Huxiang cultural poems

1.35 An overview of the ancient poems about Huxiang culture and Du Fu's Jiangge-when the wind and rain ask, the stars and sand flow, and the guests hate the glory of the rivers and mountains, who wrote the waterfront pavilion, how to divide Hunan and Sichuan. According to historical records, the soul of poetry is still in Huanhuaxi. Tang Chaoqiu, Du Fu's good friend Wei Zhijin transferred the history of Tanzhou, and he waited, and Wei died. He is just a poor and sick man living in Changsha.

At first, it was just sent to the boat and stopped at Nanhu Port. The postal building near Hong Kong is also a place to welcome other friends.

It was only twice that Judge Liu was sent away. In the poem, it was said that "the old man Qiu Lai sailed in a boat, but he knew Changsha post when he was ill" and "he will stay on the river one day and stay in the old post office building in Changsha". Later, he moved to Hunan Electric Building, or claimed to be "Jiangge" in Xiaoximen area of Changsha.

There are poems such as "Jiangge is pregnant with rain", "The floors are covered with thunder and the sky is covered with water", "Jiangge is sick" and "The guest is thin in the kitchen and the pillow at the bottom of the river is clear". Du Yu met Su Xun in Jiangge, and wrote a poem "Su Xun Waiting for Imperial Palace Que" and "Mao Zhai Setting the Gate of the King City, Medicine Chu Old Fishing City"; When I met Li Guinian again, a poem wrote: "It is common to see him at the home of the King of Qi, but I heard it several times before Cui Tangjiu.

It's the beauty of the south of the Yangtze River, meeting you at the time of falling flowers. "The ruins of Jiangge are long gone, but now they have to be rebuilt on the original site.

Du Fu, a poet sage, stopped in Changsha twice in his later years and once lived in Jiangge, leaving more than 50 poems in Changsha. In order to commemorate this great realistic poet and world cultural celebrity loved by the people of all ages, the Changsha Municipal People's Government built Du Fu Jiangge in the Xiangjiang River scenic belt.

In view of Du Fu's long-term residence in Hunan, as the intersection of Huxiang culture and Du Fu's all-round contact, we have an indissoluble bond with Du Fu. We decided to choose Du Fu's Jiangge as the carrier, trace back to the source, radiate and conduct corresponding investigations, and pursue the mutual influence (or force) between Du Fu and Huxiang culture while remembering this great poet. The investigation report begins with Du Fujiang's song itself.

Du Fu Jiangge was built in memory of Du Fu. It is located in the Xiangjiang River scenic belt where Xihu Road and Xiangjiang Avenue meet in Changsha, and forms a vein with Tianxin Pavilion, Yuelu Mountain Daolin Second Temple and Yuelu Academy. During the Kangxi period of Qing Dynasty, a famous scholar in Changsha proposed to build a pavilion, a poem tablet and a statue for Du Fu in memory of the poet.

Since then, this phone has not been disconnected. In 2002, Changsha municipal government finally took on this important task.

Du Fu Memorial Hall, Xiangjiang Avenue in the east, with square steps in front of the entrance; The Xiangjiang River is in the west. The main building is 5 meters away from the Xiangjiang levee, and a terrace floats 5 meters on the Xiangjiang River. Du Fu Jiangge North-South Corridor is a poem tablet gallery. On both sides of the column, Du Fu's poems are engraved on stone tablets for people to learn. There are fan-shaped cloisters, arc-shaped cloisters and stone tablets.

In the north direction of Du Fu Jiangge, a hexagonal tablet pavilion, a double-eaved roof and a neutral tablet in the pavilion are planned, and the origin and process of the construction of Du Fu Jiangge by Changsha Municipal Government are described. There is a pavilion on the sidewalk of Xiangjiang Avenue in the south of Du Fu Jiangge, which is connected with the stone tablet gallery and is the secondary entrance of Du Fu Jiangge. The square pavilion is a single-story roof with four slopes.

