Xinjin folk stories

Xinjin is located in the north of Luda City, Liaoning Province, bordering the Yellow Sea in the east and Pulandian Bay in the west. Harbin-Dalian Railway runs through the west. The folk stories of Xinjin are talked about by people. The following is a new folk story I prepared for you, I hope you like it!

Xinjin Folk Stories (1)

There is a Mogezhuang village five miles south of Xinjinpu. A strange thing happened earlier in this village.

It was a winter, and the only daughter of the Lao family in the village suddenly got a strange disease. Her eyes were dumbfounded, crying and laughing, speechless and blinking. When parents saw their daughter like this, they panicked. People say that they are obsessed with the weasel, and their families are busy asking for help, but they have been busy at home for a long time and no one cares. On the contrary, their illness is getting worse and worse. That night, the patient kept shouting: I'm not afraid of the East or the West. I'm afraid of the new gold shop. ?

The next day, at dawn, Li Laohan went out of the house and went straight to Xinjindian to find it? Zhang climbing fork? . Not long after I left, I saw an old man carrying dung Ji Zi in front of me. He took a few steps and asked, Brother, an old dung collector named Zhang Bajiao in Xinjinpu said, There is such a man. What do you want from him so early? Li Laohan told the story in detail. Before he finished, the old man who picked up the dung giggled and gnashed his teeth, what a bastard! He went there again! Brother, I am the climbing fork you are looking for. You're just in time. I am looking for it! All right, let's go! ? At present, I went to Mogezhuang with Li Laohan.

Strangely, Zhang Hacha followed Li Laohan into the room and heard the patient shout loudly: Ouch! Here comes a climbing fork. I dare not do it again. I don't know. I didn't? Zhang climbed the fork into the courtyard, raised his big pick and scolded: Good bastard, you used to hide here and let me find it easily. I came to you with the climbing fork! ? At that, a weasel jumped from the gourd hanging on the beam of the carriage. Just at that moment, Zhang Climbing Fork picked up a pickaxe and hit it right. The weasel was smashed to death. After that, Li Laohan's only daughter returned to normal.

Why is that naughty weasel afraid to climb a fork? It turns out that this weasel has been doing evil in Xinjinpu area for many years, playing tricks everywhere, specifically to scare timid people. Zhang Climbing Fork is a strong man, courageous and doesn't believe in ghosts and gods. One morning in the winter of this year, he carried dung Ji Zi to collect dung, crossed the temple, left the village, and walked eastward, vaguely seeing a pile of cow dung in front. Before he came near, the cow dung dish left the ground by itself, and there came a voice: Do you think I am a man or a god? ? Zhang Climbing Fork roared:? You look like an asshole to me! ? While speaking, a dung fork hit the dung plate. The naughty weasel didn't expect him to be like this. He almost died, threw away the cow dung tray and ran away. After that, he firmly remembered Zhang Octagon's name. Afraid of meeting him again, he left Xinjinpu and hid in Mogezhuang. Unexpectedly, the enemy's road is very narrow and the victim's life is not long. In the end, it still didn't escape from the palm of Zhang Climbing Fork.

Xinjin Folk Tales No.2

In the early years, Pulan Store was called Bolanpu. Why did you change your name to Pulandian? Here is a story.

According to legend, during the Guangxu period, Song Qing, an old coach of the Song Dynasty, was ordered to be stationed in Lushunkou. One night, he led the Eight Banners to Bolanpu and ordered to spend the night here. At that time, Balanpu was a big meadow with few people and few businesses. Only one surnamed Li opened an inn, and the scene was very depressed. Song Qing found that there was no place to live elsewhere, so he stayed at Li Jia Hotel. The inn has a small pavement and can accommodate up to 80 people. A large number of soldiers have nowhere to live, so they have to sleep in the open air.

In the first month, the north wind was raging, and the sky was so cold that the soldiers could not stand the cold and began to complain. A soldier saw a couplet posted on the door of the inn and said, "This couplet is well written and has a good reputation all over the world!" " "This place doesn't even have a place to live. Sleeping in the open air, freezing in the cold, the whole world will celebrate! " Say that finish, handfuls of couplets torn down, torn to pieces. What the soldier said was heard by Song Qing. He thought about it, but he was right. This place is a traffic artery, and there are many pedestrians in the past. We should open more hotels. So, he called the shopkeeper and said that he wanted to change the font size of the inn, starting with the total word of the couplet "Qi Qing Tian Xia", putting the blue word of Bolanpu in, and ending with the word of Li Jia Inn, so he changed Bolanpu into Pulanpu. That's how pulandian came from.

