Wang Yuanliang's Original Works _ Translation and Appreciation

Wang Yuanliang (later1241~1317) was a poet, ci writers and court pianist in the late Southern Song Dynasty. The word "cloud and water" is of great significance, hence the names Shuiyunzi, Chukuang, Jiangnan Leike and Qiantang (now Hangzhou, Zhejiang). Lin's third son. During the religious period, a good piano was used to worship the palace. In the second year of Gongzong Deyou (1276), Lin 'an fell into a trap, and he entered Yan with Sangong. Taste Wen Tianxiang in prison. In the 25th year of Zhiyuan (1288), Yuan Shizu became a monk, returned to the south, and arrived in Qiantang the following year. After that, I moved to Jiangxi, Hubei, Sichuan and other places, and finally settled in Hushan. Compared with Du Fu, the poems before and after the national subjugation have the aim of "poetic history", including "gathering water" and "manuscripts of lakes and mountains". One of the reasons why Wang Yuanliang entered Taoism was that Taoism was highly respected by the emperor in the early Yuan Dynasty, and its social status was quite high. Taoist life is superior, and his lifestyle is relatively free. It is a good choice for an old minister in the Song Dynasty to return to the south as a Taoist priest.

Secondly, Wang Yuanliang has always regarded himself as a Confucian scholar of the Han nationality, and the inclusive Confucianism in Taoism, represented by Quanzhen religion, can make Wang Yuanliang retain the Confucian imprint in Taoist beliefs. The feelings of adherents just meet Wang Yuanliang's psychological needs and spiritual sense of refuge.

A friend of a literary writer wrote Hu Manuscript, saying that "the worry of national subjugation, the pain of national subjugation, and the lamentation of hardship are found in poems" and "the history of Song poetry". "The History of Poetry in the Song Dynasty" is the main feature of poetry. "Jia Pingzhang was cursed and killed" in drunken song 10 reveals the sin of Jia Sidao and others neglecting political affairs and delaying the country; "Courtiers wrote a surrender letter and courtiers signed Xie Daoqing", calling for the name of Empress Xie, the highest authority, denouncing her shameful act of taking the lead in surrender, full of grief and indignation, worthy of historical writing. There are 20 Yuezhou Songs, which describe the tragic image of half of the rivers and mountains being ravaged when the Yuan army went south: "The southeast half of the country is in a daze, and riding the porch is fun." Thirty-six palaces go with you, and I can't bear to look back at Wu Yun "; A westerly wind smoked everywhere, and thousands of troops rushed straight to the edge of Zhejiang. The lawsuit broke the west and wanted to seize the fishing boat. "The pain of national subjugation, sad songs when crying. There are also 98 songs from Huzhou, starting with "Three Songs in the First Month of Bingzi, Cutting Drums in Jiangnan, Smoking in Gaoting Mountain, Slaughtering Like Drunk". In the form of a seven-line joint chapter, the experience, experience and hearing of "Hangzhou Bay Wan Li to Youzhou" are described in turn: "Looking to the north, the clouds are boundless, and the river east goes to the water. Sunset outside Western jackdaw, four hundred States in the southeast "; The grass in Huaihe River is sandy, and the rafters are all gray. When the Terracotta Warriors crossed the river, the civilian ship was caught and turned into an official ship. "The scenery is sincere, and people who have personal feelings can't say anything. Huzhou Song, Yuezhou Song and Drunk Song are representative works of Wang Yuanliang's poetic history. Its depth and breadth are beyond the reach of similar poems of other Song adherents. The historical facts it describes can often make up for what historical books can't.

After Wang Yuanliang returned to the South, he wrote many poems to reflect the miserable life of the people under the rule of the Yuan Dynasty. For example, Qiantang's "Pingwu ancient passers-by are all smoked, the new market of green trees is full of ghosts and fires", and Xingyuan House's "officials bully others too much, and the fleeing people starve to death and abandon their children and grandchildren". It can be regarded as a part of the History of Song Poetry.

Wang Yuanliang wrote four poems about Su Wu and three biographies about Li Ling's Moonlit Poems in his early years. His conception, planning and diction all imitate the ancient poems "Li Ling and Su Wu Shi" and "Su Wu Shi", and the traces are too exposed. The yuan army pushed south, and the situation in the whole country was crumbling. His poems are integrated into the content of the times and gradually form his own style. He learned from Du Fu and imitated Du Fu's Qin Zhou style, and thought that "the article is fascinating" (Hang Za Shi Lin) was quite rewarding. In the ups and downs, he further realized that Du Fu's poem "Every sentence is good" ("Reading Du Fu's Poems with a Felt Curtain on the Cold Grassland"). What he wrote in "Tang Shiyun" with Wu is mostly "it is hard to get it again, and heaven and earth are gone forever". He feels that the tide is gone and he is obsessed with his motherland; In "The Order of Zhao in Pingyuan County", he wrote that "the southern crown is far away, and the northern part is fortunate", denouncing the abuse of the Song imperial clan by the Yuan rulers. These poems inherit Du Fu's melancholy, but they also have the desolation and grief endowed by his own times. In order to praise Wen Tianxiang, he wrote "Song of Qiu Fu Taoist Evocation", which borrowed from Du Fu's "Seven Poems in the Same Valley" and obtained his own composition. The landscape poems written after returning to the south are occasionally bright, but most of them express loneliness and sadness, such as "Walking alone without worry, twelve peaks before twelve beaches" ("Kuimen"). Other poems are influenced by Jianghu School, and their artistic conception is secluded.

