Classic lines of The English Patient's films and The English Patient's films

1. Tell me about the plot of The English Patient, I don't seem to understand it. 2. The English Patient's reaction. 3. The plot of The English Patient is introduced in detail. 4. The movie The English Patient. 5. Ask for a brief introduction of the film The English Patient. 6. The critics of The English Patient told me the plot of The English Patient, but I don't seem to understand this film directed by anthony minghella and based on the writer Michael.

The film co-stars Ralph Fiennes, kristin scott thomas and Juliette Binoche. The film was released in the United States on June 6th 1996, 165438 [1].

Against the background of war and desert, the film interprets a love tragedy that spans time and space.

During World War II, a British plane was shot down by the Germans while flying over the Sahara desert, and the pilot's face was completely burned. The local people saved him and sent him to the allied field hospital.

Because of the injury, the pilot lost his memory and couldn't remember who he was, so he had to be called "The English Patient".

A British plane was shot down by the Germans while flying over the Sahara desert. The pilot was injured and didn't remember who he was, so he was called "The English Patient". Hannah, a nurse in a field hospital, decided to stay alone and take care of that The English Patient. They stayed in an abandoned monastery in Italy, far away from the noise of war, and seemed quiet and leisurely. The English Patient was lying quietly on the wooden bed in his room, and an old book by the window gradually reminded him of his thoughts.

A love, burning in the war, transcends morality and changes the war situation. Archaeologist Earl Emmers (Ralph Fiennes) follows the explorer to the Sahara Desert, and meets Jeff, the pilot who draws maps, and his wife Catherine (kristin scott thomas). Emma was fascinated by Catherine's talent and beauty. When they visited the murals in a deep cave in the desert, they found that they shared a common interest. Morality finally overcame passion. Jeff found out about his wife's affair after Catherine and Emma broke up. Sad Jeff tried to fly a plane and die with his wife and Emma. Emma narrowly escaped, but Catherine was seriously injured and died. A horse tree rushed to the person he loved, put her in the cave, and promised to get out of the desert and find help. However, things are not as simple as imagined. In order to save people, he was accused of treason and killed. In the end, he didn't break his word. However, Catherine gave him the cold shoulder forever. Emma put Catherine's body on the plane and was shot down by the Germans while flying over the Sahara desert, so the opening scene of the film took place.

While taking care of The English Patient, Hannah met the Indian bomber Kip, and they fell in love. Even if the war is over, the bomber Kip is bound to face death countless times.

Finally, at The English Patient's request, Hannah injected him with a large dose of morphine. ......

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Comment by The English Patient 0 1

The English Patient and Cold Mountain are the works of the same director. Although the background and location of the film are different, one is the European battlefield during World War II and the other is the American Civil War, but the ideas conveyed by the film are the same. In Cold Mountain, the hero fought bravely on the battlefield, but when the softest nerve in his heart was awakened, he abandoned everything and went through hardships to save that miss. So is The English Patient. It was the base in his heart that made the hero resolutely make crazy moves beyond ordinary people's common sense, and all this became his regretless memories. Through these, the director tells us that although the tide of the great era threatens thousands of people to make the same choice, there are also their own considerations among those insignificant individuals. Once they obey their inner call, then accidental things will change the inevitability of history. This is the fundamental reason why people are human beings, and society should adapt to the most basic requirements of people. Although this is unrealistic.

The main line of The English Patient is that with the help of a nurse who took care of a man who suffered severe trauma and lost his memory in the war, he gradually recalled the bits and pieces before the injury and restored the whole story. An international organization conducting scientific research in the desert of North Africa, led by an Englishman, one of its members, the protagonist of the film, and later The English Patient, fell in love with the Englishman's wife. When the war broke out, the British and Germans competed for this strategic place in North Africa. As a British spy, the British leader caused a plane crash in retaliation for the relationship between the protagonist and his wife, killing himself and seriously injuring his wife. In order to treat his lover, the hero crossed the desert and asked the British for help. Instead, he was misunderstood and arrested by the British. After he escaped, he found the German army, got help from the German army by exchanging maps, and found a plane carrying his dead lover out of the desert. The plane was shot down while crossing the battlefield, and the hero became a burning man. The local tribes saved him and handed him over to the allies. This is the scene at the beginning of the film.

