Killing souls is too sweet ~ just look at it without sinking into the pit.

Professor Shen and Zhao are so sweet, Professor Shen and Zhao are so sweet, Professor Shen and Zhao are so sweet.

As an incorruptible woman, she was not interested in this drama at first, but was attracted by the special argument that "the first six episodes can be finished in fast forward, and the screenwriter changed from the seventh episode, and the plot level soared immediately". I was curious about how a screenwriter kept the stem of a drama and then quickly attracted into the pit.

I chased the first nine episodes all weekend, and then I was at a loss. How do you see that the story has improved with a new screenwriter? And this strange idea of another planet is really not to test the IQ of the audience again? Except for Professor Shen's ridiculously high temperament, other actors don't know what they are doing, and their lines are not nutritious. What made this drama without big coffee and fire?

Then, I read the original "Zhen Soul".

After watching it for two days, basically, except for working hours, it is all sleepless farm work. The setting of myth suits my taste very much. The key is how two people can be so sweet, fluent in writing, clear in logic and reasonable in ending. Then I know why the TV series is so popular. Although the soul-chopping has turned into a black robe at a low speed, the Kunlun Emperor has turned into a starfish leader, the monk Lin has turned into an IT man, and the ghost family has turned into an immigrant star. Basically, the plot has nothing to do with the original work, but, yes, but Professor Shen is completely published, with the gentle temperament, the eyes that want to talk, and the deep and silent persistence.

In fact, it is understandable that the screenwriter changed a pure love into a suspense sci-fi drama. Johnny had just become popular before he was banned for two years. How this "soul killer" secretly distributed sugar under the pressure of radio and television really tested the crew.

I suggest you look at the original, and then the screenwriter can surprise you with less obvious details in the play. Now, I want to know how the screenwriter rounded up the source of events that can be traced back to Pangu's creation in the original work and waited for a fool!