Jiangge is a four-story building, with the height from the outdoor ground (riverbank ground) to the bottom of the cornice of 15.9 m and the height of the top of the roof of 19.5 m. The second floor of the building is the Du Fu Memorial Hall, centering on the statue of Du Fu. The outer wall is 2. 1 m high, with high windows. Painting on the real wall introduces the poet's life. On the third and fourth floors, there are poetry and painting clubs, which collect poems and paintings of famous scholars. On the first floor, there is a poetry, painting and calligraphy souvenir shop.

The facade of the building is a traditional Tang-style ancient building in China, with vermilion columns, antique lattice windows and white walls. The railings of colonnade steps are moire stone pillars and slate railings.

The roof rests on the top of the mountain, overhangs and cornices, and the curved roof is black and blue, which embodies the basic characteristics of ancient, majestic and heavy buildings in the Tang Dynasty. The east and west facades facing Xiangjiang Avenue and Xiangjiang River are the main facades, standing horizontally and vertically under the roof eaves, with the words "Du Fu Jiang Ge" written on them.

Du Fu's calligraphy tablet gallery project is located in the Xiangjiang River scenic belt at the mouth of West Lake Bridge in Changsha, with an investment of 1 more than 10,000 yuan. It will be completed in February next year, and 59 poems selected from Du Fu's works in Hunan will be presented to people. Calligraphy stele gallery is a part of Du Fu Jiangge, written by famous calligraphers Shen Peng, Li Duo, Yan Jialong, Li Li and He Manzong.

Du Fu wrote over 100 works when he was in Hunan in his later years. Because he lived for 59 years, only 59 works were selected to commemorate him. The cultural project of Du Fu Jiangge main building is mainly designed around the poems written by Du Fu, Changsha and Du Fu in Hunan and the influence of Du Fu on Huxiang culture. At the same time, pay attention to the overall environmental layout, in order to create the best historical and cultural atmosphere, adapt to the audience of different social classes, and achieve the effect of integrating knowledge and leisure.

The second floor is designed as a memorial hall. On the front of the hall is a large wooden bas-relief "Du Gongbu Xiaoxiang's whereabouts map", which shows Du Fu's whereabouts when he lived in Hunan, and complements the statue of Du Fu in the center of the hall.

On both sides of the hall are the poems of Du Fu and the poems and paintings of famous painters such as Zhang Daqian and Lin Sanzhi. In addition, couplets, large vases of poems and paintings, large antique mahogany screens, flower stands, several cases, rare potted flowers and bonsai make the whole hall full of rich cultural atmosphere. The third floor is devoted to the study of Du Fu's life.

Among them, in the form of poems and paintings, Du Fu's poems in Hunan for three years are emphatically displayed, which shows his life predicament of being sick and lonely and his great feelings of worrying about the country and the people. The exhibition is divided into six parts: family background, travel, ambition, poetry history, Hunan soul and glory.

It is planned to exhibit 100 pieces of pictures, poems, paintings, Du Fu's poems and physical materials. In addition, the overall style of the exhibition hall is similar to Jiangge Building, and the display wall adopts the style of swastika doors and windows, which can effectively bring the audience into historical just visiting. In addition, the lamination design adopts the page form of ancient thread-bound edition, which makes the charm of ancient culture stronger.

It can not only make visitors remember the rich poets in Tang Wenhua, but also make the whole exhibition hall concise, lively, dense and comfortable. The design team on the fourth floor is a place to show literary friends and fine products, and it is temporarily named "Juyaxuan".

The plan is divided into three small areas: model display, meeting friends and audience rest. There is a model of Jiangge in the center of the hall, with Qing Dynasty mahogany furniture, Four Treasures of the Study, antique calligraphy and painting, Xiang embroidery and strange stones on both sides. There are story paintings of Changsha people on the four walls, telling the stories of Qu Yuan, Jia Yi and other historical and cultural celebrities, so as to reflect Changsha's profound historical and cultural heritage.

Du Fu, a poet saint, wandered in Hunan for more than two years in his later years, and once lived in Xiangjiang Jiangge, Changsha, which was the last days of his life. In the past two years, Du Fu left more than 100 poems, of which more than 50 were written in Changsha, including the famous poem Jiang.

2. Find a poetic heart with Hunan culture to follow Hunan.

You opened a window for my soul,

Let me see a ray of sunshine.

From then on, forget the melancholy,

Let that warmth grow with me.

