How to evaluate the final outcome of ALDNOAH ZERO?

The ending of this play has always been the focus of tucao, but personally, I think this ending is perfect and Lao Kong's philosophy is complete. The following personal views are welcome to discuss.

If you want to know more about this animation, don't just think of it as an animation. The plot of this play is the result of careful consideration by the author. Although the space is tight, the expression is complete.

First of all, talk about the background relationship. Earth scientists have found the entrance from the moon to Mars, and high-tech relics have been activated on Mars, realizing the migration of Mars. But because this high technology has the right to use, only the first person who activates it can use it. Others want to use it and need authorization. The old and empty setting here is actually an insinuation that human beings got rid of feudalism because of scientific and technological civilization, but the ultra-high-tech alien remains led to the Martian empire. Appearance itself is a kind of irony, but it is actually a reflection on human nature. Pay attention to the last sentence The old king fell into chaos because of his critical consciousness. In fact, he goes back to his life and hates the earth. The pain and hatred left by his son's tragic death went to see his granddaughter's kind old man, and finally returned to the survival scientist who just got Aldnoah. He said that Aldnoah is a great force and must be used with care. Look at his results, advocate the right of founding a country, enfeoffment, incite public opinion to hate the stable rule of the earth, and finally wage war. This is the process that power leads to rights, and then rights lead to the fall of human nature. This is the Visser Empire on Mars.

Look at the earth again, because of its relative democracy, under the pressure of Mars, the earth has established a joint headquarters, which is unprecedented in unity. Although there are dark political struggles, they are all within the scope of reason. However, due to the political structure, the relationship between the aristocrats in weiser seems simple, but the restrictions on human nature are hardly based on the moral bottom line of each aristocrat. At this time, the ugliness of human nature is once again exposed to the audience, which is actually an old empty purpose.

Then look at the setting of the protagonist. First of all, slein was born on the earth, and then he became a powerful person on Mars, and even almost became the most powerful person on Mars for a time. With the increase of power, human nature gradually degenerates, which makes us deja vu. . . . . Yes, Emperor weiser was originally an earth scientist, and his humanity has deteriorated. . . . . Therefore, they are actually flesh and blood people, and they have been trying to express human nature, just like you and me. To be more specific, they actually represent the perceptual part of human beings. The whole weiser Empire is such a representative, with love and hate, dignity, humiliation, desire, ideals and so on. This is the driving force of their behavior.

Let's take a look at Yi Naifan again. He is human, and more importantly, he is not human. He is a representative of rational transcendence and a rational weapon to criticize emotional expansion. President Yi always attaches importance to optimizing the efficiency of logical calculation results, but the motive force of all his actions is to ensure his own survival (or let his own living environment survive).

He has no desire, no love, no hate, no fear. Even if he did, he resolved his fear and found a way to face it directly. It is too powerful to face the weakness of human nature and then infinitely approach absolute rationality with computers. However, in the depths of all rationality, his humanity is suppressed and almost extinct, but it still exists. He is very gentle to the people around him, and decided to join the war from the tragic death of his classmates. His attitude towards the princess is still one person. . . . . But he's not ordinary anymore. . . . Generally speaking, Yi Naifan is the representative of absolute rationality that Lao Xu extracted from people.

Let's talk about the hostess as the fallen light of reason in the weiser Empire. Does the hostess have love? Does she have love? Do they agree with each other? Of course, if this agreement is love, it is love. You may not understand that the princess and Inafan have the same attitude towards each other and are both part of themselves. It is very important to protect each other and pay attention to each other. Think of it as equal to yourself rather than higher than yourself. This is the logical identity of rational concern. First of all, you must exist, and the other party must also exist. If you don't exist, the other person's existence is meaningless. This is Princess Naifan's subconscious unified cognition. They are a kind of people and their (love). I don't want to possess, and I don't want to get it. I just want to ensure that the other party can survive independently. I want to save the princess because I judge that the princess can't move freely or is restricted, so I want to save each other. He doesn't care if the princess is happy or not. Because these cannot be objectively defined by a third party, the princess and Inafan are the same. They have transcendental love, so in the end the princess chose political marriage first because of peace. Inafan is very calm.

Let's talk about Celine's love again. His love is real. The love of humanity is out of control because of the expansion of humanity. However, in any case, this is human love. Emotional impulse is reckless and equally beautiful. Slein can give up his life for the princess, thinking that the princess's life is greater than his own. At the same time, he wants to have the princess. This is sensibility. . . . . . Where are the princess and slim? They are not the same kind of people. . . . . . So Silin is very sad.

Let's start with the princess. She is a rational princess. Although she looked naive at first because she didn't understand politics, she was an idealized princess. She wants Martians to be happy and peaceful. When her sister said he felt sorry for her, she felt nothing. As she said, "This is how I was educated and raised." It can be said that she is a person who has no self or an ideal greater than herself, so she shows rationality.

Knowing this will probably help us understand Lao Xu's painstaking efforts. This cartoon is actually criticizing the expanding human nature, and the weapon of criticism is absolute rationality. It has not fallen into the strange circle of criticizing human nature with human nature, and there is no false image of saints or the virgin Mary. Each of us is a combination of reason and sensibility. We are all amateurs, but sails, not princesses, but props. . . . . .