Zhao Benshan’s resume

Zhao Benshan was born in Shizuigou, Lianhua Village, Kaiyuan County, Tieling in 1958. He was a folk performing arts wizard who grew up in a farm. Zhao Benshan's comedy sketches are well-known to both women and children and are famous overseas. He has won the first prize at the CCTV Spring Festival Gala for many years in a row. He is praised by the audience as "Red Comedian", "King of Sketch", "Earth God", "Oriental Chaplin" and "Chinese Comedian". . He has noble moral character and never forgets his hometown when he succeeds. He has donated hundreds of thousands of yuan to disaster areas and to the Hope Project in his hometown for road construction. He served as director and protagonist in the TV series "Liu Lao Gen" and "Liu Lao Gen II", pushing Chinese film and television comedy a big step forward. Zhao Benshan is currently a national first-class actor of the Tieling Folk Art Troupe, a member of the Chinese Folk Art Association, vice chairman of the Liaoning Provincial Folk Artists Association, a member of the All-China Youth Federation, a member of the Liaoning Provincial Committee of the Chinese People's Political Consultative Conference, and an image ambassador of Tieling City.

My wife Ma Lijuan is a teacher at a drama school in Liaoning Province. She has a pair of twins: Zhao Yinan and Zhao Yihan. His ex-wife, Ge Shuzhen, has a daughter.

Benshan’s autobiography

The happy childhood of a bitter child

I was an orphan. When I was studying, I was very naughty. At that time, I felt that the best thing about not having parents was that I was a teacher. No one can be found for home visits. At that time, I studied with my second uncle, playing the erhu and singing the sanxian. He is blind. Blind people have very sensitive minds and sensitive ears. Every time, he listened to the melody and I watched the stage performance. I have learned the three-stringed instrument and imitated the feeling of a blind person. I can say that no one in China can play a blind person like me. In fact, my second blind uncle was my artistic enlightenment teacher, and I was the blind man who first became famous in Northeast China in "The Great View of the Lantern".

The bumpy road to stardom

I joined the Tieling Theater Company in 1986, and now my official identity is still an actor in the theater group. At the earliest, Pan Changjiang and I performed the duet "Grand View of the Lantern" together in Shenyang and performed more than 200 times in a row. Maybe it was too sensational and offended other theater troupes, so hundreds of blind people blocked the entrance of the theater and vandalized the theater, saying they wanted to dig out Zhao Benshan's eyes.

But it was Jiang Kun who really discovered me. At that time, he led the Central Rap Troupe to perform in Tieling. The locals said that the Tieling Troupe had not yet performed well, so Jiang Kun invited our troupe. They sat in the auditorium of the stadium and watched us perform for them. At first, more than 20 Beijing artists were sitting on the seats, but later they all fell to the ground laughing. Jiang Kun asked me for a tape and said he would bring it back to CCTV to recommend it to the Spring Festival Gala. I didn't take it seriously and was busy taking photos with Jiang Kun, Guo Quanbao and others. I was so excited that my ears were trembling.

Sishang CCTV was rejected

Later, the Spring Festival Gala really came to me. At that time, Director Zou Youkai, Li Shuangjiang and three other people met me at the guesthouse in Tieling and asked me to perform a show in the room. I said I would give you three tickets to watch it at the gymnasium. After watching the show, I turned around and went back to Beijing. After someone pointed me out, I realized that I had offended them. However, Director Zou still summoned me to Beijing, but I was sent back home every year. One year, the troupe asked me to bring ten bottles of Maotai liquor as gifts. I really didn’t know where to send them, and I was afraid of being rejected, so I drank one bottle a day at the Media Hotel. On the tenth day, I was told to go home. Later, I told the group leader that even though all ten bottles of wine were given away, people still didn’t like our show.

