Introduction of Dutch who plays Zhou Wang in the old version of the list of gods? Current situation? If you can, please look for his personal website.

Dutch, formerly known as Qi Fujun, is a famous film actor. Born in Huaide County, Fufeng Mountain, Jilin Province on March 18th, 1934, he finished primary and secondary school in Changchun. In middle school, under the guidance of the Chinese teacher, he read some famous books at all times and all over the world, especially those martial arts novels with bizarre plots and legendary characters. He often tells the interesting places in these books to his classmates vividly, thus exercising his ability of telling and acting and laying the foundation for his artistic career.

in p>195, Dutch was recommended by the school to the Journal of Changchun Railway Business Institute. The following year, I went to Changchun Post and Telecommunications Senior Vocational School to study. As an activist in amateur literary activities, he often participated in some performances. In 1953, he was transferred to the literary car class in the train section. That year, the newly established Harbin Railway Art Troupe (the predecessor of China Railway Art Troupe) selected him, and the 19-year-old Dach became a professional drama actor. In the Railway Art Troupe, Dach received the training of basic performance skills and systematically studied stanislavski's performance theory. Participated in the performances of 4 Years' Wish, February 27 Storm, Three Thousand Miles of Rivers and Mountains, Twelve Trains and Gunshots in Tibet. During this period, he toured along the railway trunk line with the art troupe and ran through many places, which not only enriched the practical experience of the stage, but also gave him the opportunity to learn nutrition from watching other operas, broadened his horizons and accumulated his life.

In p>1956, Lin Nong, a famous film director of Changying, searched for the first color feature film "The Beacon in the Border Village" in China, and he chose Dach to play the leading role of Duo Long. As an invited actor, Dach has successfully created an artistic image of a brave young man of Jingpo nationality who shines with unique national brilliance, although it is the first time for him to come under the mercury lamp. His performance is delicate, vivid and full of true feelings, which accurately shows the irritable personality of the characters. When the film was shown at the 11th Karlovi Farley International Film Festival, it was praised by critics and awarded Dach the Young Artist Award.

During the performance of Duo Long, he sought for a strict realistic creative method, which gave Dach a profound influence. He first asked Dach to go deep into life, understand the temperament of Jingpo youth and their customs, especially the suffering of Jingpo people in the old society; Then he is required to explore the inner world of the characters, accurately express the thoughts and feelings of the characters, and work hard to portray the unique character of the characters. Lin Nong told him: to be a qualified film actor, you need to accumulate and cultivate in many aspects. An actor without ideals and ambitions will not become an artist.

The success of playing Duo Long made him want to become a professional film actor, and hoped that he could create various characters.

In p>1961, Dach was officially transferred from the Railway Art Troupe to changchun film studio. Since then, he has become a professional film actor. He played the role of Zhong Gui and Wen Shuai respectively in the films "Independent Brigade" and "Jingpo Girl" filmed by Changying, and completed his role tasks well.

Just when Dach was pregnant with his ambition to make great achievements on the screen, unprecedented turmoil deprived him of the right to create, just like the majority of filmmakers. In 1969, he was sent to Lan Shu County, Jilin Province, and settled in the countryside. He didn't return to Changying until 1972.

in p>1975, after nearly ten years of hardships in life, he re-appeared on the screen. In the film "Wheels Rolling" directed by Yin Yiqing, he successfully played the role of Geng Dongshan, a former model. After the downfall of the Gang of Four, in 1977 and 1978, he played the roles of old Wei Ye and Wang Sijiang in the films Bear Trail and Furious Tide on Fishing Island.

Since he played Duo Long, the ideal fire in his heart has been burning. Even when the "four evils" were rampant, he still insisted on reading, studying literary theory and browsing literary works; Learn painting, photography, playing the piano, playing ball, swimming, skating, fencing ... to enrich themselves and master all kinds of skills that actors should have.

Dutch finally got his chance to realize his long-cherished wish. In 1978, directors Li Guanghui and Qi Xingjia wanted to put the film literary script "Ji Hongchang" by army writer Chen Lide on the screen. After reading the script, Dach was deeply moved by the image of Ji Hongchang, a national hero and a famous anti-Japanese. He admired his tragic performance and loved his character of going forward like an arrow. How he wishes to play General Ji! However, although the director knows something about Dach, it is still not easy to draw a conclusion about whether he can portray Ji Hongchang, an artistic image with great emotional changes. When Dach wrote a thick stack of materials about Ji Hongchang's understanding of this image and sent it to the director, the director still didn't make up his mind. It was not until after three months of "trial play" that almost all the heavy scenes in the film were tried, and the director finally decided to play Dach. Among the five actors who tried the play together, the director thought that Dach was not only similar in shape, but also close to spirit. < P > In the process of playing the role of Ji Hongchang, Dach used all his skills to deliberately portray the character, which not only showed Ji Hongchang's pursuit of truth and concern for the country and the people. At the same time, it also vividly shows the other side of his stubborn and rude, river's lake loyalty, simple and credulous personality, and accurately shows the development process of a Kuomintang officer's ideological character into a * * * producer.

