The new film of Swedish film

In the 1960s, a new generation appeared in the Swedish film industry. From 65438 to 0963, the Swedish government reformed the policy of the film industry, creating some better conditions for new directors who started to engage in creation. During this period, the so-called new Swedish film school appeared. Many directors of this genre are screenwriters themselves, and they all make movies according to their own film literary scripts. The famous representative of this school is B. Weidburg. The creative characteristics of the new Swedish film school are to truly describe the conflicts in life, conduct social analysis, and strive to explore personal and social life in complex relationships. This genre explores new expressive means of film language, and in order to make the works close to real life, documentary techniques are also applied to art films. The directors and critics headed by B. Weidberg oppose the creative tendency and aesthetic principles of the older generation of directors, mainly I. Bergman. B. Weidberg accused I. Bergman's creation of being "too divorced from reality, too reasoning and mysterious" and opposed taking I. Bergman as the representative of Swedish films.

The film themes of the "New Swedish Film" school are all based on the daily social life of ordinary people. For example, B. Weidenburg's Crow Residential Area (1963) describes the simple life experience of a Swedish worker's family; Love-65 (1965) and Hello, Roland (1966) touched on the youth problems in postwar Sweden. Adalun -3 1 year (1969) and Joe? Hill (197 1) reflects the workers' movement, and the social tendency of his creation is the most distinct. The works of J. T. Rohel, the director of this school, have epic charm, such as This is Your Life (1966, adapted from the novel of Swedish writer E.O.V jon jonsson), which tells the life of a young man and shows the face of Sweden in the early 20th century. Two films, Expatriates (197 1) and Immigrants (1973), adapted from the works of C. A.V Moberg, vividly reproduce the scene of poor Swedish farmers moving to the United States in the famine years of19th century. Director v Schumann's movie mistress (1962), 49 1 (1964), costume (1964), you are lying! "(1969), especially the movie" Love "(1974), which narrates 1909' s strike, is all about social and political issues, but his films often prevent the concentrated exposure of social life phenomena because of naked sexual perversion, such as his film" Bed of Brothers and Sisters-6544 ".

Director J Donner made films describing the breakdown of bourgeois marriage: Sunday in September (1963), One Love (1964), Adventure starts here (1965) and Drunk Headache (1965). Director J. Halldoff pays attention to the life problems of young people, and describes the young people's withdrawn character and the conflict with their surrounding life, as well as the fact that this situation leads to crime or psychological confusion. His films include Myth (1966), Wild Life (1967), Wula and uria (1967) and Wild Life. Other directors belonging to the "New Swedish Film" school are M. Settling, I. Gamrin, L. Jolinger, J. Kaurney, S. Beyorkman and K. Grader.