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Who are the historical celebrities in Zhangjiakou?
Hu Xuewen was born in a small mountain village in Guyuan County, Hebei Province on 1967.
After graduating from normal school in, Zhang returned to his hometown to teach in Baituyao Township Middle School, and went to Hehe two years later.
After studying in Chinese Department of Beijing Normal University, 1992, I went to teach in No.4 Middle School of Guyuan County.
65438 to 0997, to Guyuan County Education Bureau. In 2002, it attracted much attention because of its literary achievements.
Working in Zhangjiakou Federation of Literary and Art Circles. Hu Xuewen's novel creation began in No.4 Middle School of Guyuan County.
During the publishing period, the first novel "Riding a Donkey to Read Song Shu" was published in Great Wall Literature and Art 1995.
Question 1. Hu Xuewen's creative talent has not been collected since then, and has been "growing"
City, Yangtze River literature and art, people's literature, contemporary, China writers, etc.
More than 200,000 words of short stories and novels were published in academic journals, and the novel "Burning Paleness"
White 1999 was published by Inner Mongolia People's Publishing House. Among them, Autumn Wind Farewell and Extremely
De rouge, the growth mode of a tree, the marriage hole, bending over, etc.
Selected novels are reproduced. Hu Xuewen's novel creation was calm at first, but
In recent years, it has matured rapidly and gained more and more social repercussions, which is exactly where it belongs.
Two-part allegorical saying written by a woman writer: riding a donkey and reading a song book-we'll see.
As a down-to-earth son of grassland, Hu Xuewen cherished and nurtured his ancestors.
I cultivated my vast grassland. Reprinted his novella Polar Region in Selected Novels.
In The Novelist of Rouge, Hu Xuewen publicly expressed himself.
My own feelings: "I have a preference for the scenery of Bashang grassland." Hu Xuewen
Enlarging the charming poetry of grassland civilization with almost paranoid novel narration
Quality.
Hu Xuewen showed the rich poetic culture in grassland civilization with deep affection.
Han. First of all, the dignity and health of grassland people's life is a culture he strongly advocates.
Point. Heroes of all ages on the grassland are dead, but what they can't stand is themselves.
Dignity is defiled. Hu Xuewen attached great importance to them when he created the image of heroic descendants.
The legacy of ancestors is displayed in the body. Shi Dongshan (Blood and Milk from the Same Root, The Great Wall)
No.6 at 1999) wandered alone in the case of separation and homelessness.
Flagpole fence, struggle hard, finally gain a foothold and build your own leather goods.
Acquisition station. This success is permeated with the solemn publicity of life. Lotus ("Flying")
Women, People's Literature, 12, 2002) This young Bashang mother,
Because I want to find my lost daughter to go to town, I am a person, and I am very embarrassed. But she
The blood of grassland heroes flowing through her made her persevere, although in the end,
I didn't get my daughter back, but I got a fair deal and won countless applause.
The more fascinating aspect of grassland poetry is its devotion to life. Some grass in the novel
The old man, like a lame shepherd (Farewell in the Autumn Wind, Novel Monthly 1999 No.3)
Period) Shi Laoren ("Walking West", "China Writer", No.5, 2003) is in this respect.
Pass on the mantle. The lame shepherd values piety most. On the one hand, his piety shows that
In order to protect the grassland, he does not destroy it, nor does his family allow it to be destroyed.
Not good. Knowing nothing about ecology, he advised his daughter-in-law not to dig herbs on the grass.
The reason is that "the grass slope is the life of north beach people, whoever digs it will go back." This comes from
Ancient experience mixed with witchcraft advice reflects the concern of lame shepherds for grasslands.
Almost superstitious piety If we don't make a strict understanding, people should be kind to this old sheep.
Xian expressed admiration for his piety because he was interested in the earth on which human beings depend.
Fear is a valuable spiritual resource for us to avoid overall extinction.
The most fascinating aspect of grassland poetry is the passionate love for grassland. Hu Xuewen's novels
The fresh expression of grassland love is fascinating. Little Red's Fire in Polar Rouge
Passionate love is the beautiful blooming of grassland. MCA in Westward Journey is not afraid of rudeness.
Threatened by her husband, she resolutely put her fiery body and deep love.
Dedicated to your lover. In MCA, we really felt the women in Bashang.
People's unique understanding and persistence in love, although they die without regret, despite all difficulties.
Unyielding.
The dignity and health, piety and infatuation of grassland people constitute the beauty of grassland people.