The bigger joke is that I had already been scheduled to perform at the Harbin branch of the 1988 Spring Festival Gala, and the show was videotaped in advance. Everyone in Tieling knew that I had attended the Spring Festival Gala, but later I The program was not broadcast, but I waited until "Goodbye" was played on the TV. A year later, I made my first appearance on CCTV at the National Day Gala, followed closely by "Blind Date" at the 1990 Spring Festival Gala. I was the first prize winner in the program for three consecutive years. In 1994, I reported to the Spring Festival Gala crew very late because of family matters. The directing team thought I was "arrogant" and refused to let me take part. This was the only time I was banned. Once, but it also taught me a special education.

"Liu Laogen" is a new attempt

"Liu Laogen" is my first time as a director, which was influenced by Zhang Yimou. I acted in his "Happy Days", and his simplicity, peace, and authenticity moved me very much and had a great influence on me. Actually, I am not used to film and television acting, but thinking about it, I should direct a film myself if I have the opportunity, so as not to trouble others. In addition, I should also look at my own abilities. I think if I put my heart into it, I can make it happen. In fact, I have always had a fear, what if one day my sketch makes no one happy, what should I do? Trying to do something new is also learning.

People who cause family pain

Someone asked me what I am unhappy about now. I said no. My biggest wish now is to "live well and don't get into trouble." The greatest asset in my life is my painful childhood. Now I don’t have any pain or dissatisfaction. On the contrary, I am a person who will bring pain to my family. Like my wife, I am performing outside, and she is the only one who takes care of the children at home. I can only give her the satisfaction of material life, and very little else.

Art experience

Zhao Benshan was orphaned when he was 6 years old and began to learn art from his second uncle (who is blind). He is proficient in playing the erhu, playing the suona, throwing handkerchiefs, playing jade, singing ditties, and playing two-person hats, etc., especially his three-string skills. Zhao Benshan's difficult childhood became his lifelong wealth and laid a solid foundation for his future sketch and acting career.

At the age of 17, Zhao Benshan joined the commune's literary and art propaganda team, and then joined the Weiyuan Township Amateur Theater Troupe. Later, he was seconded to the Xifeng County Theater Troupe to star in Erduo.

In 1982, Liaoning Province held the first rural opera performance. Zhao Benshan became famous in one fell swoop for his role as the poor man Zhang Zhi in the opera "Falling the Three Strings" co-produced by Li Zhongtang and Cui Kai. The drama "Falling" won the first prize for performance. That year, Zhao Benshan was admitted to the Tieling County Theater Troupe, where he served as the leading actor and the business leader. In 1986, he was transferred to the Tieling Folk Art Troupe. At that time, Zhao Benshan and Pan Changjiang performed more than 200 performances of the duet "Grand View Lantern" together in Shenyang. The venues were full and caused a sensation in the three eastern provinces.

Zhao Benshan starred in the drama "One Plus One Equals How Much", the opera TV series "Double Knock on the Door", "Crossing the Village", "Taking the Cover" and other dramas, which have won many national and provincial awards. award.

In 1983, he starred in the drama "Three Strings Falling", and in 1984, he won the Excellence Award.

In 1984, he filmed the TV drama "Three Strings". In 1985, he served as the leading actor. In 1986, he won the third prize in the first Chinese opera TV series "Eagle Image".

In 1987, on the recommendation of Jiang Kun, he "entered" into the CCTV Spring Festival Gala, beginning his more brilliant artistic life. At the Spring Festival Gala, the sketches "Marriage Proposal", "Red Sorghum Model Team", "Three Whips", "Gift Giving", "Hourly Worker", "Yesterday, Today, Tomorrow", "Selling Kidnappings" and "Selling Cars" all won first prizes. Second Prize.

In 1988, he starred in the TV drama "Double Delivery of Ducks" and won the second prize in the National TV Drama Film. "Double Knock on the Door" won the "Golden Triangle Award" again.

In 1989, he participated in the first Folk Art Festival of the three northeastern provinces and participated in the "Spring Festival Gala" of Liaoning TV Station.