You gave my life a dream,

Let me feel cool.

Get rid of that little trouble from now on,

Let that sincerity go with me.

You set me sail again,

Let me listen to the sound of the horn.

Since then, riding the waves of Tao Tao,

Let that courage push me to travel.

You filled my life with hope,

Let me finish reading that article.

From now on, you should be ashamed of reciting poems with a blunt pen.

Let that heart sing with love.

3. About Huxiang Culture Huxiang culture is a unique part of China's multi-cultural structure.

In the past century, with the outstanding performance of Huxiang characters on the historical stage, Huxiang culture has been widely recognized and recognized by the world, and has become an important topic in the study of modern history of China. Needless to say, although these studies are numerous and have different names, there seems to be a certain gap between the overall grasp and the specific grasp.

Introduction to Huxiang Culture edited by Professor Liu Xu is an important attempt to shorten this gap and explore the essence of Huxiang culture from the perspective of systematic thinking. The key to the overall grasp is to find a window that is enough to take care of the overall situation, which is not easy.

The originality of this book lies in that it does not pay attention to the surface of facts and phenomena like many scholars, but to what is the most dominant thing for the whole culture-its soul. This "soul" is nothing but deeply embedded in the core of the whole, with its basic cultural spirit, which is the general hub of "pulling one hair and moving the whole body" and enough to "inspire the world".

What is the basic spirit of Huxiang culture? The author summarizes the following four aspects: "simple justice", "brave", "practical application" and "self-improvement". "Jane" means simple, vigorous, simple and bold.

"Heavy righteousness" means a strong sense of justice and group orientation. "Bravery" is the fearless spirit of facing difficulties and dying.

The combination of the two forms a unique and powerful feature of Huxiang culture, which has a distinct heroic color. That's what Mr. Qian Jibo said: "Hunan people are Hunan people, and people who emerge according to local conditions are strong in one word."

"Practicing the world", that is, the pragmatic spirit of attaching importance to practice, is a concentrated expression of practical rationality and the sense of participation of "every man is responsible for the rise and fall of the world". Once this universal category is combined with heroism, it will become a heroic spirit of "being the first in the world" and provide a clear goal for Huxiang culture. "Self-improvement" is the basic form of the universal spirit of "Tian Xing Jian", but in Huxiang culture, it is classified as "human extreme" and regarded as "cultural extremism".

This gives Huxiang culture a unique philosophical foundation. It is precisely because of this that Huxiang culture has a special character of "independence and isolation".

This summary is extremely comprehensive and accurate. Before this, critics often used "Huxiang character character" or "Huxiang cultural character" to summarize this point.

In contrast, the depth of this book is obviously outstanding. The basic spirit of Huxiang culture is the internal reason for the formation of Huxiang character, which is a higher concept than Huxiang character.

As the old man Hegel said: "The extension is the widest, that is, the connotation is the deepest ... The more advanced, clearer, more certain and deeper the concept is, the widest its field is." Undoubtedly, this is a historic breakthrough in the study of Huxiang culture and the first contribution of this book.

The genius of this book lies not only in revealing the most basic cultural spirit of Huxiang culture, but also in its analysis of the unique environment that forms this unique spirit, "go with the flow to seek the source, shake the leaves to seek the root." The author thinks that the most basic forms of things are space and time, which are the most basic external environment for the movement of things and affect the essence of things to a great extent.

As far as space is concerned, Hunan is surrounded by mountains on three sides and water on one side, which is a horseshoe-shaped area. There are mountains in the back and osawa in the front. In ancient times, compared with the Central Plains, it was a place where information was relatively closed, but on the other hand, it was a place where "hardships made you".

The hardships of the environment have honed people's strong and brave character. The occlusion of the environment has cultivated the spirit of independent thinking and not being in tune with others.

The ancients called "osawa in the mountains, producing dragons and snakes", and that's what it was called. From the time point of view, Chu people contain the ancestry of ancient barbarians, and then they merged with Yanhuang culture and became an important part of Chinese culture. They not only accepted the influence of Central Plains culture, but also retained the heritage of barbarian culture.

Geographical proximity makes this unique gene endless. The core of culture is man, and man is the product of environment, so Huxiang culture and people with this cultural character are born in this special soil.