A beautiful picture of human nature shows the charming poetry of grassland. Hu Xuewen is a grassland.
The persistence of later generations has made arduous and meaningful explorations. This is his interest in grass.
A heavy and powerful defense of the existence of primitive civilization. This makes us very clear.
I deeply felt the heroic character of the grassland people, and I deeply understood the grass.
The cultural implication of the unity of heaven and man, simplicity and innocence in primitive civilization.
However, in the novel, Hu Xuewen can't hide his growing interest in today's grasslands.
The uneasiness of decline. First of all, the tide of desire in modern cities is expanding everywhere.
The grassland has been destroyed, and the Inner Mongolia prairie is full of green grass and cattle and sheep.
Disappeared from our earth bit by bit. On the dam, the arrival of drug dealers was ignited.
The fire of local people's desire. Instigated by desire, they squeezed crazily.
The plasma of the grassland on which it lives. Pieces of grass are barren and bare because of blood loss.
The dry surface, gravel, strong winds and sandstorms covered the sun and disappeared.
Scene. Secondly, desire distorts the humanity of grassland, which is different. Cui Hua wants to build.
France wants to save money to buy a color TV. The desire to own a color TV is more than anything else.
Even more than herself. She was defiled by yellow because she longed for a color TV.
Body, but she was "attracted by the beautiful prospect, and her eyes lit up." She thought
Although let yellow dirty body, but still cost-effective. So she hummed happily again.
Get up. "This detail is very dazzling. Published in The Great Wall, No.2, 2002
The third novel "Bend Down" shows the distortion of grassland humanity more strikingly. Dangdu
After Mei redeemed Eiko Niang who was detained for whoring, "Eiko Niang is grateful, at the end."
Said a word. Eiko's mother said, next time I have something, Du county magistrate doesn't want it.
Come to me. "The novel is said to be poor because of Eiko Niang's prostitution.
I feel pity, but Eiko Niang expressed her continued prostitution in such a tone.
Decisive will, no matter what, can't help but be shocking. Let Hu Xuewen more worried.
It is the decline and deterioration of grassland heroes. In Hu's novels, people are abrupt.
There are not many people who feel that the blood of nomadic people is still there, and they are all elderly people.
Such as the lame shepherd in Autumn Wind Farewell. Since ancient times, heroes have become teenagers, and heroes are old.
That is, the old man buried in the earth and buried in his chest just shows the scene of the lack of successors of grassland heroes.
Conditions. There is a saying that we lose the green, the frankness and the heroic grassland.
No gloomy meaning.
The serious poverty in the daily life of grassland people has aroused strong concern in Hu Xuewen.
Worried, he then tried to explore the cultural background that caused this dilemma. His adventure prediction
Suppose it points not to an ancient paradise, but to modern civilization. Hu Xue
Wen pointed out this fact sadly and expressed his happiness for the grassland people tomorrow.
He is looking forward to it, hoping that the prairie people can learn from this painful experience and improve their cultural elements as soon as possible.
Quality, master the norms of modern civilized life, in order to change their unfortunate weak position.
However, if the first few songs about the poetic and humanistic style of grassland are combined with the last few songs,
Facing the desire for a prosperous life on the grassland, you will find that Hu Xuewen is very small.
Words contain a pair of contradictions to be reconciled. From the perspective of ultimate care,
Prairie people's perfect state of harmony between man and nature, Wang Yang's wanton vitality,
The spiritual life full of true feelings and love is exactly what modern civilized life lacks.
Rich spiritual wealth should be preserved. Yin Ge wrote in her notes.
"As soon as I got on the dam, I was attracted," he said. In front of my eyes is the long grass of the sea.
The endless naked oats in the wild and the leisurely sheep and horses on the grass beach make people
Feel a primitive vitality. My tired heart suddenly relaxed, as if there were
Clear water swings all over the body. I think the air is filled with the mixed fragrance of grass and naked oats.
I don't have enough nostrils, so I open my mouth to breathe. ..... I understand a.
Once I leave this earth, my song is still pale and weak, and I feel sad for it.
Sadness. "This fully expresses the deep life that modern urbanites have gained by returning to the grassland.
Pleasure emphasizes the value of grassland spirit. But from the perspective of modernization,
The spiritual life of grassland people presents a closed and conservative attitude, which is only a kind of guidance.
The life of grassland people is full of suffering, and the reason why the dream of happiness cannot be realized is that,
Should be abandoned. How to solve this contradiction? In the novel,
Just can see the trend of Hu Xuewen's choice. He hopes that the grassland will go to the present.