In 1990, he starred in the drama "1+1=?" 》, won the first prize for performance and the highest exploration award in 1991. The TV drama "Double Knocks on the Door" won the "Golden Tiger Award" for TV dramas in three northeastern provinces. Starring in the pull-out drama "Mahjong, Tofu".

In 1991, he won the first place among the "Top Ten" actors, and the program ranked first among the three best programs. In the same year, he filmed the TV series "After This Village", acted as the leading actor, and won the second prize of "Flying Sky".

In 1992, he participated in the "Spring Festival Gala" of CCTV.

In 1993, he starred in the sketch "Blind Date" and won first place in the "Double Star Cup" drama and folk arts category. In the same year, he starred in the TV drama "Taking the Cover" and won the third prize of "Flying Sky".

In 1994, he participated in the "Spring Festival Gala" of CCTV.

In 1995, he starred in the sketch "Xiao Jiulao Le". Participated in CCTV's "Spring Festival Gala" and starred in the sketch "Uncle Cow Picks Up the Gan" and won the second prize in the sketch category. In the same year, he was rated as "Liaoning Literary and Art New Star" by the Liaoning Provincial Federation of Literature and Art and the Liaoning Literary and Art New Star Selection Committee.

In 1996, he won the first prize for the best program at the "Vitality 28 Cup" Spring Festival Gala. Participated in CCTV's "Spring Festival Gala" and starred in the sketch "Three Whips" and won the second prize in the sketch category.

In 1997, he participated in the CCTV "Spring Festival Gala" and starred in the sketch "I Want to Have a Family". In 1998, he won the first prize in the "Chunlan Cup" drama category. The TV series "Head of a Village" starring in it won the Feitian Award.

In 1998, he participated in the "Spring Festival Gala" of CCTV. In 1999, he starred in the sketch "Red Sorghum Model Team". In 2000, he won the second prize of the "Chunlan Cup". He starred in the TV series "The Head of a Country" and won the first prize for Liaoning TV series and the Best Actor Award.

In 1999, he participated in the "Spring Festival Gala" of CCTV.

In 2000, he starred in the sketch "Old New Year". In 2001, he won the second place in the drama category of "Chunlan Cup". Participated in CCTV's "Spring Festival Gala" and won the first prize for starring in the sketch "Hourly Worker". In July, he was appointed as the leading actor in the movie "Happy Days".

In 2001, he participated in the "Spring Festival Gala" of CCTV and won the first prize for starring in the sketch "Selling Kidnappings".

In the spring of 2002, the TV series "Liu Laogen" was broadcast on CCTV 1. When it was broadcast, the ratings were unprecedented and the streets in many cities were empty. From September 5th to 10th, 2002, the "Zhao Benshan Cup" Sketch Competition named after Zhao Benshan was held in Tieling together with China's first Tieling International Folk Art Festival, and received rave reviews from the society.

In 2001, he participated in the "Spring Festival Gala" of CCTV. In 2001, he starred in the sketch "New Year's Greetings". In 2001, he won the second prize of "Yili Cup".

Served as director and leading actor in the TV series "Liu Laogen" jointly produced by CCTV and China TV Drama Production Center.

In 2002, he participated in the "Spring Festival Gala" of CCTV. In 2002, he starred in the sketch "Yesterday, Today, Tomorrow" and won the first prize. The film "Men and Women Directors" won the annual Chinese Film "Huabiao Award", "Outstanding Actor Award", "Outstanding Feature Film Award", "China Film Hundred Flowers Award", and "Best Actor". He was named an artist of “Double Virtue and Art” by the Propaganda Department of Liaoning Provincial Party Committee. Participated in CCTV's "Spring Festival Gala" and won the first prize for starring in the sketch "Selling Cars". He served as the director and leading actor in the TV series "The Continuation of Liu Laogen" jointly produced by CCTV and China TV Drama Production Center. He won the first prize for starring in the sketch "Heart Disease".