In August, 1979, after the color feature film Ji Hongchang (the first and second episodes) was finished, it was shown as a gift film for the 3th anniversary of the National Day, which was warmly welcomed by the audience and was rated as one of the best feature films in the third popular film Hundred Flowers Award.

The successful creation of Ji Hongchang's artistic image embodies Dutch painstaking efforts and sweat. Ji Hongchang, the national hero of the Anti-Japanese War, died in 1934, when Da Qicai was just born. In order to understand the specific environment in which Ji Hongchang lived and fought and his life of exploration and struggle for the country and the people, Dach studied a lot of literature and history materials and related books, visited many old-timers, and visited Ji Ruiyi, the daughter of Ji Hongchang martyr, and other family members. However, as Dach said, understanding is not equal to performance. In his performance, he was able to accurately grasp the complex and changing emotions and psychology of the characters, and he also went through a process. When dealing with the scene of Ji Hongchang's appearance, at first, Dach designed to ride a horse to get to the giving ground, then dismounted, quickly and neatly untied his cloak, brushed it to Lao Zhou, and immediately looked around, and "cut, cut, cut" strode onto the training platform and a series of "handsome" details to show Ji Hongchang's military commander's demeanor. However, he later realized that this appearance ignored Ji Hongchang's inner activities and mental state at this moment: at that time, Ji Hongchang was ordered by Chiang Kai-shek to be transferred to Dabie Mountain to fight with the Red Army, and he couldn't figure it out. Coupled with repeated defeats, his mood was agitated, and soldiers repeatedly deserted and defected, which aggravated the contradictions in his heart. In the real shot, Dutch changed the original design action to a serious and gloomy expression with a lot on his mind. When Ji Hongchang appeared, he made the audience feel restless and "a lawsuit on his forehead". This not only shows his long-term general demeanor, but also shows his feelings of worrying about the country and the people.

Ji Hongchang is a biographical film, in which Ji Hongchang's personal scenes account for almost half. Dach deeply feels that it is quite difficult to describe the characters' personalities only by facial expressions, and more means of expression must be explored. Such as the use of props "Xiao", the strong action of "riding alone" to make the traitor stand on his horse, the details of "stealing wine and drinking", and Ji Hongchang's heroic spirit of dying before he died, etc., all of which made the performance really touching.

For Ji Hongchang's different laughter in different environments and moods, Dutch also endows the characters with different emotional colors and ideological connotations. For example, in the Dabie Mountains, the secretary Nie Qingming said to Ji Hongchang with trepidation: "Some people in Nanjing say that you are almost red!" Ji Hongchang smiled and said, "Tell them to talk about it, but I don't know what it's like to be red!" This laughter is a generous laugh, showing Ji Hongchang's open-minded and fearless character. Later, he smiled at Nie Qingming, his secretary, and said, "Qingming, your temperament is too soft. You have been talking to me for years, but don't forget to stand tall!" This laughter is a kiss smile, caring and reminding, which reflects Ji Hongchang's expectation for his little brother. When Sun Mei reminded Ji Hongchang that the Kuomintang might collude with the Japanese again, Ji Hongchang smiled and said, "There must be collusion, but it is impossible militarily!" This laughter is a very confident smile, showing the fatal weakness of his character: stubbornness; When the traitor Lin Wanpeng gave a banquet to persuade him to surrender after his arrest, Ji Hongchang sneered and shouted, "Take your life as a guarantee, it will be worse for me to live than to die!" This laughter is full of disdain and contempt, which shows the valuable quality of Ji Hongchang's hatred of disease; Seeing the executioner in a state of panic on the execution ground, Ji Hongchang sat in a chair and burst out laughing. This laughter is the death-defying and righteously laughing of the * * * producers, and it is full of Ji Hongchang's sincere loyalty to the motherland and the revolutionary cause.

