immigrants is called "going east" to reshape Henan people

If Going to the East is the "Northeast" of China's modern immigration history, then Chang 'an in Ye Luo should be regarded as the "Northwest" of China's modern immigration history, and Chang 'an in Ye Luo, also known as Escape 1942, is adapted from the award-winning novel of the same name by Xi 'an writer Wu Wenli. 1938, the Yellow River Huayuankou burst its banks, 1942, Henan suffered another hundred years of drought. Successive years of natural disasters and wars have led to crop failure in Henan, and 3 million people have been forced to go west to Tongguan and rush to Shaanxi to survive. The Yulan family also fled to Shaanxi with the refugees. During their escape, they were sold by their mother to 18-year-old Bai Laosi, a big magnolia, at a price of 50 yuan, which began the story of "Henan people are in peace" that spanned half a century.

Chen Xiaoyi, Dahongni and Tamia Liu, the leading actors in Chang 'an, Ye Luo, are not inferior to Li Youbin and Salina in Braving the East. The essential difference from "Braving the Guandong" is that "Braving the Guandong" is all about Shandong people fleeing from the Northeast and inspiring entrepreneurship, and 100% purifies the excellent quality of Shandong people, which can be called the image propaganda film of Shandong people. In contrast, Ye Luo Chang 'an's reappearance of "Northwest Immigrant History" is more grounded. The Henan people in the play not only have the shortcomings of selfishness and calculation, but also have the charm of kindness and perseverance, so they collide with the calculation and kindness of the Henan hero. Yulan, a Henan girl played by Chen Xiaoyi, is kind and calculating, but she can never take advantage of her kindness. Zhang Jun's daughter-in-law looked for Yulan and begged her to find a job for Zhang Jun. Yulan took advantage of the fish in troubled waters and let Zhang Jun pull rickshaws with her husband Bai Laosi, earning 37 points. As a result, Laosi pulled more goods than before, but Zhang Jun quit all the menial work. Old four had nothing to say. He pulled his rickshaw and came back to push Zhang Jun.

Aspect 3: A grateful mother tells a woman's epic.

The story of this play begins with Hao Yulan played by Chen Xiaoyi. From the age of 10, she fled to Shaanxi with her family and settled in Xiaodongmen, an ancient city. At the age of 17, she married Bai Laosi, 35. After several ups and downs, she provoked a family story with her diligence, courage, shrewdness and struggle, which ended with Hao Yulan's 70th birthday. From 17 to 70 years old, from a girl to a kind old man, it tells the extraordinary life of an ordinary woman. Here in Hao Yulan, the history of this migration and struggle is no longer hazy, and the audience can truly feel that a woman's epic is also an epic of a group.

It is worth mentioning that Hao Yulan in the play is not the perfect image of hardworking women in traditional film and television works. As actor Chen Xiaoyi said, "Magnolia" has the diligence and wisdom of traditional women, but it is not a humiliation of Gao Daquan or Liu Huifang. She has friction with her parents, husband and children, and she knows how to fight for her rights skillfully in turbulent times, and sometimes she is a chicken thief. Chen Xiaoyi believes that it is these universal weaknesses of human nature that make the role of Yulan more real and touching, and also make her perform more passionately.