Who has the information and album of the Blue Foundation? Better be more detailed, thank you.

Blue Foundation is a Danish electronic music group composed of musicians from different regions. Its style is mainly electronic dance music, and its content is extremely rich. Accumulated many years of stage experience, from Denmark to Japan, the ups and downs of the Blue Foundation still brought the continuation of the Nordic spirit. In addition to the heavy beat and profound Astract artistic conception, Blue Foundation's music works also contain an element in their overall music concept, that is, uninterrupted world tour. From Chile to Bergen, from all over Europe to the United States and then to Kyoto, Japan, people from different countries can enjoy the performances of the Blue Foundation on the spot.

The Blue Foundation is a blue basic band, composed of six artists from Denmark, Japan and Britain (with three others performing live). Their music reflects the cultural life of modern cities. Music has been influenced by hip hop, trip hop, movie music, classical music and so on, resulting in a vague sense of returning to music history.

When Kiel and Yuan went to London on 1998 to find a disc player, they finally decided on the list of six members of the Copenhagen-based Blue Foundation. First, they got to know the Japanese DJ“Tatsuki who immigrated to London to learn DJ skills and perform live. Then I met Kite and AB, who had done some sampling experiments in Copenhagen, so naturally Kir and Reefr were invited to co-produce their album. Later, some performances by rapper Jabber in "Skizzo" quickly caught Kir's attention. Kite has been looking for an English rapper with a strong personality, which is completely effortless. Finally, Jabber's performance was unanimously recognized by everyone. Although gobbeat! The company had long been interested in publishing their records, but in the end, they handed over the publishing rights of the first album to April, a subsidiary of Miracle Sound Company, and after taking the lead in launching "Wise Guy/Hollywood" EP "EP" in August 2000, they finally officially released the band's album of the same name "Blue Foundation" in 20001early. In addition to the heavy beat and profound Astract artistic conception, Blue Foundation's music works are also an element of their overall music concept: from Chile to Bergen, a port city in southern Norway, from all over Europe to the United States, and then to Kyoto, Japan, people from different countries can enjoy Blue Foundation's performances live. They are convinced that Jabber's provocative rap style often makes the whole stage boil, and that feeling can only be felt on the spot. Jabber is still very young on the stage. He has his own words for breathing. His performance includes a poem similar to BO. They toured Scandinavia and Japan, performed in front of a group of dancers at 2 am and returned from a two-week tour. Their energy seems to be able to achieve any goal. 1999, they attended the Jazz Festival in Copenhagen. They used a night of music and visual effects to show that the Blue Foundation is equally popular in performances and recording studios. They can always bring something new and unusual, and take you into the journey of modern urban music culture in London, Osaka and Copenhagen. Endless exploration of new impressions, constant attempts between culture and sound art, the Blue Foundation continues to do what they want to do. They only have one most important idea, that is, to keep true and develop constantly, and to push the music language into a field society that has never entered. That's why Calm (Japan), Bartender (Japan/Britain), Silicon (Japan), Animal Flash (D), DJ Krush+Hidden (Japan) and other artists joined forces to perform. So Tatsuki toured with DJ Krush (Japan), DJ Klock (Japan) and Baku (Japan). They exchanged musical ideas, learned from each other and had a good time. The Blue Foundation often performs in music festivals, theaters and bars, and often uses different media, such as radio, television and the Internet, to expose more people to their music. The Blue Foundation is now back in the studio and trying to collect materials for their new album. Some of the works will be co-produced with Spikey Tee and Blood and Fire Band from England, and the bellicose mentality from America will be added to the production, and some Tatsuki Solo will be specially added. Not inferior to MC Jabbe's own rap, their stories continue in constant creation. After a series of performances, this band from Denmark finally brought their new album "Days of Sweeping Everything" in 2004. Throughout the album, although there is no gloomy and depressing atmosphere like Trip-Hop, and the lyrics mostly describe the suffering and loss in love, this carefully arranged orchestration, smooth and beautiful song melody, Kir's almost perfect vocal performance, and more exquisite scraping level and beat processing all prove that they are not only inspired by frequent performances, but also proved their strength again with more mature performances. Kir sang at the beginning of the title song "When I Move on", and his voice performance can really be described by blowing bombs, especially the words "I am alone, going for a ride". Travel alone and relax your vigilance. " It is important to note that after singing, the beats suddenly overlap several times. This technique is not new, but it is especially suitable for the transition to the next section here. From the beginning, Doomsday created a brand-new combination mode of hanging disc and guitar. First, the deep guitar and bouncing beat cycle back and forth, and inadvertently the beat has evolved into scraping the disc. Before you could enjoy it, it returned to its previous beat, but before long, the