The author's argument is consistent with the basic laws of materialist dialectics, so it is also convincing. After all, time and space are external conditions for the development of things. As we all know, external factors always work through internal factors.

So what is the internal cause of the formation of Huxiang culture? The author attributed it to the systematic population movement in this area. The resultant force of this systematic movement comes from two aspects: first, the indigenous culture, that is, the group Miao culture, that is, the southern Chu culture represented by Qu Yuan.

The first is the Central Plains culture, which is the Confucian culture represented by Confucius. Huxiang culture is the result of their conflict and integration.

The combination of elegance of Central Plains culture and wildness of Miao culture constitutes the unique style of Huxiang culture, which is stubborn, firm and fierce. The so-called "outstanding people, great scholars, before me, where are those lost times?" Behind me, where are the future generations? Without independent and free thoughts, there will be strong and unyielding ambitions. "This is called it.

This is the important reason why Huxiang culture "deepens ancient learning, but can find its own way without being fettered by ancient learning", and then "creates its own atmosphere and can stand on its own feet different from the Central Plains". The formation of Huxiang culture is the inevitable result of the systematic movement of the above factors.

From this, the author draws a conclusion: "The geographical environment, developed agricultural economy and multicultural integration of various ethnic groups in Huxiang area have formed a unique regional culture." This system generally reveals the origin of Huxiang culture.

This is the second greatest contribution of this book. The outstanding contribution of this book is also reflected in the comprehensive disclosure of the internal system structure of Huxiang culture.

The internal institutional structure is the decisive attachment and concrete form of the basic spirit, and it is also a misunderstanding of people. The author makes a detailed analysis from several aspects: Hu Anguo was the pioneer of Huxiang philosophy in Song Dynasty, and Hu Hong, Zhang Mian, Wang Chuanshan, Zeng Guofan, Tan Sitong, Yang Changji and even Mao Zedong formed their own unique style; "With the ethics of neo-Confucianism.

4. What is the essence of Huxiang culture? There are two generally accepted and typical views on the essence of Huxiang culture in academic circles: one is "worrying about the country and the people, being the first, applying what you have learned and seeking truth from facts"; The second is "worrying about the world first, perseverance and eclecticism". People tend to the latter, thinking that the latter can better reflect the spiritual essence and regional characteristics of Huxiang culture.

First of all, "being practical" is only the common feature of Confucian culture, and it can't highlight the regional characteristics of Huxiang culture.

Secondly, "seeking truth from facts" is an original way of studying in Confucianism, and it is only the academic choice of Huxiang School which is different from other schools.

Thirdly, "perseverance" is a concentrated expression of the role of Huxiang culture on cultural individuals.

Fourthly, "eclecticism" is a concentrated summary of Huxiang culture's open consciousness.

5. Briefly describe your understanding of Huxiang culture. Huxiang culture refers to a historical and cultural form with distinctive characteristics, relative stability and inheritance. Huxiang culture in the pre-Qin and Han dynasties should be incorporated into another historical and cultural form-Chu culture. Qu Yuan's poetic art and Mawangdui's historical relics have distinct Chu cultural characteristics. Since the Southern and Northern Dynasties, the Tang and Song Dynasties, due to historical changes and development, especially after several large-scale migrations in Song, Yuan and Ming Dynasties, Hunan scholars have undergone important changes in population, customs, fashions and ideas, and successively produced a series of thinkers such as Zhou Zi, the originator of Neo-Confucianism, Wang Fuzhi, who advocated applying what he learned and opposed Zhu Cheng's Neo-Confucianism, and Wei Yuan, who "opened his eyes to see the world", thus combining and constructing a new type of thinker. Chu culture in the pre-Qin and Han dynasties has an important influence on Huxiang culture constructed after the Song Dynasty, and it is one of the sources of Huxiang culture. After the incubation of Hunan and Chu culture in the pre-Qin period and the training of Central Plains culture in the Song and Ming Dynasties, Huxiang culture has created such reputations as "half talents in Hunan", "Zhongxing will lead the way, nine lakes will lead Hunan", "half of China's modern history was written by Hunan people" and "no army can be formed without Hunan" in modern times.

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