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Who has the film review and appreciation of Brave The Avengers? thank you
(1900 Italian Legend) Life is like an adventure without a clue, so we often envy those who linger in the same place and concentrate on the same thing. When tortured by impermanent fate, refusing to change can sometimes provide people with a sense of security. So "The Legend of 1900" gave us a lot of expectations from the beginning. An orphan who was abandoned on a giant ferry suddenly became a talented pianist. He has never disembarked in his life. The sea, the ship, two thousand passengers coming and going and his piano constitute his only world. This film based on Italian writer Alessandro Barricau's monologue novel could have been a very rich and interesting fable, whether it was used to express innocence and inspiration in the vicissitudes of the world, or brave and confident immigrants full of dreams, or the power that music gives people, or a little outdated heroism ... However, this film wants to tell us too much, but the result seems to be nothing clear.
Kisby tornado once directed the touching film Paradise. Like many European directors, he didn't want a large number of American audiences to understand his films through subtitles, so he made the British film 1900 Legend. The film is dotted with many elements of Hollywood flavor: the luxurious Titanic on the sea, cobblestone streets with gas lights on, immigrants who cheered when they saw the Statue of Liberty, and of course, love and jazz that passed by. It's just these seemingly clever tricks and not very clever narratives that make The Legend of 1900 no longer look like a sad and romantic Italian movie. The affectation, bookishness and clumsy translation are badly permeated in the whole movie.
In the film, you can often see such a scene: well-dressed characters stand on the deck and look out at the sea, giving a grandiose speech about free life and the true meaning of life, which looks like the Titanic version of Shakespeare's plays. There are two excellent actors in the film: melancholy, Lian Xiao sounds like a confessed Tim Rove and a fat man who is good at eye movement, pritt Taylor Vince, but these two actors who are full of gas are like two marionettes in this film. It's entirely the director's fault. He catastrophically kept the protagonists expressing their inner feelings in those cheap conversations. There is no doubt that Tim Rove is a good actor, but it's a pity that he met a director who is determined to destroy those delicate feelings.
Ennio morricone's soundtrack became the only highlight worthy of attention, but unfortunately, even this only highlight was regarded as a fake made in haunters by Kisby tornado. 1900 and the arrogant jazz pianist Jelly Roll Morton (played by Clarence Williams III) playing the piano on the boat should be one of the highlights of the whole movie, but it seems that the contrast between them is not so much the expressive force of music as the faster and louder players. After digital editing, Tim Rove's hand movements seem to have six hands flying over the keys. A contest between piano skills and scheming has turned into a fantastic "martial arts duel", which makes people feel a little funny.
When watching movies, we may vaguely feel something: the music of 1900 is inseparable from the values he has always maintained in his heart, and he plays the piano to a large extent in order not to leave the isolated world in his heart. But this movie didn't confirm our inner expectations. We don't know what this man is thinking. Is he a hero or a madman? The trumpet performance at the end of the film seems to recall something. Yes, maybe I really remembered something, but why?
About the film
This is a poetic journey movie, and the ubiquitous piano sound takes the audience into the depths of 1900. The film adopted the most extreme romantic style, which caused a bipolar reaction: some people regarded it as a masterpiece, while many people in the west regarded it as the "best-looking bad film". The disadvantage of movies lies in the characterization. The protagonist is too mysterious to penetrate his inner world and it is difficult to really sympathize with him. If we can get rid of the stage of cynicism, movies will have a romantic magic that touches people's hearts.
The whole film is intertwined with Max's memory of 1900 and Max's pursuit of the whereabouts of 1900 in reality, which closely affects the hearts of the audience. The story reached its climax when Max learned from the owner of the musical instrument store that Virginian was about to be demolished.
Max has never heard of 1900 since he left Virginia before the war. He firmly believes that 1900 must still be on board. He tried to delay the dismantling time and came to the wrecked ship to find the last trace of 1900. 1900 will be on board again? Or as Max expected, he has found a place, married a wife, had children, and mentioned to them that Max is a good friend after dinner. ...
In addition to twists and turns, several wonderful bridges are even more impressive. For example, when Max first met 1900, they loosened the fixing bolts of the piano in stormy waves, sat in front of the piano and swayed with the boat, while sliding in the hall while playing the piano, much like dancers dancing waltz or tango; Facing the aggressive challenge of arrogant jelly, how did 1900 show its extraordinary piano talent and make the participants turn from contempt to shock? And the unknown girl (the daughter of an old man who plays the accordion with 1900). ), like a comet, radiates dazzling light but quickly leaves, making the faint sad and sentimental memories of 1900 more and more vivid in the light yellow image filled with the film. As for those immigrants who came to the new world by boat with dreams, they exclaimed "America!" When they saw the Statue of Liberty. Joy, but also with 1900 watching the indifference of the passengers up and down the loneliness. ...