Others said that earlier, Li Jia Inn also compiled baskets for some drivers who stayed in the hotel to feed animals. After a long time, people called the Li family inn a basket shop. Call and call, just call Pulandian. It's just a legend anyway. Today, Pulandian has undergone earth-shaking changes. High-rise buildings have sprung up, factories are everywhere, shops and restaurants live next to each other, and there are dozens of hotels and guest houses. This is a clean and prosperous town.

Xinjin Folk Tales (3)

Liu, female, was born in 1960. He is one of the best singers in Xinjin folk songs. He studied under the folk artist Wang and participated in the excavation, protection and adaptation of a large number of Xinjin folk songs. Her works, I am the keeper of the commune, the gift of returning the bride price, flowers in the four seasons, tying shoelaces, selling vegetables, leaving my parents' home, and singing in the blue river, are deeply loved by the audience.

? I am a breeder in a commune. I feed a large group of pigs. Piggy and white hoof jumped up one by one. Piglets pouted, arched on the ground one by one, and picked up Scampy, flattered. Getting up early and being greedy for the dark is not a waste of time. Hey, hey, yo?

A few days ago, listening to the song "I am a Commune Keeper" sung by 55-year-old Liu Yan in pulandian city Vanke Harbour City Community, people were suddenly brought into that long era and could feel the deep imprint left by the burning years of passion.

This is one of the representative works of Xinjin folk songs in 1950s and 1960s. The singer Liu is the inheritor of Dalian Xinjin folk songs, an intangible cultural heritage of Liaoning Province, and one of the most active singers of Xinjin folk songs today. She has been singing Xinjin folk songs for nearly 40 years. Through her narration, we can have a new understanding of the inheritance of Xinjin folk songs.

Learn a craft/skill/trade

Started performing at the age of 8.

Xinjin folk song is an original song art with a long history. Although Xinjin County, as the predecessor of pulandian city, was founded in 1945, word of mouth proves that the history of Xinjin folk songs can be traced back to thousands of years ago. Some people say that Li Shimin was born in the period of the Eastern Expedition, but according to Xinjin County Records, during the Shunzhi period of the Qing Dynasty, the government recruited people to reclaim land, and the economy of southern Liaoning prospered, the population became more dense, the town fairs increased, and the culture and entertainment flourished. The labor tunes of the working people have gradually formed a repertoire with a fixed style, which can be widely sung in southern Liaoning as a cultural treasure. The new folk songs originated in Pulandian, Liancheng, and spread in Dalian, affecting the Northeast and even the whole country. Some of its tracks have been selected? A century-old classic of Chinese records? , won the international outstanding folk song award, was included in the Asia-Pacific music textbook by UNESCO, and enjoyed a good reputation at home and abroad. For Liu, who is active in Xinjin folk songs, inheritance is an opportunity. Her research and promotion of Xinjin folk songs are carried out among the people, which is the fresh source of original ecological art.

? I like singing since I was a child, which may be inherited or influenced by the atmosphere of the times. Anyway, I just love singing, and in the fashionable words of the time, I am a literary lover. When I was 8 years old, I began to sing on stage for the first time. I didn't have stage fright and won applause. In this way, I have been a member of the propaganda team from primary school to junior high school, and I love singing folk songs. /kloc-when I was 0/6 years old, by chance, I learned a song called "I am a commune guard", which is completely different from ordinary folk songs, and the lyrics are very story-telling. This is my first contact with Xinjin folk songs, and I fell in love with it. Because I love it so much, I will get up every morning to practice my voice for the next few years and make a lot of efforts. Many things happened, and finally I became a leader among Xinjin folk singers.

To sum up, Xinjin folk songs mainly include yangko in minor, single drum music, shadow play music, labor chant, ancient music and so on. Songs are generally short and pithy, mostly loud and lively, and a considerable part of them are minor, showing humor, wit and humor. Most of them sing about things around them, personal things, which are basically narrative, with strong stories and vivid performances. Therefore, learning Xinjin folk songs can not be done in a day or two, nor can it be learned from textbooks.

Having said that, I have a good opportunity to learn new Jin folk songs. /kloc-at the age of 0/6, I attended the Yangko folk song class in Xinjin County Cultural Center and got to know Mr. Lv Degui, an expert in the research and arrangement of Xinjin folk songs. After listening to my singing, he felt that I was very talented in singing Xinjin folk songs and could develop in this direction. In the late 1970s, Xinjin County Cultural Center organized an in-depth rural excavation of Xinjin folk songs, and Mr. Lv Degui and I both went there. It was in this process that I met Wang, a folk artist who sang Xinjin folk songs, and worshipped him as a teacher. He is the early inheritor of Xinjin folk songs recorded at present.