In 2003, he participated in the "Spring Festival Gala" of CCTV. In the same year, he established the Liaoning Provincial Folk Art Troupe and Benshan Art College.

The Most Stylish Actor in Mainland China at the 2007 MTV Super Festival.

At 19:00 on December 11, 2007, Zhao Benshan’s father, Zhao Deren, passed away at the Shenyang Armed Police Corps Hospital at the age of 82.

Spring Festival Gala Sketch Program

1990 "Blind Date" - Zhao Benshan Huang Xiaojuan

1991 "Little Nine Old Music" - Zhao Benshan Yang Lei

< p>1992 "I Want to Have a Family" - Zhao Benshan Huang Xiaojuan

1993 "Old New Year" - Zhao Benshan Yan Shuping and others

I came late to the 1994 Spring Festival Gala and was not in line.

1995 "Uncle Niu "Picks Up"" - Zhao Benshan, Fan Wei and Zhang Yuping

1996 "Three Whips" - Zhao Benshan, Fan Wei and Li Hai

1997 1998's "Red Sorghum Model Team" - Zhao Benshan, Fan Wei and others

1998's "New Year's Greetings" - Zhao Benshan, Fan Wei and Gao Xiumin

1999's "Yesterday, Today and Tomorrow" - Zhao Benshan, Song Dandan and Cui Yongyuan

2000 "Hour Worker" - Zhao Benshan Song Dandan

2001 "Selling Kidnappers" - Zhao Benshan, Fan Wei and Gao Xiumin

2002 "Selling Cars" - Zhao Benshan, Fan Wei and Gao Xiumin

p>

2003 "Heart Disease" - Zhao Benshan, Fan Wei and Gao Xiumin

2004 "Water Delivery Man" - Zhao Benshan, Fan Wei and Gao Xiumin

2005 "Kung Fu" - Zhao Benshan, Fan Wei and Cai Weili Wang Xiaohu

2006 "Telling Things" - Zhao Benshan Song Dandan Cui Yongyuan

2007 "Planning" - Zhao Benshan Song Dandan Niuqun

2008 "Torch Bearer" - Zhao Benshan, Song Dandan and Liu Liu

Other sketch works:

"The Door God"

"Class Reunion" (1999)

"My Son is Growing Up" "

"The Actor's Troubles"

"Rich" (2001)

"Face" (2002)

TV Series:

"The Chief of a Village" (1992)

"The Dead of Night" (1996)

"The Chief of a Township" (1997)< /p>

"The Love of Harmony and Everything in the Family Returns to the Year of the Dragon" (2000)

"The White Lie of Harmony and Everything in the Family" (2001)

"Liu LaogenⅠ" "(2001)

"Liu Laogen II" (2002)

"Ma Dashuai I" (2003)

"Ma Dashuai II" (2004)

"Ma Dashuai III" (2005)

"Country Love" (2006)

"Country Love II" (2007)

Movie:

p>

"Jing Ke Assassins the King of Qin" (1997) (played by Ben Shan as Gao Jianli)

"Speak Well" (1998)

"Men and Women Director" (1999 )

"Happy Time" (2000)

"The Year of the Dragon and the Rat"

"The Fallen Leaves Return to Their Roots"

Stage play:

p>

"His and Her Affair" (2001)

The artistic angel who made millions of viewers laugh

It is said that the Chinese audience should be grateful for the fact that they can enjoy the art of Zhao Benshan's sketches today It's Jiang Kun. In 1987, Jiang Kun accidentally saw a performance by Zhao Benshan in Tieling, Liaoning. Later, he strongly recommended Zhao Benshan to the director of China Television. At that time, he said that there was an actor in Liaoning who was very good. When he performed, some of the audience fainted with laughter. Some laughed so hard that they lost their breath, and some laughed so hard that they had a heart attack. His stage improvisation and on-the-spot mobilization of the audience's emotions were excellent and very charming. This person's name is Zhao Benshan.