Dutch agrees with Bai Juyi, a great poet, that "those who touch people's hearts don't care about their feelings first". He thinks that emotion can move people. When he plays Ji Hongchang, he pays special attention to his emotional discretion. Such as Zhou Guangyuan's visit to prison. At first, when Dach saw Zhou Guangyuan, he burst into tears. But he soon realized that this kind of performance was inaccurate, because it didn't make people see the formation process of this kind of emotion and lacked hierarchy. When shooting, he made a correction. When he saw Zhou Guangyuan, he didn't immediately shed tears. Instead, he held his hands tightly until he read the central telegram, looked up, and two lines of tears fell down, and then poured out his heartfelt words. Although it is a farewell, there is no sad lament, but it is full of wishes and yearning for victory, which accurately expresses the lofty beliefs and firm beliefs of a * * * producer. Dach said: "The drama with surging emotions is not afraid of being excited, but it is afraid of being unrestrained and controlling the feelings, which is the easiest to move people!" In the process of playing Ji Hongchang, Dach carefully designed how to accurately show the feelings of the characters. He asked himself: there must be river of no return, the majestic spirit like stormy waves, and there must be small bridges and flowing water, and Pinghu is as quiet and elegant as a mirror; Some scenes have to be outlined with big strokes and painted with a few strokes; Some scenes require meticulous brushwork, nuance, a gentle sigh, a deep smile and a thoughtful look, all of which should be accurate, simple and realistic.

When people climb a mountain, they will feel open-minded; As far as you can see, you will suddenly find new peaks. When Dach successfully created the image of Ji Hongchang, a national hero, and realized his long-cherished wish, he deeply understood that there is no end to the mountains of art, and it is necessary to continue to climb hard to create all kinds of vivid characters on the screen.

In p>1981, Dach was invited to Beiying, where he played the leading role of Tang Jinlong, the leader of South China University of Technology, in the historical film Prisoner directed by Wenhua Li, which better portrayed an image of South China University of Technology with national integrity.

To play Tang Jinlong, he needs to know martial arts. For this reason, he braved the heat to learn boxing and fencing, and suffered the hardships of "three minutes on stage and three years off stage". In practicing martial arts, he was greatly inspired and skillfully integrated some essentials of practicing martial arts with shaping characters. For example, Nanquan pays attention to taking form as boxing, taking meaning as spirit, and having both form and spirit. He felt that playing Tang Jinlong should be the same. If we only pay attention to the beauty of form and ignore the truth of God in the performance, it will be superficial; Only paying attention to the truth of God, ignoring the beauty of form, can not express the profound essence of characters. In the film, Tang Jinlong has many martial arts moves, but Dach doesn't fight for the sake of fighting, and all his moves and styles are used to depict characters.

Dutch is an artistic man with a heart, and the road he has taken is a road of striving for strength and constantly seeking. His continuous success is connected with his constant confidence, never belittling himself, and at the same time, his steadfast and tenacious struggle.

The international film emperor (won the 11th Karowe in 1958? Young Actor Award at Farley International Film Festival)

Director China in Melbourne If you have seen the movie "Ji Hongchang" or the movie "The List of Gods", you still remember that the hero who played the role of Ji Hongchang or Shang Zhouwang in the play was Dutch. This old artist from Heilongjiang who has been an artist for many years immigrated to Australia more than 1 years ago and started his new career in Australia.

He has been acting in movies since the 197s. In the early 199s, he immigrated to Melbourne and started a new artistic life. In particular, he developed his film and television center in Australia and started some performing arts training spots and drama groups.

Australian Dutch Film Co., Ltd. is now called Australian Dutch Film Studio. It is an organization specializing in TV and film production founded by Mr. Dutch, a famous Chinese director and producer living in Australia.

In p>24, Mr. Dach went to China to attend the opening ceremony of the Shanghai Australia Film Festival as the Australian representative. Here, the screenplay "Don't forget Sydney" created by Mr. Dach stood out in the film festival. It will be the first film production co-produced by the two countries.

In the future negotiations, Mr. Dach said that there is still a gap in the total investment agreed between China and Australia if we want to complete the best artistic ideas and creativity. I hope more funds will be injected. After a face-to-face meeting between Chairman of the Board of Directors of Tigerson and Mr. Dach in Beijing, Mr. Guo expressed his willingness to invest 2-3 million Australian dollars to become a shareholder in the Australian Dach Film Co., Ltd., which Mr. Dach will set up. Assist Mr. Dach to successfully complete the filming of this far-reaching film and television work and more potential artistic creation in the future.

(butterfly, 24, "Tigerson will become a shareholder in Australian Dutch Film Company in 25

The following is his personal blog.