I talked to Wang Xue. When he was young, he studied Xinjin folk songs with his uncle Wang Yude, who played the Taiping drum. Another master is Zhao Chuandi, an artist who sings the Northeast Drum among Tianjia villagers. He learned the essence of Xinjin folk songs from two masters and taught it to me. Dig deeper, Zhao Chuandi learned his singing skills from his father, who learned it from a lonely old artist in Fuzhou. I can trace back to the source. What I have learned is estimated to be 160 or 70 years now. Under the guidance of my master, my new folk song singing has also entered a new height. In my life, I have learned a lot and benefited a lot. ?

range

Newly-promoted folk songs are on the elegant stage.

Since the founding of New China, there have been two peaks in collecting and sorting out the folk songs of New Jin dialect in Dalian. The first peak was in the late 1950s and early 1960s. A group of artists from cultural circles in Dalian went to Xinjin County and its surrounding areas to collect and sort out a large number of folk songs, labor songs, single drum qupai and shadow play from folk artists and singers. Xinjin County Cultural Center also holds an art school in Pikou, and excavates Xinjin folk songs while training.

These activities have enabled Xinjin folk songs to be systematically collected, sorted out and circulated, resulting in a number of representative Xinjin folk songs, such as Plum Blossoms Blooming Well, Lullaby, Rivers, To make a long story short, Guess Flowers, and I am the keeper of the commune, which have had a wide influence throughout the country. Xu's "lullaby" was selected? A century-old classic of Chinese records? , won the International Excellent Folk Song Award, and 1997 was included in the Asia-Pacific Music Textbook by UNESCO.

The second peak was in the late 1970s and early 1980s, when folk songs collecting groups excavated and protected traditional culture on a large scale, especially new folk songs. More than 65,438+0,000 folk songs were collected and recorded.

At the same time, Xinjin County Cultural Center organized Lv Degui, Jiang Fengqing, Zhang, Liu and others to dig Xinjin folk songs in the countryside. In addition to rescuing traditional songs, they also adapted, composed and sang more than ten new folk songs, among which the more influential ones are Returning the Bride Gift, Four Seasons of Flowers, Tie Your Shoe, Selling Vegetables and Going Home. Xinjin folk songs are fresh and simple, which have caused a sensation in national, provincial and municipal performances and won many praises from all walks of life. During this period, Liu began to help new folk songs shine on the stage.

? After collecting folk songs and digging in the countryside, more than ten new Jin folk songs were adapted and created. In the rural music scene in the 1980s, these new folk songs were deeply loved by the audience, and everyone was willing to listen. Sometimes I wonder, these songs are all liked by ordinary people, so what will happen on the formal stage? I have been playing drums in my heart, and I don't know if these songs can be put on an elegant stage.

1980, I participated in the cultural performance of Luda workers in Shenyang. Singing cheerful and funny new folk songs "Tie Your Shoe" and "Selling Vegetables", as well as lyrical "Return the Gift" and "Flowers in Four Seasons" are also well-known. Bride Return is adapted from the excavated folk song "Running in Sichuan". The folk song "Running in Sichuan" has been circulating in rural areas of Xinjin for a long time. Its melody is euphemistic and beautiful, and its rhythm is smooth and stretching, which is suitable for lyricism. After filling in the new words, the main theme of the original song "Ben Chuan" has been retained, and appropriate additions and deletions have been made in some places according to the contents of the new words, showing a girl's joy before marriage, persuasion to her father, and sweet and shy feelings.

I am very happy that the audience can welcome our adapted folk songs. On the one hand, I feel that my efforts have been recognized, on the other hand, it also shows that Xinjin folk songs do have a very broad mass base. Since then, he has participated in various performances in provinces and cities many times. Among them, the second Dalian Youth Amateur Singer Radio and Television Competition held by 1987 impressed me the most. I was scared until the semi-finals, because all the other singers were professional and I had no idea. Unexpectedly, thunderous applause broke out at the scene as soon as the singing started. At this time, I finally breathed a sigh of relief, and the new gold folk songs were hot.

I have been singing Xinjin folk songs for so many years and participated in many performances. What supports me is love. Once in a performance, my husband was going on a business trip, and my voice was still hoarse. He advised me not to go, because my son is still young, saying that I always go to the show and won't have time to take care of my son. But I insisted on going anyway, but my husband couldn't beat me and had to surrender. Later, once, my husband watched me perform live and saw that the audience liked my new golden folk songs so much. I finally understood why I insisted on performing so much. My husband has been very supportive of my performance since then.

The charm of Xinjin folk songs has made me deeply understand it in the performance process for many years. The' 90s? Going to the countryside? During the activity, we formed a performance team and often performed in the countryside, singing 24 times in two months, sometimes twice a day, and the venue was full. It can be said that the 80' s and 90' s were the times when folk songs were extremely popular and popular. It is also a process for us new gold medal folk singers to accumulate stage singing experience and learn deeply. ?

Teach and inherit

Need to start with children.