There are several sub-lines in the film, the love relationship between the British nurse who stayed to take care of the protagonist and the Indian deminer, and a man who worked with the protagonist in North Africa and was persecuted by German prisoners. He wanted to find out if the protagonist was a German spy, so he sold information and killed the leader of the organization. When everything was clear, the hero died and went to see his lover with restored memories. The heroine's lover, the Indian boy, also stayed away because of his companion's death. That person didn't actually get the information he wanted to know, because everything was not based on national interests, including the person in charge and the protagonist of that organization.

After watching this film, the words at the national level, such as traitor, spy and justice, have lost their due power. In the real society, this is often a shackle that is difficult to get rid of. Perhaps this is the idea that the director is trying to pursue.

02

1997 69th Award-winning Film

"The English Patient" tells the story of Emma Shu who died in the ruins of a villa in the mountainous area of Florence because of her lover Catherine's plane crash.

During a tour in the Sahara Desert, British pilot Ammache met pilot Jeff and Jeff's beautiful wife Catherine. For Catherine's beauty, Ammache couldn't help it. When Jeff was on a mission, the two reached the point where passion was on the verge. After the passion, Catherine threw herself into Amasch's arms. Jeff flew a plane to meet Catherine, but the plane crashed. Jeff died on the spot and Catherine was seriously injured. In order to save Catherine, Ammache flew the plane, but Catherine was already dead. Ammache got on the plane with Katherine in her arms, trying to fly away. The plane flew into the middle and was shot down by the Germans. Amash was disfigured and fell to the mountain in Florence, and was rescued by the local people. He is taken care of by nurse Hannah. When asked about his identity, Amash only remembered that he was called "The English Patient".

With the desert and war as the background, the film briefly describes the small love story under the grand background. In the choice of scenes, the desert that appears many times in the film provides the audience with magnificent beauty. Director anthony minghella is a master of aesthetics, which is vividly shown in this film. Everyone says that The English Patient is comparable to the desert scene in Lawrence of Arabia, and I deeply agree with it. Speaking of roles, Ralph Fence is the hero of this film, and once appeared in Schindler's List. The most impressive scene is that Emma Shu is holding Catherine's body in the desert, and the sun is setting, showing pity for others. Ralph perfectly interprets the despair of losing his beloved, while kristin scott thomas, the heroine, is not very beautiful, but the beauty in The English Patient can make people feel comfortable. In the supporting role, Juliette Binoche plays Hannah, a nurse in the movie The English Patient, which brings us another attitude towards love. The war brought her the same loss of love. Not only her boyfriend died in the war, but also her best friend was killed by straying into a minefield. Under pressure, she lost all hope and stayed to take care of The English Patient Ammache. Love in the magnificent scene is easy to move. Everyone has a sincere and Mary Sue's fantasy hidden in his heart: mysterious seabed, towering mountains, golden beaches, or vast Gobi desert. We all hope to achieve or witness a great love in these places, and the love between Catherine and Emma is just that. Nature is magnificent and beautiful, and human beings are small and ordinary. Through the magnificence of nature, we can set off the smallness of the characters, but there is great love in the small characters. As an audience, I like the desert very much, especially the desert in The English Patient. I deeply yearn for a similar love. On the narrative structure, director Minguela tells such a beautiful and moving love story by using montage technique, which is staggered in time and space and crossed in love themes. Love in the war, memories in reality, natural convergence, patchwork, Emma and Catherine today's sadness and once beautiful organic integration, constitute a magnificent picture, magnificent and delicate and moving.