1900, the role, because of his lonely experience, enables him to see through people's hearts more keenly and play and create touching music. However, facing the ocean and piano all his life, everything on land has too much uncertainty for him, which has always prevented him from moving forward on land. As he said, "the end of the land can't be seen", perhaps for 1900, the scenery of the sea and sky can see the horizon, and cruise ships from many places sometimes stop at the port. 88 keys are limited, so he can create infinite music according to them. However, he can't see or master the endless big cities on land.
/kloc-the legend of 0/900 years: a sentimental marine legend.
Born on a boat,
Longer than a boat,
Died on the boat,
This is an illusory miracle, a sad story and a legend about him.
Stories of sea, boat, piano, land, loneliness, friendship and genius.
Loneliness, since he was abandoned on the Virginia, has doomed the tragedy of his life.
Musicians who hear music from Danny's sea burial are doomed to be entangled with music all their lives.
Legend, since his first song "Self-taught without a teacher" came out, it was destined to be a legend of his life.
He has a long name: Danny Boatman T·D· Limon 1900.
Music is his perception of life.
His life is rootless. He spent his whole life in wandering Virginia and never set foot on land until his death. His life consists of a boat and notes. The most inseparable thing from him is music. He used spontaneous inspiration to compose the most affectionate music and interpret life.
He has amazing musical talent, which is an unconventional energy and a super keen insight. Different from Wang Lei Charles' soul song, Ray Charles uses music to complete his dependence on life, while he uses music to interpret and realize life. Although they all have extraordinary perception of music, they have different persistence. Ray charles put his life on music, but for 198, he interpreted the music that integrated into the world with his heart.
He is a genius of musical interpretation. His light fingers slid over the keys like water. Under his fingertips, it is not just notes, but sincerity to life. Affectionate and elegant style, beautiful and elegant flying, his music is sometimes exquisite, sometimes atmospheric, sometimes delicate, sometimes majestic, sometimes meticulous, sometimes bold, sometimes passionate and sometimes euphemistic. He uses music to embody characters, express emotions and tell life. He used notes instead of words to touch people's hearts. Listening to his music is like listening to life experiences. Listening to life is always, his hands are on the keys, but his heart flies with his own music like an obsessed musician. For the first time, I felt strongly that the world of music is so vast and the world told by music is so charming. This three-dimensional combination of music and life is really eye-opening and gives me another understanding of music.
Loneliness and his fate at sea
He has been at sea all his life, and that passenger ship is his home. His persistence is his attachment to the sea, and the sea is his destiny.
People come and go, joys and sorrows, and the reincarnation of the world is staged in front of him. He seems to have seen the prosperity, indifference, desolation and hypocrisy of this world and all life.
I would rather give up my life than live in an endless world. I stopped halfway, not because I could see, but because I couldn't see.
On land, he can't control his own destiny, nor can he control so many choices. His ability is limited to the world created by 88 keys, so he chose one. The ship is the place where he protects himself and imprisons himself, and it is also the place where he is isolated from the world of mortals. No identity card, no birth certificate, these are not cages to stop him from going ashore. The real prison pet is his heart, his eternal home. For the unknowability and uncertainty of the outside world, he has only fantasy, curiosity and great fear. The Virginia is his only direction. Here, he is sometimes like a naughty and comfortable child, but sometimes he is lonely and sad. Lonely artistic life and endless sea are his destiny.
I didn't believe in fate at first, but I realized after thinking deeply that character is not fate, but fate determines a person's life. For 1900, his destiny takes a hand's life is not determined by his personality.
He is a pure genius. His personality is a combination of genius and fantasy. He didn't get off the boat. He chose his fantasy world. His cowardice seems abnormal and incredible, but what is normal? At the very least, he chose his own way and lived for himself, but are we still struggling for some so-called distant ideals, are we still living for pressure and others, but we don't cherish what is readily available, and we haven't touched the beauty around us. This is also abnormal.
Friendship is the only warmth that the world gives him.
Since the appearance of light and shadow as souvenirs, there has never been a lack of love in movies, but this 1900-year legend is not so lucky. His attachment to the sea and fear of choice made him miss the only chance to love. He broke the record of first love and the fruitless memory.
Fortunately, fate deprived him of the power of love and gave him a rare friendship.
This is also a movie without a heroine. The film begins with the narration of Fat Max, and Max becomes the only button he actively associates with society. The friendship with Fat Max is also the most important emotional sustenance of 1900 besides the sea and music in the film. It is because of the existence of this old friend that we feel that his lonely life has a little warmth.
