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How to evaluate Mr Mu Xin's literary attainments?
Today's post-90s and post-00s will definitely be unfamiliar with the ranking coding sequence "Lu Ba Lao Zheng" in China's contemporary literary history. Under this description, Zhang Ailing, Qian Zhongshu, Shen Congwen and Fei Ming were all silenced.
Mu Xin can be regarded as a contemporary of Zhang Ailing. His birth is famous. Wuzhen, Zhejiang, a rich boy, has a family background since childhood. Mao Dun, a new literature guy, is his little brother and has a lot of knowledge. At the same time, he came into contact with a large number of new literary works, which laid the foundation for his aesthetics. Although Mu Xin worked in arts and crafts, he was imprisoned in Shanghai and had three fingers amputated during the political turmoil in New China. However, his artistic accomplishment is extremely high, and the deposition of daily life in prison has promoted his plastic arts experience to be deeper, and he immigrated abroad for the first time under the new situation. What Mu Xin admires is that, unlike these scarred writers who reflect on literature, he pours out his tragic experience as a victim and seeks resources.
He was an early China artist, and his works were collected by the top western art galleries. China has always been a landscape poet. After studying in the United States, Chen Danqing and other artists became friends with Mu Xin, and he was admired by the Museum of Plastic Arts with a completely different consciousness from the old style of writing in mainland China. At that time, Mu Xin's works of art, poetry and prose gradually showed his basic skills. Mu Xin lamented that China's younger generation was slow to understand plastic arts, and was invited to give them a special lecture on the history of China literature. Five years later, the textbook was finally published by Chen Danqing and named Memoirs of Mu Xin Literature (Volumes I and II).
This unique book was published by Guangxi Normal University Press in combination with Mu Xin's collection. Under the admiration of Dan Qing, Sun Yu and others, Chen Rang entered the public's field of vision. Relying on his poems, books and paintings, ordinary people have a feeling of being superior to others. Because of the traditional literary interpretation consciousness, it is impossible to follow Mu Xin's works.
Mu Xin connects China and the West, ancient and modern. His writing is distinctive, charming and interesting for a time, such as his narration of the literati in Shanghai pavilions in the 1930s and 1940s. Looking back at his hometown, he lacked the depression and frustration of Lu Xun's style, but echoed the traditional style of China's ancient civilized behavior. His short poems, coupled with his unique exposition of the Book of Songs, are by no means half a bucket of water on Professor Dan's road.
Mu Xin's writing is very beautiful, and his use value lies in folk customs. 15 has been to wuzhen. I was lucky enough to attend a local seminar on Mu Xin's works and visit the Mu Xin Memorial Hall. He is a valuable person who unifies history and humanity, and he keeps awakening, neatness and western etiquette. In the interview, I also saw the local people's admiration for culture and art. Modern writers in Zhejiang bear almost half of China's modern literature. Mu Xin was influenced by the local writing style, and his own constant thinking and writing won him a high reputation.
I still remember that in a family (who used to be a barber), there was a neat and orderly complete works of Shakespeare translated by Zhu Shenghao. He told me that they liked Mu Xin better than Mao Dun, because his creation was not to reform that piece.
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