The documentary "The Story of Entering the City" premiered in Beijing. What kind of story is told in it?

As a companion piece of the documentary "Out of the Mountain", "Into the City" vividly expressed the article "Do a good job in the follow-up work of ex situ poverty alleviation and relocation" on the big screen.

This documentary is based on the poor farmers who left the mountains to start a new life in Zunyi at the end of June 2065438+2008. It also truly records that the majority of grassroots cadres in party member are people-centered, in order to realize mass relocation? Move out, settle down, get rich? This goal is to fully implement the decision-making arrangements of the central poverty alleviation work and the inspirational stories of the Guizhou Provincial Party Committee and the provincial government on various measures to get rid of poverty. In hero selection and character story expression, the film takes a positive attitude as the principle, does not whitewash life, does not avoid contradictions, and the story strives for the authenticity and ideological content of narration. From an objective observation perspective, the relocated households are tracked continuously, and how the people represented by Yang Duoyan and Qin Meng adapt to and create a new life after leaving the mountains for the city, and how the party Committee and government and community cadres work together to help the poor move. The second half of the article? A vivid story.

The person who plays the dog whistling into the city with a lotus lantern in Kong is the protagonist. He played this role because polio crippled him and he had to be a substitute teacher in the countryside. As a result, he encountered a retreat and became the pain of that era. I clearly remember a scene where he walked down a stone ladder because the character was lame. When I cut to that picture, I watched him limp down the stairs and thought he might fall down the stairs the next second.

As a companion piece, Shan's story has beautiful scenery and good lens scheduling. Director Jiao Bo deserves to be a photographer. The most important thing is that the story is smooth and the process of going out of the mountain is exactly the same. Although it is very dull, it is very attractive and has its own strength. All kinds of meaningful shots. For example, the background music and light rain when the family moved to the city, and the expressions on people's faces. For example, when the house is demolished, the hostess wipes her tears on the excavator. This theme is also wonderful.