When the fat man looked for him on the Virginia which was about to be blown up, he held a record player in his hand and played nameless music tenderly. With the editing of the film, the fat man and tender music appeared in some old places on the ship. At this time, his behavior is not so much looking for it as recalling the days he walked with 1900 and the past light and shadow.
Why are you seasick? This is the first sentence of their reunion after many years and the first memory of their friendship.
Fat man finally didn't decide to discourage 1900. He knew that he had chosen the road of no return. What kind of affection is this? What would you do if it were you? Is it selfish to pull him off the boat or let him reach the ascension of his soul? When Max left Virginia silently with tears in his eyes, 1900 stopped him and told him a funny but touching joke. I also found that the conversation between men is so emotional, so touching and so sad. At this time, I have a feeling of sadness, a lonely sadness.
The soul of the movie that catches your eye
The atmosphere of the whole movie was created by this person. I have never seen such elegance as Tim Roth, and I have never seen such simplicity. His performance is so seamless, washed away, natural, arrogant and not impetuous.
He gave 1900 the greatest vitality. Not young and handsome, he gave the most powerful interpretation of the unpretentious, relaxed and elegant character of the legend 1900 with his childish performance, alienating the world of mortals. His eyes are close and distant, clear and sad. His description of the characters is meticulous, from point to area, "hidden" but not aggressive, carefree and elegant, but slightly childish and naive.
Under his interpretation, the son of the sea is like a lovable, naughty and rebellious child with a sad and lonely fate. This will be an immortal role, and this will be a real actor, at least in my heart.
The film reveals a quiet European style, which is not comparable to some Hollywood movies now. Although some memories set up to bring out the plot are a little abrupt and lengthy, they have not affected my love for movies. Although there is a seemingly absurd plot, the excellent performance of the actors gives the film too much connotation, which brings you into the story and makes people completely forget that this is a play, just a legend about miracles. When he looked up at the sky calmly, those eyes that penetrated people's hearts were unforgettable. I watched him sink to the bottom of the sea with the explosion of the Nirvana Virgin Virginia, leaving only sadness and sigh.
No movie has brought me such sadness. I want to write sad and delicate words, but my blunt writing can't be realized. The soundtrack of this movie should be the most valuable, because every flowing piece of music records his life story, which is wonderful but not melodramatic, plain but without losing aftertaste, and his story is like the literal translation of the movie "The Legend of 1900", which is a miracle, a legend at sea and a sadness.
This song should only exist in the sky —— On The Legend of 1900
1900 is an orphan who was abandoned on the steamboat Virginia. He was adopted by a kind black stove man. That day happened to be New Year's Day at 1900, so the burner named the child 1900. However, the burner was killed in a maritime accident, and the 8-year-old 1900 was orphaned again.
1900 inadvertently came to the floor-to-ceiling window of the first-class ballroom, and he first saw the piano, an instrument intertwined with his life. From then on, the Virginia sailed back and forth between Europe and America with the music he interpreted attentively.
1900, never landed, deeply wary of the world of mortals. He said that land is too big a ship, too beautiful a woman, too long a journey, too strong perfume, and music that can't be started. He can't see the end of the land. Even if he met a girl who fell in love at first sight, he still couldn't get off the gangway. Until the end, his only good friend Mayquez told him that the abandoned ship was going to be blown up and he didn't want to leave. Finally, he has never left the Virginia 1900 Martyr at the bottom of the sea since he was born.
After reading The Legend of 1900, I have an impulse to know about 1900, even a little. Fortunately, with the development of modern electronic technology, we can clearly see 1900' s blue eyes, which are as pure as babies, even though they are separated by the TV screen, the distant years and the Wang Yang sea. The superb performance of actor Tim Roth convinced me that there really is such a talented pianist who has no relatives, no household registration and no nationality. He turned a blind eye to the temptations, fame and fortune in the world. Even love may haunt him, but even then, he only condensed the love of his life in an instant: the beautiful image of a girl moving outside the porthole, the dreamy soft and soothing music on a broken record, and a timid kiss in the third class. In addition, there are pianos, cruise ships and the sea, as well as the stability and tranquility in the waves. The infinite, wonderful and free music created on 88 keys enriched his limited and simple life.
1900 is an elegant man. Dark blond hair, complete silk pattern, spotless coat and hat bow tie, elegant posture, outstanding self-confidence and pure and refined angel face. How many beautiful women fell in love with him at his piano? He must be immersed in his own music and have no time to be distracted by things other than the sound of the piano.
