How to read the Song Dynasty poet Jiang Kui?

Jiang Kui was an outstanding writer and songwriter in ancient China. His tune music has reached a high level both in art and thought, and is original. Jiang Kui's tonal music creation inherited the tradition of ancient folk music, made new breakthroughs in the use of beat, musical structure and scale, and formed a unique style.

The teenager was lonely and tried every time. He didn't become an official all his life. He wandered the Jianghu all his life and made a living by selling words to help his friends. He is versatile, proficient in temperament, able to compose his own music, and clear pronunciation and mellow voice. His works are famous for their ethereal subtlety. Jiang Kui is good at poetry, prose, calligraphy and music, and is another rare artistic all-rounder after Su Shi.

Jiang Kui's ci has a wide range of themes, such as feeling of time, lyricism, chanting things, love, writing scenery, remembering trips, arranging festivals, making friends and giving gifts. In his poems, he expressed that although he was in the Jianghu, he never forgot the feelings of the monarch and the minister and the thoughts of harming the heavens and the earth, described his wandering life, and expressed his depressed mood of being unworthy of the world and frustrated in love, as well as his transcendent and refined character like a lonely cloud and wild crane.

Jiang Kui lived in the West Lake at night and was buried in Ximacheng. Many books have been handed down, including Poems of Taoist White Stone, Songs of Taoist White Stone, Continued Book Score and Jiang Tieping.

Jiang Kui's poetic context is unique, and so is his artistic way of thinking and expression. He is good at using synaesthesia thinking and artistic synaesthesia to connect different physiological feelings and express some psychological feelings. He is also good at lateral thinking and writing emotional things, not directly depicting the front, but writing on the side, vivid and vivid.

His ci did not expand in subject matter, but still wrote about Zhou Bangyan's love and chanting things along the way. His contribution mainly lies in transforming the expressive art of traditional graceful words and establishing new aesthetic norms.

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