What is the movie Chongqing Forest about?

The content of the film "Chongqing Forest"

The story of Chongqing Forest took place in Hong Kong at the end of the 20th century. At this time, Hong Kong is in the stage of social transformation. Many new things poured in and people's living conditions changed.

The name of this film comes from chungking mansions. Chungking mansions is a landmark of Hong Kong's internationalization and has a strong sense of modernization. There are immigrants from many countries and many foreign shops here. The story of the film revolves around the surrounding environment of chungking mansions, especially the salad bar. Indians and residents of other countries can be seen everywhere in the film, which also reflects the real situation in chungking mansions.

Under the influence of western countries, Hong Kong has also entered an era of rapid development. The new infrastructure has been built, the pace of people's life has been further accelerated, and people's concepts have also changed greatly.

The film truly reproduces all aspects of Hong Kong society under the changing times. Middle-level elevators, pagers, tape recorders and stereos are all the most intuitive manifestations, and busy streets, crowded people and colorful world are also real reflections.

Chongqing Forest, like a real picture scroll, records the life of the most ordinary people in Hong Kong, and outlines the real picture of Hong Kong from the small to the big.

Chongqing Forest tells two independent love stories, one is the love between A Wu and a female fugitive, and the other is the love between 663 and A Fei. Wong Kar-wai tells these two stories in a unique way, which can not only make the film not boring, but also be more suitable for two different kinds of love.

Wu's love with the female fugitive is a one-night stand, which is consistent with the emotional state of many Hong Kong people. Wu is a teenager looking for spring. He was unhappy because he was lovelorn. He committed suicide with canned pineapple every day, but he was unhappy after all. On the day when his lovelorn love was hard to release, he came to the bar and met a female fugitive by chance, so it was love at first sight.

He talked to the female fugitive without thinking, hoping to win the favor of the female fugitive, but in the end he found nothing. Ah Wu hopes to heal her former emotional wounds through her feelings with female fugitives, and also hopes to start a new relationship from now on.

However, due to his disdain for female fugitives, Awu gradually pinned his feelings on a one-night stand, hoping to satisfy his loneliness through this feeling. Ah Wu has the childishness and impulsiveness of young people, and he is extremely eager for love, but in fact he is lonely and empty.

The love between Wu and the female fugitive is a true portrayal of the feelings of many modern people. On the one hand, they can't be with the people they really love, on the other hand, they seek psychological comfort in the feelings of eating, drinking and having fun.

This post-modern feeling is very compatible with the environment in Hong Kong, especially under the influence of work pressure and western ideas. Many people use this way to satisfy their loneliness and emptiness.

The love between 663 and Effie is pure and beautiful, which can be met but not sought. 663 originally had a stewardess's girlfriend, but the special occupation of the stewardess made them unable to last long. Their feelings are like those of Wu and a female fugitive, especially for the stewardess.

But for 663, he cherishes this relationship very much. 663 is also a very single-minded person, and it is difficult for 663 to get rid of the shadow of lovelorn after breaking up. A Fei can be said to be a girl who loves spring. She longed for love but was afraid to show her love directly to 663, so she secretly went to 663.

Love with Effie, young and pure. Neither of them broke this enough paper, but experienced the fun of love through this enough paper. Their love is also what many people long for, hoping to find their lifelong partner, get sweet happiness, long for the youth and sweetness of love, and the subtle and lasting love brought by this love.

The love between 663 and Effie is the product of the collision between the development of the times and the old ideas, which has both the marriage and childbearing side in the traditional concept and the youth and formality side in the modern concept.

The love between A Wu and the female fugitive is completely different from that between 663 and A Fei, but both are desirable. One is to eat, drink and be merry in time to satisfy one's own desires and lonely desires, and the other is to be long and gentle as water.

These two kinds of love are also the reflection of people's love view and times. The development of Hong Kong has given people living in it different views on love, and people are also looking for emotional comfort under the guidance of these views on love.