As soon as Zhao Benshan appeared on CCTV’s Spring Festival Gala in 1990, Liaobei skits took root on CCTV. If there were no Liaobei skits in the annual Spring Festival Gala, the audience would feel that the show was tasteless. Over the past few years, Zhao Benshan has been deeply loved by hundreds of millions of viewers.

Why are Zhao Benshan’s sketches loved by the audience? Cui Kai, vice chairman of the Liaoning Provincial Federation of Literary and Art Circles, said that Liaobei sketches represented by Zhao Benshan are an artistic style rooted in the unique culture of the Northeast, with a strong local flavor of the Northeast. It is this original Northeast flavor that has conquered audiences across the country. .

The climate in the Northeast is cold, and the vast Songliao Plain is slack for farming as soon as winter enters. During the long days, what do the people of "Mao Dong'er" do to survive? Make a fire pot and sit around on the earthen kang, sing the local opera "Errenzhuan", tell stories and jokes, you and I, traditional and modern, make everyone laugh, and get all kinds of emotions. Catharsis.

It can be said that the harsh natural geographical environment of the Northeast has forced the unique culture of the north. The language of northern Liaoning is full of vivid and lively factors and has very strong vitality. Especially in the local drama "Errenzhuan", the male actor is called "Chou" and the female actor is called "Chou". The name is "Dan", three points of "Dan" and seven points of "ugly". The clown mediates the atmosphere in the duo, creates jokes, and makes a series of impromptu remarks, which is very life-like. In addition, Northeastern people are cheerful and straightforward, and they speak in one step. In place, it forms the unique sense of humor in the cultural soil of Northeast China.

The profound cultural heritage of the Black Land has nourished Zhao Benshan. He is so familiar with the art of laughter, coupled with the innate sense of comedy in his bones, forming the unique artistic charm of Zhao Benshan's sketches - bringing everything together Take something from life and say it through Zhao Benshan's mouth, and it becomes a joke.

It should be said that the lifeline of Zhao Benshan’s sketches is language. His authentic Liaobei dialect has a penetrating power because of its unique grammar, pronunciation and vocabulary. When he opens his mouth, he speaks a string of words. His idiosyncratic words, wisecracks, remarks, and phrases shook the audience very loudly. In this way, he conquered hundreds of millions of viewers with the unique humor, exaggeration and comedy of northern farmers.

The biggest language feature of Zhao Benshan's sketches is first of all the rich and vivid spoken language. Zhao Benshan inherited an important artistic heritage from "Erren Zhuan", which is "Shuokou". Not only can he accurately grasp traditional speaking The rhythm and rhythm of the speech can also be used to create a new speaking style based on the aesthetic taste of the modern audience, using modern words and rural slang. The language has a distinctive rhythm, is very catchy, is full of charm, and contains a very charming tranquility. He has a sense of humor, and he can make witty remarks come out of his mouth. Even the most ineffective words can create unexpected comedy effects in his mouth, which is deeply loved by ordinary people.

Secondly, the language of Zhao Benshan's sketch may seem light-hearted, but it is thought-provoking, "As long as you young people are jumping around and hugging each other, we old people can only rely on us." Xu Xu in "Blind Date" Lao Wei's words touched the hearts of the audience, making them laugh out loud but also leaving them with a sour feeling. Zhao Benshan accurately captured the emotions of various characters with his deep understanding and perception of life, life and art. The turning relationship also accurately captures the audience's psychology and emotions. Every sentence and every word can be in tune with the audience's psychology.