We praise the love story of Emma and Catherine, but their love is just despised by people. Strictly speaking, Emma is seducing the military wife. Jeff, the pilot, fought bloody battles for his country, and his wife in the rear was lured away. The tragic ending is that the plane crashed and got the box lunch in advance. What really makes us forgive and move is that the two of them can persist in the spirit of love under the special background of war, and even if Catherine dies, Amash will not give up, especially the scene of crying with Catherine's body in the desert. I think the most successful thing about the film is its clear position, and the seemingly vague theme is actually very clear. The conflict between love and morality, love and country actually reflects the conflict between nationalism, mainstream moral values and political thoughts. Putting the love of little people into a huge historical framework first brings the audience an unparalleled sense of shock. What we appreciate is a kind of love for our country. Although the identities of the hero and heroine are not like kings or princesses, their respective identities are special, and they are actually qualified to interpret enough beautiful love-related to the world, not related to the world. Love in wartime is restrained and restrained. Because of time and distance, they can't expect more. They can only love freely when they can. How can they have the opportunity to consider the country and morality? I prefer to understand the theme of the film as the excavation of "humanity" itself. Love is love, nothing else. The Korean film Love Story also fully agrees with this point. From the perspective of art and life, I think love can transcend any time and space, including gender and race. As long as both sides have the same understanding of love, they can achieve emotional harmony to a certain extent. My favorite CP is Hannah and Kip, nurses who take care of Emma, because they know how to let go. I am doomed not to fall in love with a hopeless person, what's more, I am doomed to die. The dead can't compete with the living, and the dead can only exist in memories, which makes people admire and fear. I also admire Emma Shu, who loved the dead Catherine deeply.

Emma has lost her memory and only remembers being called "The English Patient". I think that in the face of the disease of love, everyone will become a patient, not just the British, but the whole mankind. Love is a poison, but each of us is full of it, just like a refugee fleeing from the desert, a walker in the desert, a prey in a trap, and a person struggling in the water. In the face of such a poisoned wine, we will not hesitate to drink poison to quench our thirst. We have no choice. Maybe there are deeper things I haven't realized and excavated, but I think I've seen enough here. I don't like tragic people very much, but I have the beautiful thought and expectation of "All shall be well, jack shall have Jill" in China, so Hannah and Kip's view of love in the film is not quite understood. All love should be beautiful, shouldn't it? At least it should be sad. Only in this way is it worth remembering.

03

The past is time flying sand, a touch of warmth, leaking out and drifting into the boundless sky. The English Patient is an image about memory, which originated from a fictional novel and finally showed the texture of yellow sand on the screen. In the reminiscence of the past, the Sahara desert blew up the mixed feelings of Hermes, and the white wall of the monastery was hidden in the afterglow of reality. The trek in geography and the twists and turns in time all fall into the pale yellow, and finally the mottled white in the shadows of trees. The color in the film shows the original background color of memory, unsaturated light and low brightness gray, which silently goes deep into the texture of the story and finally leaves the embers after the burning of time itself.

Pale yellow is the poetry of the desert and the quietness of lovers. No matter the camel team marching on the sand dunes or the figure bending over on the sand, it is dark yellow or bright yellow, as if putting a layer of yarn on the story cage. Under this background color, the sky in the desert has been soaked by wind and sand, showing a dark yellow warm tone as a whole. On the one hand, this old film or filter-like texture corresponds to the hazy state in the protagonist's memory, as well as the vastness and richness revealed by the environment itself, conveying the exotic customs and the sense of the times of the story itself; On the other hand, sometimes as the background of people's activities, dark yellow covers everything, dominates the division of all picture levels and the difference between light and dark, and shows the irresistible force of nature and the smallness of human beings. When the blue of the sky and the orange of the earth set each other off, blue and yellow, as complementary colors, become more harmonious and consistent in a unified warm tone, highlighting the quiet and eloquent atmosphere at the beginning of the story.

The tranquility conveyed by yellow also flows into the lingering sadness in the hero's love. In the scene of Emma Shu and Catherine's tryst, from the sandstorm outside the window to the sunset projected through the pane, Emma Shu's dark yellow robe to Catherine's back in the foreground, yellow gradually flows in the picture, which is a sandstorm, a window lattice, a curtain and a shoulder, forming a single tone of the picture that blends soul and flesh. Their mutual affection germinated in the yellow sand of the desert and blended in this warm yellow secret room love nest. Yellow is the true color of skin, and it is the desire instinct in caressing and touching. Under the cover of warm yellow, this nondescript taboo love transcends the purity of ethics and morality, and curled up in a narrow and cramped secret room to enjoy two of a kind's ecstasy and joy, which made the audience intoxicated and moved. Yellow awakens the most undisguised sincerity in feelings, and achieves the harmony of painting inside and outside and scene blending. When this relationship encounters real setbacks and faces the threat of eternal separation between man and nature, yellow also spreads into anxiety and despair. When Emma Shu trudged in the long yellow sand for three days and three nights to save Catherine, the yellow color extended an endless road. No matter at dusk, the silhouette in the sunset or the lonely traveler in the early morning twilight, they are trapped in the yellow sand all over the sky and become the smallest point in the world.