Wang Yuanliang's Ci can be divided into two periods with the boundary of "the change of moral education". The main content of the former words is to describe court life. For example, Ying Tixu's "The Oriole in the New Palace" describes the agility of the oriole, and Han Gongchun's "The Peony Song in the Spring Garden" is quite emotional. [Disorder Name] The Imperial Secretary's Drum and Wo Play "Song of Nishang" writes the imperial secretary's worries. These words are rich in color and rigorous in structure. Although the realm is not high, they can be elegant without piling up and practical without obscurity. In his "Sauvignon Blanc", "A brother and an aunt are born together" is popular and lively, full of joy.

Wang Yuanliang was born in a big family with a strong sense of piano learning and Confucianism all his life. When I was young, because I was good at painting on the piano and writing poems and lyrics, I became a pianist dedicated to the imperial court. I served Empress Dowager Cixi (later Li Zong) and Wang (later Du Zong) and worked with Chai Wang (with Autumn Hall Collection) and Ma Tingluan (with roles).

In the second year of Deyou (1276), Yuan Dynasty was reduced, and the third palace in Yuan Shizu was moved to the north. As a court pianist, Wang Yuanliang went north with Empress Dowager Cixi, "Hangzhou and Wan Li went to Youzhou", witnessed the tragic scene of the Southern Song Dynasty and personally experienced the life of Sangong going north to Yanjing. From this, he wrote poems and historical works with strong records, such as drunken songs, Yuezhou songs and Huzhou songs, and recorded the real events in the replacement period of Song and Yuan Dynasties from a unique perspective, making up for the shortcomings of historical books.

Wen Tianxiang was imprisoned in Dadu after the defeat, and Wang Yuanliang visited the prison many times. Wen Tianxiang included Du Fu's poems for Wang Yuanliang in Eighteen Beats of Hu Jia, and prefaced lyna's works. Wang Yuanliang wrote poems such as "My Misfortune Letter to a Taoist in the Mountain" and "My Prime Minister's Career", encouraging Wen Tianxiang to do his best. After Wen Tianxiang's heroic martyrdom, he wrote "Nine Poems of Qiu Fu Taoist Evocation", formally imitating Du Fu's "Seven Poems of the Same Valley", evoking the soul of Wen Tianxiang.

Huang Yuji's Bibliography of Qianqingtang in the early Qing Dynasty recorded Hu Shan's manuscripts 13 volumes, Wang's poems in 4 volumes and Ci in 2 volumes, which have been lost. During the Qianlong period of Qing Dynasty, Bao Tingbo carved five volumes of Hu Manuscript (the first four volumes are poems and the fifth volume is ci) and Gathering Water 1. According to different circulation systems, there are many re-examined poems. They collected more than 300 poems and more than 20 words, and the Sikuquanshu was recorded by Bao Ershu. Modern Kong collected about 65,438+000 poems from the manuscripts of Wilson in Ming Dynasty and Yongle Dadian, and combined more than 20 of them with Wang's two books into a series, which was published by Zhonghua Book Company in 65,438+0984. Wang Yuanliang's poem Ma Xiaoxiao. The strokes of Rouge Mountain are fluttering. The wind is blowing. It's always sad when it's cold and rainy at night. Where does Jade Man teach oral sex? I haven't seen you for ten years. Be anxious in my heart. It is difficult to send colored strips, but the water is far away. -Song Wang Yuanliang "Qin Yi E" Qin Yi E

Ma Xiaoxiao. The strokes of Rouge Mountain are fluttering. The wind is blowing. It's always sad when it's cold and rainy at night.

Where does Jade Man teach oral sex? I haven't seen you for ten years. Be anxious in my heart. It is difficult to send colored strips, but the water is far away. It's snowing. Jimen is deserted and sparsely populated. People are thin. Qin E is old and dressed in rags. Press the gold badge hard with your finger. I feel sad before my heart becomes a tune. Be sad first. Without words, jade chopsticks hang down. -Song Wang Yuanliang "Qin Yi E" Qin Yi E

It's snowing. Jimen is deserted and sparsely populated. People are thin. Qin E is old and dressed in rags.

Press the gold badge hard with your finger. I feel sad before my heart becomes a tune. Be sad first. Without words, jade chopsticks hang down. Looking at Yanyun in the north, there is no end, and Dajiangdong goes to the water. Sunset is outside Western jackdaw in the west, which is 400 states in the southeast. -Wang Yuanliang's "Huzhou Qu Liu" in the Song Dynasty Huzhou Qu Liu

Looking at Yanyun in the north, there is no end, and Dajiangdong goes to the water.

Sunset is outside Western jackdaw in the west, which is 400 states in the southeast. Write more water and meditate on Wang Yuanliang's poems >>