ball fell to the ground and bounced again. This scraping disc finally showed its true colors, and the restless electric guitar sounded quietly. But just show your face and stick to the rhythm of shaving. As the scratching sound becomes more and more exciting, the electric guitar is fully displayed. Unexpectedly, all kinds of feminine Kir sounds just came out. After singing the first paragraph, the electric guitar roared again, but immediately hid behind shyly, but the beat became more stable and powerful, which was a clever change between the first paragraph and the second paragraph. After Kir finished the second paragraph, there was a quiet pause, and then Kir's atmospheric songs rushed out with the roaring electric guitar and magnificent beat, which was quite shocking. All this is because of the previous pause. Although it was only a few seconds, it was really fascinating. So many changes only took 1 minute! After this climax, the transition between the fourth and fifth paragraphs was replaced by the overlapping effect of scraping vegetables. Although the lyrics of the whole work are very short, only six short paragraphs, every two short paragraphs are connected and changed as much as possible, and they are not repeated every time. From the preparation to the release of the climax, they all show the skill of putting it back and forth freely. In addition, the outstanding works in the disc include the overlapping effect of delicate background melody and middle trumpet in ricochet, the lingering of slow beat and trumpet in 02. 17 Am, and Shining with a wonderful beginning like Doomsday: First, slow beat is mixed with old singing noise. Finally, the smooth and perfect performance of the finale "My Day" once again proves that this is a record with great pop potential. Speaking of the sound of Norwegian miracle records, I believe many fans of dark waves or metals will feel very cordial. In fact, the types of music promoted by the Voice of Miracles are not limited to this. Many independent small brands have been set up under the Voice of Miracles, among which April is a company specializing in electronic music. In addition to the Blue Foundation, April also signed a Trip-Hop band Time Crazy. And anyone who gets the list of Blue Foundation band members for the first time or sees their photos may be shocked. There are as many as 9 members in the whole band! This is relatively rare in the Trip-Hop frequency band. These nine members are three producers: AB, Tatsuki and Kite. Three voices: MC Jabber, Reefr Kid, Kir. Bassist s Martin, percussionist Negalay, trumpeter B.C. Rand. Look at this posture, there are three producers alone! The vocals are different from those of some male and female Trip-Hop bands in the past. They are two men and one woman. But in fact, Kir's vocals are heard more in the album, and in the live performance, the vocals of men and women are more even. I wonder if they treat albums and performances differently for commercial reasons? But it is precisely because of the participation of three producers that the Blue Foundation has ensured that the overall concept of music is not guided by personal ideas, and the possibility of music experiments is strengthened, which is no longer as simple as some previous bands. In the band's self-titled album "Blue Foundation" released at the beginning of 200 1, we can get a glimpse of the benefits brought by the three producers. There are many rich samples in the opening song "Wiseguy". Especially in 3 minutes and 23 seconds, the work retains a pure beat experiment as long as 1.5 minutes. With the undulating piano bass as the background, sparse treble and percussion instruments are input in the slow beat until the final weakening. After that, "Grand" came with the noise of old records, tiny piano sound and soothing trumpet sound, and Kir's singing was obviously different from the first "Wiseguy". "Trouble Witch" finally heard Jabber's rap, and was madly praised on the official homepage, but it felt very ordinary. Smash opens with fresh pieces of guitar. This fresh guitar is like frost flowers floating on the glass window in the morning, which makes people fondle it. Few people dare to use their own names as the names of their works, but Jabber made an exception, or was it kite's idea? In Jabber's works, Jabber changed the typical black rap style of Trouble Witch, and replaced it with a deep and heavy voice, similar to the sticky feeling of British white rap in the original Attack, and somewhat similar to Tricky's rap, which well set off the gloomy atmosphere of the whole work. Like the ever-changing twittering, Kir turned into a delicate and lovely little girl in Hollywood. The pronunciation of the word "far" in the sentence "I can reach my head so far with my height" feels like a little girl sitting on your knee with two braids, coquetry, hairpin pestering you to buy her candy, and the lyrics are the same. After the pure instrumental work "Germination", it is my favorite "Black S" in this disc. After the heavy beat, there is a pure atmosphere from 2 minutes and 57 seconds, a faint vocal background, a bass hovering at the bottom, a continuous cymbal sound and clear water waves. Suddenly, a rush of gunfire sampled from an old movie broke the silence, and the previous beat and sound rang again. The creation of this atmosphere has a strong sense of picture and imagination. Generally speaking, the Blue Foundation is quite successful in creating an atmosphere, but privately, many works are still done according to some usual routines. In the dark beat, there is still a lack of the strange claustrophobia of female voices. In short, it would be better if we could be bolder, stop playing cards and do whatever we want, not to mention that they have three producers.