The golden yellow rising in the hot sun sets off the gloom of heaven and earth. Under this gloomy grayish yellow sky, it is a black desert with black figures on it. What I see is the hardship and lack in a hurry, and what I experience is the dying ambiguity and despair of my lover. Until dawn, there was no huge sunset passing through the light and shade, and the yellow sand flooded the picture, forcing the hero to a row of sky: the dark yellow sand slope at the lower right had cut off more than half of the picture, and a figure fell far on the horizon illuminated by the sun at the upper left. The yellow sand behind us has become a turbulent trend, and the blue sky with poor eyesight ahead is hope. And the blue of hope falls between the overlapping yellow sand, thinner and weaker. All kinds of emotions, through the dark or bright yellow sand, are intertwined and infiltrated, which is embarrassing.

About a jump is bright red. The heroine's opening red shawl stands out in front of a group of men with white shirts and brown leather clothes in the yellow sand. When red came to the desert, the desert was silent. In the dark night, red is more eye-catching, and the orange of campfire in the foreground adds warm color to this red touch. When the feelings are getting better, under the red signal, it reflects that two people can't help it. Red indicates the trend of the characters' emotions and announces the coming of the moment of "silent sobs". When we meet for the first time, red may imply the attraction and temptation to Emma Shu, which is full of danger. When two of a kind silently looks at each other, the red color at this time is more about warming up and confirming love, representing the inner fervor and the impulse to get close.

Finally, white is the representative color of the heroine Catherine, pure as water and forgetful as the wind. When she first got up the courage to look for the love horse tree, she stood slim by the white door, facing the dark place of the love horse tree, and she took the door with a white skylight. Needless to say, her white skirt is the warmest call Interrupted, suppressing the inner feelings, Shu fell into the depression and darkness outside the picture. Just like his eccentric and contradictory personality, Catherine, gentle and tolerant as water, took a bold step, and the light generally illuminated his restraint and formality. It is the encounter with true love that makes Catherine Huan make the most vivid and moving gesture, freely and sincerely revealing her true self-unrestrained white, selfless white, frank and magnificent white. However, when she felt guilty and suppressed herself, she cut off contact with Emma flatly. As soon as she appeared at the party, she became black. She restrained her feelings beyond secular morality, and she also suppressed her inner truth. It was not until the plane crashed and her life was dying that she was carried to the swimmer's cave by Emma Shu. On her deathbed, she once again expressed her inner love. At that moment, the white gauze fluttering in the wind has never been so bright and moving. She spoke her inner voice and returned to herself, but she also fell down when she was dazzling. White is composed into a silent elegy, which raises all the enthusiasm for love, plays, and then greets annihilation brilliantly and returns to silence. When the music ended and the memories ended, Emma Shu chose to give up her life voluntarily. The rescue plane carrying Catherine is still moving through the vast desert. Ammache on the plane crossed the yellow sand and betrayed his allies, just to fulfill his promise to his beloved. He still doesn't know what fate awaits him ahead, and he hasn't become "the patient of England", only the wrinkled dust on the earth is silent in time.

The English Patient's story details "The English Patient" tells a story of war and trauma.

During World War II, a badly burned "The English Patient" recalled his past memories through an old book. He is the archaeologist Earl Ammache, who fell in love with beauty and elegance while visiting the Sahara desert but married Catherine. For the sake of love, the two broke through the bondage of morality and became unrequited love.

However, such a sweet underground love affair was discovered by Jeff, who loves his wife deeply. Angry Jeff and Catherine crashed their planes into Ammache and tried to kill each other in the desert. Emma dodged a bullet, but Jeff died and Catherine was seriously injured.

