What do you think of the twelve countries?

The viewpoint is "match heaven with virtue, and be cautious about punishment with virtue"

& lt The names of various officials, etiquette system, general plan of governing the country and even the setting of the whole world in The Twelve Kingdoms are closely related to the Confucian classic Zhou Li. The demon images in the Classic of Mountains and Seas are closely related to them, and the essence of myths and legends is extracted from China's traditional novels "The Water Margin" and "The Romance of the Gods", creating a completely unfamiliar but seemingly traceable world outlook. It was a society where fairy power replaced science as the source of all things, in sharp contrast to the wild medieval fantasy world view. -Baidu

This is a rather complicated and grand creation. From the source of inspiration, the reference of history, the culture of China and the way of governing the world are long enough. Then, countless works can be written about the works themselves, unique ideas, pattern setting, philosophy and politics. Then, we can discuss the narrative skills, background music and scene design. Finally, we return to the characters in the story, including the protagonist. This chapter deeply analyzes the causes and changes of various characters' personalities.

I knew I couldn't understand this animation when I was a child, so I didn't touch it. Now I have accumulated some knowledge and deeply fell in love with this animation. Briefly talk about the feelings based on the current 45 episodes of animation and Baidu introduction.

Western Zhou Dynasty

(BC 1046- BC 77 1) was founded by Zhou Wenwang's son Zhou Wuwang after destroying business. Until 7765438 BC, Zhou Youwang was killed by Shen Hou and Quan Rong, and * * experienced 1 1 2 generations of kings, which lasted about 275 years.

The legislative thought in the western zhou dynasty--the matching of heaven and morality, and cautious punishment with morality.

A man of virtue is the son of heaven. The so-called virtue respects heaven, ancestors and people. The son of heaven is called the son of heaven because the power is given by God and he governs the world according to the will of God. The innovative setting in this animation is God's will, through Kirin, a sacred animal unique to China, to become a monarch, to abdicate rather than inherit, and to manage the country by choosing sages. In a world like the sea between China and Japan, it is both glorious and doomed to realize the monarch's virtue as a unicorn. In that era when human beings could not understand nature, the virtue of the monarch was closely combined with the prosperity of the country, which was also an objective historical law. This unique idea is very subtle. As an ancient civilization, China had its own unique national system as early as the slave society, but it was so thoroughly studied by foreign friends.

The balance between Kirin and the monarch in the story is as follows: Kirin will remonstrate with the monarch, as if people are examining themselves before making a decision; Kirin must obey the monarch, even the wrong decision must be carried out, which is like the decline of people's hearts.

The author not only drew a map with exquisite geometric patterns, but also created a set of peculiar natural birth rules. Women can be officials and kings, and there is no equal status brought by childbirth. The contradiction between sailors and half-beasts bears the idea of racial equality. The author interprets the "369" in ancient China with the desire of ministers to "kneel down" to govern the country, which makes the inequality have a reasonable historical reason.

This kind of story, which is similar to crossing, reflects the great strength of people with different personalities facing the same environment and different environments. Isaiah skirt tried to escape from another world, because he lived a bad life in reality, only to find that it was only inner cowardice. Facing the unfamiliar and discriminatory environment, Asano Nagaakira hypnotized himself through "game role", but it was also to find a direction for his own loss. The self-awakening and growth of three women, Yoko, Ling and Xiang Qiong, and the story of the gradual intersection of three distant clues are most praised by many people. It is not only inspiring, but also makes people reflect on whether they are resigned to fate, feel sorry for themselves and care too much about themselves.

Not only the king chosen by "fate", but also Kirin himself, Liu Taihe Tailin doubted and lost himself because of various situations. Does the choice of Kirin have to be right? After the decline of Wang Fang, his daughter Xiang Qiong also reflected that her father was not cruel at first. Yu Shu, chosen by Lin Jing, abdicated because he failed to bear the pressure of becoming a king, which shows that it is difficult for a person to behave correctly all the time. At first, the emperor's qi was only a qualification, but it was easy to die because of various temptations, laziness, slackness and paranoia. In the last few episodes of this chapter, through several short stories, I explained why Rebecca was powerful and then ruled for 500 years.

For animals and mice like Le Jun, the existence of absolute positive energy, like the father in A Beautiful Life, is difficult to satisfy, but it is the most inspiring spiritual force.

Speaking of those cruel, heartless, childish and ridiculous reasons for killing, I can't help wondering: Is the bad king in history really that unbearable? In order not to be the last one, Chang Wang created a country at the bottom. Wang Fang extended the law to the field of morality, vividly showing obsessive-compulsive disorder. From a township head, it involves the governor and the interest chain of the governor, like a remake of Kangxi's private visit. Those who have some power always have various reasons to be cruel and heartless.

I don't know if it's because I watched too much. The character's annoying personality at first will probably be washed away in the end. Unfortunately, in the form of animation, the inner change of the role is mostly realized through confession, and the audience can only experience the change of the role through imagination. From the beginning, the framing of political struggle indicates the reversal of loyalty and treachery, and it is not surprising that dissidents were eliminated first in history.

The story is not over, and the dynasty will continue to develop along the wheel of history. Other stories written by the author after that reflect the diversified ways of managing the world and the characters, as well as the necessary choices and sacrifices that should be made. As a monarch, how to measure everything, the author also discusses the responsibility to a certain extent, such as Xiang Qiong's indifference to his arrogance and extravagance, and Yoko's responsibility and determination to study hard when he first took office to govern the country.

Asano Nagaakira told Yoko how free she was in Japan and suggested that she go back. Yoko can't play the role of "king" in this world, and it's easy to give up. In fact, our present life is not necessarily true freedom. Yoko is the "king" of the twelve countries, but what if Yoko is in the position of the ruling cabinet or prime minister of Japan? No matter when or which country, it will always be the ruling class and the ruled class. Being in the ruling class, with power, there are more obligations, fewer rights, greater responsibilities and relative freedom. Yoko's choice is in stark contrast to the previous person who evaded responsibility and indulged in children's feelings. This is the gap between people.