1900 life is simple, but there is no lack of beauty in human nature. The short-lived feelings with his adoptive father, the fleeting love with the girl he met, and the friendship with Mequez, who has been with him for the longest time, all nourish 1900' s lonely heart. 1900 is a man with meticulous and profound feelings. His spirit and talent are devoted to the 88 keys of the piano. Who can understand his heart, who can read his melancholy and gentle eyes, who is his lover? Only the moving music notation flows through his fingers.
Compared with the secular life, the words and deeds of 1900 in the film are not true. For example, he has never been exposed to piano and music, but when his hand is placed on the keys for the first time, those touching melodies can naturally flow out; He has no orthodox education, but he can speak such a poetic and rich language; Even in the end, when my friend Mayquez found him on that battered and apparently abandoned cruise ship for a long time, 1900 Where did the food come from to sustain life?
I think we can only understand this film and 1900 with a poetic and romantic heart. The film deliberately puts aside the noise of material things, but highlights the blend of 1900' s soul and music, and at the same time guides the audience to the realm of * * * with wonderful or interesting music in the film.
Finally, a ray of light fell from the sky. 1900 raised his calm face, as if asking God, is there a piano in heaven?
1900 raised his hands and played devoutly in the air. The light and melodious melody swirled in the silent air like running water. In an instant, there was a loud bang and huge sparks burst out at sea-1900 soared in the sky with his unfinished music.
1900 Legend is a classic movie. It shows us the life of a man who was born on a boat, grew up on a boat, died on a boat and lived only for the piano. He scattered all the light of life on this short and sad ship.
The owner's attachment to this ship (named 1900) may be similar to our attachment to our homeland. Born and raised in Sri Lanka, the native land gave us life, everything in our life, and this ship also gave him all the value and emotion of life. In real life, some people may never want to leave their hometown, even if the land is barren, desolate and even full of danger, even if the outside world is colorful and full of gold and silver, they will never leave their hometown. For the orphan 1900, his whole world is this ship, and this is his home, all his happiness, sadness, dreams and passions. It can be said that his feelings for this ship are deeper and hotter than anyone else. So even at the last minute, he won't choose to leave.
In the last paragraph of the film, there is a monologue of the master. He said he wouldn't leave, not because the buildings he saw standing on the planks scared him, but because he couldn't see the end of the world. Yes, the keys of the piano have a beginning and an end, and so does the deck of the ship. He can play infinite music with a limited keyboard, and he can control this "restriction". Here, he is him. However, this world has no beginning and no end, with intricate streets and dotted high-rise buildings. There are too many roads to choose from, and he can't control them. Control his life, his emotions, his music. He can only choose the way he can choose and control to live, which is uncontroversial, calm and free from the interference of fame and fortune. If a way of life is beyond his control, he would rather not! I think this may be the second reason why he didn't choose to leave.
His inner loneliness, music can be known, just like his language, he uses it to tell his life and express his feelings. There is such a scene, at night, in the reception hall of the ship, he is playing, and the piano swings from side to side in the hurricane waves, and turns from side to side and sometimes slides with the rhythm of music on the clean floor. It makes you feel that his whole body and mind are integrated with the music, the boat and the sea. He said that his music is inseparable from his people, so he refused to release his musical films. I think, in his heart, he must be so convinced that his ship and his people are inseparable. Life seems to be linked to this ship from the moment he was abandoned. Music, boat and he are "one" and can never be separated. The life of the ship is over, and it seems inevitable to believe that his life is over. This may be the third reason why he didn't leave.
His deep attachment to his family, his choice of lifestyle and his long-term complete life led to his tragedy.
But is this really a tragedy? Just as drama comes to an abrupt end at the climax, life retreats at the peak, lovers embrace each other and enter marriage. We saw the perfect scene, and then what? Going to the theatre is getting more and more dull, life is getting lower and lower, and love after marriage is buried in countless family chores. This is the most real world. His death, at least, shocked every one of us. None of us can imagine how such a prodigy got off the boat and started his ordinary life, becoming vulgar and boring and pursuing fame and fortune. We can't bear to see it here, and the director naturally can't bear to shoot it here. So in a sense, this may not be a tragedy.
In real life, we will feel strange about other people's choices. Just like this movie, many people may not understand his choice, but I want to say that no matter who he is, what kind of choice he made, no matter how absurd, unwise and inexplicable it seems to us, it is his choice. This choice must have his reasons, his thinking, you are not him, you have not experienced what he has experienced, and you have not understood what he thinks, so the only thing we can do is not to say what we don't understand, but to hold his hand and say with a smile, good luck!
Like this movie, 1900, like music, like this blue sea.
…………
I hope LZ is satisfied. .
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