Actually, looking at two love stories from another angle, Wong Kar-wai seems to be talking about the same theme-lovelorn. Wu was depressed because of lovelorn love, and went around to relieve emptiness. After wandering around, he met a female fugitive, hoping to ease his loneliness through the female fugitive.

During the period of lovelorn, Wu showed laziness, paranoia and anxiety, which are the most common in lovelorn. It is because of Ah Wu's lovelorn love that the story of Ah Wu and the female fugitive began, and lovelorn love became the starting point of the story.

The same is true of 663. He broke up with the stewardess, but it's better to miss the stewardess. Effie's intervention made him start a new relationship, which is also the beginning of the story. Wong Kar-wai used two stories to show two different lovelorn states, which led to people's living conditions under the background of the times.

Chongqing Forest focuses on people's living conditions under the changing times. Because of the change of the times, people's life rhythm is getting faster and faster. The fast-paced life has not brought us fullness and satisfaction, but has caused our loneliness and emptiness.

Awu and 663 in the film are typical representatives. Because of busy work, it is difficult to expect love. Although they also want to have a stable relationship, they and their partners are lost in the fast-paced life and can't have enough time to cultivate their feelings.

After being lovelorn, they returned to the initial emptiness and loneliness, and continued to accompany themselves with loneliness. However, even if they have a partner, they will still feel lonely, because the great pressure of life and work makes it difficult for them to get what they want.

We are busy with life and work every day. On the surface, it is full, but the spiritual world is empty. Because of the emptiness of the spiritual world, people become lonely, impetuous and even lonely. Wong Kar-wai used Chongqing Forest to describe people's inner world under the rapid development of the times, and showed people's loneliness and loneliness under great pressure.

Extended data:

Chongqing Forest is an urban love story suspense film, directed by Wong Kar-wai and starring Brigitte Lin, Faye Wong, Brigitte Lin and Takeshi Kaneshiro.

The film tells two love stories: an urban encounter between a lovelorn policeman and a mysterious female killer, and a love story between a policeman 663 and a girl from a fast food restaurant. 1995, the film won the 14 Hong Kong Film Awards for Best Film and Best Director? .

Film evaluation

In the forest of Chongqing, the men and women who come and go in a hurry, the sudden arrival of love, and the monologue like talking in a dream all make people feel heavy inside. There is a sense of loneliness in the crowd, and Wong Kar-wai's ambiguous light and shadow are particularly suitable for expressing these things, so these two love events took place in the street.

Compared with his other films, it is very grounded and sexy. The one-night warmth between He and the female killer in the film is very similar to the normal state of Hong Kong people, but the pure and beautiful feelings between 633 and Effie are hard to find in a lifetime.

The two love stories in the film are not wonderful, one is a teenager looking for love, and the other is a girl looking for love. The theme is very common. The reason why "Chongqing Forest" can jump out is not only the light, shadow and lines of Wong Kar-wai movies, but also because the story background of the movie is in Hong Kong, so it is all foreign.

In addition, Wong Kar-wai's obsession with details also adds a lot of points to the film, such as those long mountain elevators, crowded vegetable markets, low-priced markets, and Indian saris in chungking mansions, which show Hong Kong's vibrant side (Southern Weekend review).

The two stories told in Chongqing Forest are irrelevant and have no plot interwoven. The film is full of voice-over, but the voice-over does not promote the plot, nor does it highlight the thinking of war in the counterpoint between sound and painting like Love in Hiroshima.

This kind of chatter is like praying to oneself, which just shows the spiritual field and emotional state of a postmodern urbanite. Some people say that Hong Kong is the most typical post-modern city, and the pace of life is like the rapid switching of commercial advertisements. However, Wong Kar-wai's adoption of this method reflects his attachment and alienation attitude towards urban life (Netease Review).

In the story filled with the breath of the 1960s, the film is deeply sad. Chongqing Forest is two silent urban love stories, silently burying the crying from the bottom of my heart and hiding it a little to delay the time.

In the film, the faces of young men and women are engraved with lonely labels, spinning in their feelings. A marriage created by Wong Kar-wai, with the sadness of passing by? .

References:

Baidu encyclopedia-Chongqing forest