However, Emma did not hesitate to make a deal with the Germans in order to save her life, but eventually lost her beloved woman. He was heartbroken and wanted to take Catherine's body home, but he was shot down by the Germans while flying across the Sahara desert.

The fusion of love stories and war backgrounds can always make movies shine differently. The heavy historical environment, the love that violates traditional morality, the ethnic contradictions that are on the verge of exploding, and the deep pain hidden behind each individual.

The English Patient is not only a love movie, but also an anti-war movie. It can even be said that it is a film that liberates individuals and explores themselves. Marriage, class, race and country are not the boundaries that plague people here. The excessive pursuit of self and the release of inner desires make the audience feel empathy, no longer reject, and even gain sympathy and understanding.

The films The English Patient and The English Patient are directed by anthony minghella and adapted from the novel of the same name by writer Michael Ondaatje. The film co-stars Ralph Fiennes, kristin scott thomas and Juliette Binoche. The film was released in the United States199611.6 "-network excerpt.

This is an old movie. Just like the hero and heroine in it, Ralph's handsomeness is irresistible, classical and elegant, and probably few women can resist his deep and charming eyes, as if he had magic to attract the heroine and move towards the unknown step by step. The hostess is like a rose in full bloom in the desert, delicate, elegant and knowledgeable. If they don't feel anything, they will be sorry for the creator.

The shooting structure of this department is ingenious. From the beginning to the end of the desert crash, nurse Hannah imagined two dead people flying together in the desert, echoing from beginning to end, and the middle reality and memories naturally interspersed to promote the plot. Sometimes the voice in reality triggered memories, and sometimes she thought of the past when communicating with people. In short, what happened before was clearly explained and did not delay the progress of the real plot.

How to evaluate the feelings of the hero and heroine? I have to say that some people probably shouldn't meet, just like Mars hitting the earth. It often dies because of too much enthusiasm. "When you first start to fall in love, you will be nervous, gentle and desperate, because your heart is like a fire." Despite repeated restraint, it is inevitable, but it will lead to a more violent explosion, just like magma pouring out of a volcano, destroying all the way, and there is nowhere to put feelings!

The hostess chose to break up because of guilt, and Emerson was tortured by pain and jealousy. "Half the time, I can't live without you, and the other half of the time, I don't care. It's not how much I love you, but how much I can stand. " "Beauty and pain are always born and entangled in a story." If this is the end, but forget the innocent man, Catherine's husband, who also loves his wife deeply, he can't bear to choose three people to die together.

What role did the war play in this relationship? It probably made this relationship more pure, just like the play said, "The betrayal in the smoke of war is much more naive than our betrayal in the peaceful and prosperous times!" It is even more uncontrollable. Hannah's ex-boyfriend was killed and her later boyfriend was transferred. Emerson tried to save Catherine, but he was caught as a German because of his name. After the injury, he was regarded as The English Patient, but not himself.

In the era of war, individuals disappeared and were labeled as XX people. Kindness disappeared, and suspicion and cruelty were rampant. The nurse in white didn't pick up the scalpel, but raised the Nazi butcher knife and cut off David's finger. Catherine's husband betrayed his colleagues to take pictures of the Nazis. Murdoch committed suicide because Emerson gave the map to the Germans. Because of the war, the once quiet desert became no longer pure. Geographical ties without national boundaries were interrupted by the war. Maps originally used for scientific exploration have become tools of war. It is true that "no snowflake can survive an avalanche", and many people are no longer flesh and blood, but become cold war machines.

Spit out extramarital affairs? Who is qualified to judge others from the moral high ground? Maybe Emerson thinks that only true love is moral. It is reasonable for you and I to understand each other. He called Catherine his wife, not his lover. Catherine indirectly said that she died because of him, and in order to keep his promise of burying Catherine, he did not hesitate to exchange the map for gasoline from the Germans, and was finally shot down and severely burned. How many people can make this true love at the cost of their lives?

National boundaries belong to geopolitics. Only my love comes first in his heart, and his promise is priceless. Here, I want to praise Ai Mo. He lives a true, pure and self-centered life. No matter how the world changes, the most important thing is to be with his lover. Unfortunately, the war is ruthless, human nature is distorted, and it backfires.