The "Wilted" series created by Zhao Benshan is the most dazzling scene in his art works. He is weak and procrastinating, his words are funny, his kindness is cunning, and he throws a pimple from time to time. Mouth, throw away a small burden, and suddenly come out with a sentence that makes people laugh. In the sketch "Blind Dating", when Ma Ya asked what "silly look" means, Xu Laowen replied: "I don't understand this. Anyone who has ever had a partner will You know, under normal circumstances, if you say the word "silly", it's 80% correct. "And "What is happiness?" Xu Laowen's series of teasing and good-natured teasing is love. A kind of reverse performance when reached to the extreme, cleverly highlighting Lao Wei's deep love for Ma Ya.

Furthermore, Zhao Benshan’s language is extremely comical. In a series of sketches, he played a variety of comedy characters with different ages, identities, images, and personalities. Only one thing is the same. Yes, that is, the protagonist never changes away from his "ugliness", with "ugly" appearance, "ugly" language, and "ugly" actions. He solemnly plays each of the extremely ugly images, but the result is dedicated to the audience. A heart-warming comedy. For example, in "Blind Date", Zhao Benshan designed Xu Laowen's staggering steps, lowering his head and rubbing the ground with his toes from time to time, etc. The audience did not find it ugly, but only found it funny and amusing, making people feel the character's kind nature and authenticity. .

"The makers of laughter are respectable. Zhao Benshan and his sketch art stirred up the laughter nerve of the times, ushering in an era of large-scale laughter for the Chinese nation." Famous scholar Yu Qiuyu said of Zhao Benshan He admires the art of sketches very much. He said: "Laughing also needs a reason. Zhao Benshan's sketches provide people with this reason. Through superb art and kind-hearted provocation, the artist makes people laugh, relax their body and mind, and delight their emotions. From farmers to professors Who doesn’t need a knowing smile.

Liaobei sketches have been active on the stage for more than ten years. Over the past ten years, the Chinese audience has been intoxicated by the laughter brewed by the black soil culture. Over the past ten years, represented by Zhao Benshan The sketch artists in northern Liaoning are struggling every day, constantly innovating, surpassing and improving themselves, and presenting one artistic masterpiece after another to the audience.

Yu Qiuyu comments on Zhao Benshan

“Zhao Benshan is a great artist”

More than ten years ago, Zhao Benshan, a peasant actor from the black soil of Northeast China, brought laughter to the countryside. Appearing on the CCTV Spring Festival Gala that attracted the attention of the Chinese people, Liaobei sketches, a fresh artistic style with original humor and earthy aroma, entered the highest art palace in China and instantly won the applause of TV audiences across the country.

There is no doubt that comedy star Zhao Benshan is the sketch actor who has received the most laughter and applause from Chinese people since the 1980s. Some people even call him China's "Chaplin".

Mr. Yu Qiuyu, a famous scholar and former dean of Shanghai Theater Academy, has kept his eyes on Zhao Benshan for a long time with the critical and unique vision of a drama theory expert.

Twelve years ago, he once said that Zhao Benshan is a great artist; today, 12 years later, he said: "Zhao Benshan is indeed a great artist, and his performance today is even more proficient. We were amazed by him 12 years ago An artist who became an artist admired by people across the country 12 years later.”

The second national seminar on Zhao Benshan’s sketch art was recently held in Tieling. At the meeting, Mr. Yu Qiuyu gave Zhao Benshan and his sketch art the highest praise. High evaluation: Many artists are produced by the people. Zhao Benshan is a great artist. I felt this way when he first became famous. I really hope that China can have more cultural celebrities who start from the starting point of each culture and continue to improve and improve, and then he and the culture of the land where he lives will reach a new height.

Cui Kai, vice chairman of the Liaoning Provincial Federation of Literary and Art Circles and sketch playwright, told reporters: "The first Zhao Benshan sketch art seminar was held in Guilin in 1990. No one expected that Mr. Yu Qiuyu would actually be invited to attend the meeting. That was It was the first time he saw Zhao Benshan perform a sketch, and he spoke highly of it. At that time, I suggested that Zhao Benshan go to the Shanghai Theater Academy to further his studies. Mr. Yu Qiuyu quickly said, it is absolutely impossible. The theater trains thousands of students every year, but it cannot be trained. Zhao Benshan, Zhao Benshan is not a question that requires further study at the School of Drama. On the contrary, he should be the subject of study by professors at the School of Drama.”