With modernization, grasslands can live a rich and beautiful life, and at the same time, they can avoid the modern capital.
The disadvantage of being too eager for city life is to keep the grassland beautiful and poetic.
noodle But how to achieve this goal, he did not seem to find any ideal.
Solution. Therefore, while I am full of enthusiasm for Hu Xuewen's good wishes, I admire him even more.
Enduring the pain that he doesn't know how to realize his good wishes, this is also a beautiful poem on the grassland.
Sex and the pain of lack of daily death knots. This kind of pain is epoch-making,
In today's cultural context, there seems to be no possibility of lifting it. In a sense.
In fact, it can be said that this kind of pain is permanent, because history is always progressing.
At the expense of losing poetry. The victory we may win is just for the sake of
This damage becomes minimal.
"Famous overseas" Wang Jianmin
On a sunny day in 2002, the breeze of Apennine Peninsula blew the water city Venice. Wang Jianmin, an oil painting researcher at Zhangjiakou Normal University, was invited to exhibit his carefully drawn oil paintings with postmodern expressionism in Santa Maria Exhibition Center and Beruno Museum. The exhibition attracted the attention of local boxing circles and media, and many local media wrote articles introducing and commenting on his works, which caused quite a stir. Mr. Gillette, a famous Italian boxing critic, commented: "With the help of the expression of western painting and the artistic conception and charm of China's ink and wash language, your works appear heavy and atmospheric, interpreting or implying the infinite charm of ancient and magical oriental art with avant-garde ideas and thoughts."
Feng Ruili, the "Bailing" outside the Great Wall
Feng Ruili was born in Chaigoubao Town, Huai 'an County, Zhangjiakou City. She likes singing and dancing since she was a child. 1989 was admitted to Hebei school to study dance, Jin opera and folk songs. 1993 was assigned to the municipal art troupe. 65438-0997 was admitted to the vocal music department of PLA Art College, and studied vocal music systematically. 1998 is a turning point in Feng Ruili's artistic path. That year, she perfectly blended classical artistic temperament and national charm, and won the first place in the national young singer TV Grand Prix professional group pop singing and the only special prize in the competition with an atmospheric "Scream for the Moon". Commenting on her singing, people concerned said that her singing was like a rainbow, and when generate came out, it brought people a shock in hearing and soul. Since then, good news kept coming, and Feng Ruili won the first prize in the international music competition held in Ukraine. She won the silver prize in the first modern Delphi international art competition held in Russia ... and achieved a series of excellent results. She won honor for the mountain city.
In recent years, Feng Ruili is often active on the stage at home and abroad, but her feelings for her hometown are not indifferent at all. She will take an active part in the performance in her hometown. When interviewed by relevant reporters, she said emotionally: "My hometown raised me, and no matter where I go, I will never forget that I am from Zhangjiakou."
"Best in Asia" Bai Jie
"Steady, accurate and definite"-this is the most accurate evaluation of Bai Jie, a tomboy who has just raised the trophy of "Best Female Player in Asia" and is called "Ghost" by American journalists. Prior to this, she won the Asian Games in Bangkok with 1998 and the runner-up in the World Cup with 1999 on behalf of the national team.
Bai Jie, born in1March 28th, 972, is 162 cm tall. It is hard to say that she has a talent for playing football. However, she just likes it. In the fourth grade, he was attracted by Zheng Weimin, a teacher of Dongfeng Primary School, and transferred to the primary school to play football. 1982, when Nancaiyuan Primary School established the first primary school women's football team in our city, she moved from Qiaodong to Qiaoxi. Learning from Mr. Suo Zhiyong has become the core of the team. 65438-0986 began to learn to play football in Shijiazhuang Hebei Youth Sports School, and 65438-0989 joined the Hebei team. 1996 was transferred to Bayi team, and 1997 10 was officially selected for the national team. Bai Jie is positioned as a defender and a striker on the court. Bai Jie, who was born in the army, was called "Jade Hand" by his teammates. Her fierce fighting, fierce play, tenacious will and extremely fast speed are the capital of her assists.
199765438+February, participated in the 1 1 Asian Women's Football Championship held in Guangzhou, won the championship in cooperation with teammates in June and July, participated in the third World Cup Women's Football Championship held in the United States, and won the second place 1999 65438.
Ma Liangxing said of Bai Jie, "Yes, every coach likes players who can stand up at critical moments. Bai Jie is such a player.
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