works

Catalogue of Blue Foundation Records: Blue Foundation -2000- Wiseguy/ Hollywood Blue Foundation-20065438+0-Blue Foundation Artist: Blue Foundation Title: Wiseguy/ Hollywood Brand: April/ Voices of Wonder Date: 2000 CD No: apr 05 1CD/apr 05 1 Playback: ★★★☆ Track list: 1. Hollywood (Blue Foundation). -3:58 2.Wiseguy (Blue Foundation)-5:09 3. Wiseguy (Blue Foundation)-3:22 4. Bree Bree Bass performed by Blue Foundation/DJ Black Belt-4:24 5. Missing (Blue Foundation)-1:39 6. Hollywood Misty Mix (blue foundation)-3:55 7. Hollywood (Blue Foundation)-4:06 8. Hollywood (Blue Foundation)-5:08 9. The misty beat (1/3 to be determined)-:5 1 10. Prunes beat [Prunes]-3: 18 1 1. Beat Saito-1: 55 Artist: Blue Foundation Title: Blue Foundation Label: April/Voice of Miracles Date: 200 1 CDNo.: apr 054 CD/apr 054 Playability: ★★☆ Track List:1. Smart guy (Blue Foundation) -5: 05 2. Big (Blue Foundation). -5:02 3. Trouble Witch (Blue Foundation)-3:39 4. Crush (blue foundation)-3:06 5. Jabber (Blue Foundation)-4: 18 6. Hollywood (Blue Foundation)-3:57 7. Bud (Blue Foundation)-1:50 8. Black s (blue background)-4:53 9. Mazda (Blue Foundation)-:58 10. Hide (blue foundation)-4:06 1 1. Cut Me (Blue Foundation) -3: 57 12. JHurt (Blue Foundation) -4: 18 13. Evo (Blue Foundation)-4: 41A great psychedelic album. Blue Foundation is composed of musicians from different regions, so in terms of creative style, it must be. 0 1' s album of the same name officially established the band's position in psychedelic dance music. I thought that once this kind of band left the recording studio, its advantages disappeared. In fact, the Blue Foundation's passionate performance on LIVE is equally popular. The special processing effect of this ending sound feels like being shrouded in dense fog. Both male and female voices are very penetrating, and the skillful control of electronic elements adds a sense of mystery. The single "Enemy" released in August just listened to the change and captured my ears. I was completely immersed in this psychedelic atmosphere. Accumulated many years of stage experience, from Denmark to Japan, the ups and downs of the Blue Foundation still brought the continuation of the Nordic spirit. 200 1, 1, the band released its first album of the same name, electronic music label, in April. Their ambition for music creation is to actively integrate different cultures and various musical elements into music. In addition to the fixed five-person group, they also tried to cooperate with musicians from Japan, Britain and Germany to perform more planned tours in Japan, the United States and European countries. After two years of creation, following the first album of the same name, the second album "Armageddon" was officially released. In this work, they used more acoustic instruments to create the atmosphere, such as violin, cello, guitar, piano and Japanese organ. Blue Foundation, which has been actively exploring new possibilities, not only has Kirstine's voice performance similar to Bjork and MC Jabber, which has been well received by the media, but also invited several musicians to make guest appearances, among which Blood &；; Spikey T of Fire sang a song called Embers, while Japanese rapper Sato-ji o sang Yellow Man in Japanese. In addition to many excellent works such as Trip Hop and Downton Abbey, there are various lively and fresh works such as Save this Town. Singer: Lanji Artist Name: Lanji Album Name: Sweeping the Sky Distribution Company: EMI Music Type: Dance/Electronic Music List: 1 History II. When I count to three. The end of the day (silence) ricochet members bonfire yellow people shine to save this town. My eyes are fixed on the dusk of the fire. 56638.86666666669