Just like Emerson, some people can't hide their brilliance even if they are stuck in a quagmire, and people can't help but want to get close. First, their temperament, second, their knowledge and opinions, and third, their optimism and humor, or their personality is full of charm.

Like Hannah, she still has true feelings in the war, is still positive and optimistic, and is a dynamic person!

I like to take pictures of desert customs, especially when the plane flies over the sky. The endless is not all yellow, but like a colorful blanket left by God, soft, wide and wrinkled.

"An unacceptable love needs not sadness, but time, a time that can be used to forget. A deeply hurt heart needs not sympathy, but understanding. " I don't know if this passage appeared in the original, so I ended it with it and gave it to those who love but can't, but love can't be together.

Ask for the introduction of the film The English Patient.

At the last moment of World War II, in the ruins of Villa San Giorgio Ramo in the northern mountainous area of Florence, Italy, there was a mysterious man named "The English Patient" who was burned beyond recognition and shipped from North Africa. He was rescued from the burning plane by Bedouin shepherds. No one knows his true identity. Hannah is a Canadian female nurse who lost her lover, father and baby in the war.

After the war, a large number of British troops retreated, and the two refused to return to the hospital in Pisa with others. Hannah stayed to take care of him. The mysterious wounded became her spiritual sustenance. They live with Caravaggio, an Indian Sikh engineer named Kip. Under the constant temptation of Caravaggio, The English Patient gradually revealed its true identity. He is an Austrian named almasi.

In 1930s, he has been studying and exploring the desert in North Africa and looking for the oasis in Zezula. Once, a young British aristocrat named Jeffrey Clifton flew to Cairo with his new wife Catherine and joined the ranks of desert exploration. Within a month, almasi became her lover. In revenge for Almasy, Catherine's husband designed a suicide flight to kill the three of them.

Catherine's husband died, almasi and Catherine survived, and almasi crossed the desert for help. Then the war broke out and he was arrested by the British. In order to return to Catherine's hiding place, almasi became a guide for German spies. Three years later, he returned to the cave where Catherine was hiding and flew out of the desert by plane with Catherine's body. The plane was in disrepair and exploded in the air. Almasi turned into a fire man and fell to the ground. The atomic bomb broke their villa life, and finally several people parted ways.

Extended data:

Creation background

Sister Weng named the novel The English Patient because Britain, as the core country of the Commonwealth, once had extraordinary cohesion. Although this cohesion is not as good as before when writing novels, her influence will continue to exist and play an important role in the former colonies. After the independence of India, Canada and other members of the British Empire, due to historical reasons, they left the brand of British colonial rule in terms of immigration composition, cultural background and development path.

People in these countries have unspeakable love and hate for the former patriarch, just like Caravaggio and Kip in the novel: when their guess was finally confirmed, Caravaggio decided not to pursue the overdose, and Kip pointed a gun at the "British" patient he respected.

The English Patient lasted nearly six years from conception to completion, and its creation coincided with the introduction of Canadian multicultural policy. In order to ease the contradictions among immigrant nationalities, support the development of their own national culture and protect their equal status in cultural customs and social life, the Canadian government actively promotes the "multicultural" policy.

The English Patient film review 1. This is a fascinating film. The most striking thing is that The English Patient is like a love story that took ten or twenty years to make.

The audience of this movie should watch it twice. The first time is to ask questions for the plot, and the second time is to find the answers to the questions in the film.

This is an amazing feat. The film adapted from literature marks the victory of a pure film.

4. The film tells the story in a montage of crisscross of time and space and cross of love themes. Love and war, memory and reality are patchwork, coherent but not trivial. The whole movie shuttles back and forth between the past world and the real time, and it is very natural to connect with each other. Reality and memory are organically integrated into a gorgeous historical picture, which is both magnificent and delicate. Putting one's fate and experience in the historical framework of pushing into the future vividly expresses the innermost feelings of human beings and exudes a strong emotional torrent of love, hate and hatred. The moving part of the film is the description of people's hearts and subtle feelings, full of moments of human beauty.