Yu Qiuyu is not from the north, but his understanding of northern culture is so profound: Zhao Benshan. Turning the suffering of the Northeast people into laughter, enjoying joy in suffering is a state of mind; the Chinese people have been suffering for too long, too long, and how much people need laughter. The general language of this poem is used by Yu Qiuyu to describe Northeastern sketches and Errenzhuan. "Some people think that only foreign culture is culture, and nothing under our feet is culture. If culture and art reach a higher level, looking back, these things are needed. Local culture is the highest standard in modern cultural research. Culture The returning trend is the self-affirmation of Chinese national culture. The land I step on is beautiful, and the land I step on can also give me flowers without having to buy them from the Netherlands.”

The work must be on a rocky beach, not a marble-paved beach; the real sea must have a lot of sand, and real folk art can also have sand. Yu Qiuyu believes that why Zhao Benshan is welcomed by so many people is a question that is far beyond the thinking of many theorists. No chapter or section of past literary theory can explain the Zhao Benshan phenomenon. This artistic phenomenon will be It is for future theoretical workers to study and summarize.

Yu Qiuyu said, I have accepted Western aesthetics of reception very early, and this concept is deeply rooted in me. The state of "acceptance" is a standard. If we look at Zhao Benshan's phenomenon from the perspective of "acceptance aesthetics", many questions will have answers. CCTV now understands that the criterion for judging columns is ratings, which is more important than any awards. For many actors, the psychology of the Spring Festival Gala is very fragile, and the test that night is very cruel. Whether they are accepted or not is determined by that night. The Zhao Benshan phenomenon is in a very grand state of acceptance. Hundreds of millions of people across the country have needed and liked Zhao Benshan's sketches for more than ten years. If we ignore this, it is a rejection of aesthetic reality, and it will be difficult to study aesthetics and art. People put all their emotions on that day. If you don't acknowledge Zhao Benshan, are you saying that the hundreds of millions of Chinese viewers were happy that night? It's hard to find an actor these days who's been so popular for so many years.

Zhao Benshan has been accepted by the Chinese people for such a long time and constitutes the history of contemporary Chinese psychological aesthetics. If he has withstood this test and is not a great artist, then what kind of great artist is he? In what year and month can a great artist be born?

Ranking of Zhao Benshan’s apprentices

Zhao Benshan’s apprentices are mainly divided into 5 batches. Except for Li Zhengchun who passed away, the apprentices who arrived on February 11, 2008 (the fifth day of the Lunar New Year) There are 33 people, among whom Gao Ming'e and Sun Lirong are two female apprentices, and the rest are all men. The order is as follows:

The first batch (6 people): Li Zhengchun, Lu Yao, Zhang Xiaofei, Tang Jianjun, Wang Xiaobao, Wang Xiaoli. (In order of apprenticeship)

The second batch (8 people): Cai Weili, Cai Xiaolou, Wang Yonghui, Zhang Xiaoguang, Bobby Ken, Yan Guangming, Wang Xiaohu, Wang Jinlong. (Sort by age)

The third batch (9 people): Gao Ming'e (female), Sun Lirong (female), Jia Xiaoqi, Lao Shou, Jiang Haijun, Cheng Ye, Yan Fei, Yang Bing, Su Xiaolong. (Sort by age)

The fourth batch (2 people): Liu Xiaoguang, Xiao Shenyang. (Sort by age)

The fifth batch (9 people): Zhang Xiaowei, Sun Xiaofei, Zhang Kai, Li Xiaofeng, Cheng Hong, Dong Sanmao, Song Xiaobao, Tian Wa, Honghai, Xiao Pengfei. (sorted by age)