In the new century, digging and covering folk songs has become the fashion in the world music industry. In China? New folk songs? It is also increasingly favored, and the unique new folk songs also shine.

In August, 2006, 12 was held in CCTV. Youth song contest? In fact, the traditional new folk song "Plum Blossoms Bloom Well" was adapted into the competition song "Plum Blossoms Bloom This Year" and reached the final. "Lullaby" is one of the representative works of Xinjin folk songs, and it is a northeast folk inserted in the ending song "Home" of the TV series "Go East" which was once popular all over the country. Xinjin folk songs, because they are not only popular, warm, sonorous and straightforward in northeast folk, but also good at expressing the generous temperament of the people in Northeast China, and also have the characteristics of simplicity, simplicity, humor and wit of Shandong folk songs, especially influenced by the flirtation of movies in southern Liaoning, and also have a detailed, tortuous and euphemistic charm and strong expressive force. In the literary and art circles in the new period, it has bloomed its charm. Of course, the development of all art forms must go through a process of inheritance, in order to have more vigorous vitality and broader development prospects.

? I am 55 years old and have retired from the second grain depot of Pulandian. A few years ago, Pikou Primary School opened a Xinjin folk song class, and specially invited me to teach children to sing Xinjin folk songs. Unexpectedly, my class is very popular with children. Being with them reminds me of the time when I was a child learning to sing and perform on the stage. I really want to teach them new folk songs and let them continue to sing.

Our generation has actually done a good job in cultural inheritance. Xinjin folk songs have been listed as provincial intangible cultural heritage and recommended by the Provincial Department of Culture to declare the national intangible cultural heritage list. Our local government has also increased the protection and excavation of Xinjin folk songs. In recent years, the government has also compiled and published a special collection of folk songs in southern Liaoning, burned CDs, protected old artists and excavated more information and materials. In terms of education, the school-based curriculum of several schools has carried out Xinjin folk song education. Such a good art must not be broken, so we should start with children, let them get in touch with this art from an early age, and gradually like it, so as to find a suitable inheritor.

Xinjin folk songs are mainly beautiful in singing, moderate in range and soft in melody. When singing, we often use interlining, interlining and swinging, and the musical instruments are accompanied by traditional folk music such as erhu. Compared with popular songs, Xinjin folk songs also have their own charm, and their singing skills are the same. I can sing popular songs with the singing skills of Xinjin folk songs, and it also has a good singing effect. For myself, I will continue to sing the folk songs of Xinjin. But to be honest, although I have been asked to learn from my teacher in recent years, there is no suitable inheritor because of the requirements of understanding and pronunciation. Now in my spare time, I will sing new folk songs to my little granddaughter, who is 10 months old, and I will be very happy every time I hear them. I also want to train her to be my inheritor, and I hope my wish can come true. ?

Dalian Xinjin folk song is an original song art, which originated from Liancheng Pulandian and was sung by folk artists for generations, and was deeply loved by the masses. Some of its tracks have been selected? A century-old classic of Chinese records? , won the international outstanding folk song award, and was even included in the Asia-Pacific music textbook by UNESCO.

According to the records of literature and history, such as Collection of Folk Songs of Luda, Collection of Shadow Play Singing in Northern Three Counties, Shadow Play Music in Southern Jinzhou, New Jin Taiping Drum Music, Folk Percussion Music of Luda, Selected Works of Dalian Local Drum Music, etc., the emergence of new Jin folk songs mainly comes from four aspects: First, it comes from folk tunes. A large number of folk songs in the south are folk songs, while those in the south of Liaoning are mainly in minor. The so-called minor is a form of music popular in towns, villages and towns. It originated in places such as rest, entertainment and fairs in people's lives, which is also in line with the characteristics of dense towns and leisurely people's lives in southern Liaoning in the past two or three hundred years. The second is from single drum music. It is said that the troops in the Tang Dynasty sacrificed the souls of soldiers with drums. Southern Liaoning is a mixed area of Han and Manchu, which was deeply influenced by Manchu shaman songs and dances. The third is music from shadow play. During the Jiaqing period of the Qing Dynasty, he came from Luanzhou, Hebei Province. Donkey shadow play? It has a great influence in southern Liaoning. Many shadow play teams go door to door, and every village has performances. Everyone learns to sing. Shadow play music has injected vitality into Xinjin folk songs. Fourthly, there are some new Jin folk songs, which come from local traditional folk drum music and are loved by people? Double rotation, etc.

Dalian Xinjin folk songs are sung with real voice, which requires clear articulation and beautiful mouth shape. Singing forms can be divided into solo, duet and? One leader, many people and? Wait, pay attention to the interaction with the audience. In addition, due to the large number of local Shandong immigrants, Dalian Xinjin folk songs also have the humorous characteristics of Shandong folk songs.

?