What are the exhibition activities for the 221 Shenzhen Spring Festival? Time-place-introduction of the Shenzhen Spring Festival exhibition

Golden Bull Offering Ruins —— Changes in the Surrounding House of the Spring Festival Exhibition in Shenzhen Art Museum —— Camel Bell before the 17th Venice Architecture Biennale in 221 —— Special Exhibition of Guan Shanyue's Northwest Sketch and Dunhuang Linhua in the 194s bid farewell to the extraordinary year of 22 and is about to usher in a new year. During the Spring Festival, there are many exhibitions worth visiting in Shenzhen, all of which are free. The time, place and details of these activities are briefly introduced below for your reference! Golden Bull Offering Ruins-Spring Festival Exhibition of the Collection of Shenzhen Art Museum

January 29-February 23, 221 (closed on Mondays, normally open on holidays)

Shenzhen Art Museum

Free

On the occasion of the Spring Festival in 221, Shenzhen Art Museum specially planned the "Golden Bull Offerings Ruins-Spring Festival Exhibition of the Collection of Shenzhen Art Museum" and selected The works on display include not only the rich expressions of different art categories such as Chinese painting, printmaking, watercolor painting and oil painting on the theme of cattle, but also the simple creations of folk artists such as paper-cutting and peasant painting. There are affectionate eulogies about the spirit of cattle and humorous expressions full of life interest. We can see the different personalities and temperament of cows under the brush of artists in different regions and different ages.

22 Shenzhen Oil Painting Annual Exhibition

January 8-March 3, 221

Shenzhen University Art Museum is free

Over the past 4 years since the establishment of Shenzhen Special Economic Zone, the advanced concept of cultural development and the open and inclusive urban characteristics have gradually taken shape. Artists living in the Special Zone actively participate in the construction of this urban characteristic, and at the same time explore and absorb the spirit of the Special Zone, and show and generate. The oil paintings exhibited this time are not only the crystallization of Shenzhen's cultural and artistic development achievements, but also a vivid record of Shenzhen's pioneering, innovative and prosperous development history. Changes of enclosed houses-Pre-exhibition of the 17th Venice Architecture Biennale in 221

January 22-February 28, 221 (closed on Mondays)

Shenzhen Yachang Art Center

Free, but you need to make an appointment (no airborne)

When the Hakka enclosed houses in Longnan meet the 17th Venice Architecture Biennale in the form of contemporary variations, In the global context of the post-epidemic era, we have begun to rethink the lifestyle and the imperative problem consciousness.

Stealing fantasy brain space

January 9, 221-January 31, 11: -18: (closed on Mondays)

Shenzhen Nantou Ancient Town NT15

Free

Why do artists and designers always burn their brains? When racking their brains without a clue; When the painstaking works are severely rejected by customers and the design needs to be reinvented; When inspiration comes and you work day and night. The unknown brainstorming process of the creator is like going through a thrilling journey. In the form of travel notes, this exhibition takes the audience into the fantasy space constructed by artist Li Meixin and designer Xu Xun. Camel Bell beyond the Great Wall —— Collection of Guan Shanyue's 194s Northwest Sketch and Dunhuang Paintings Exhibition

From August 2th, 22 to June 26th, 221

Free on the second floor of Shenzhen Guan Shanyue Art Museum

This exhibition not only shows Mr. Guan Shanyue's 194s Northwest Sketch and Dunhuang Paintings, but also looks back on Mr. Guan Shanyue's exploration and practical experience on China's art and national destiny. From an exhibition and a book, going far and west, Hexi Corridor, Dunhuang candlelight, ice and snow life and looking back, this paper completely restores the difficult journey and creation of Mr. Guan Shanyue's whole trip to the northwest, and tells the story of his persistence in "going to Wan Li Road", traveling far out of the mountains, going deep into ethnic people and painting and holding exhibitions all the way in the complex situation of national crisis and cultural pursuit during the Anti-Japanese War.