Huang Jisu's life

Ernesto Guevara, an epic drama, was rated as one of the top ten events in China's intellectual circles in 2000. Amid the sensation and mixed comments, the cast of "ernesto guevara" went to Henan, Shanghai and Guangzhou. Applause and debate are not over yet, and invitations from Shenzhen, Sichuan and Shanxi come one after another. "I can't do it if I want to" has almost become the mantra of the crew members.

As the screenwriter and leader of Ernesto Guevara, Huang Jisu will lead the crew to a new battlefield on May 5, 2006 at 5438+0 to meet the strong demands of the masses.

Many people were surprised to see Huang Jisu. Because the drama "Cut" is often expressed by popular words such as major events that the world pays attention to, seemingly sacred performances, profound theories, complicated and subtle relationships, and often turns the abstract into concrete, turning the vulgar into the strange and amazing ",I didn't expect it to come from such a thin man. And the simplicity and modesty in his words are really harder to believe than the glib words of the villain he portrayed in the play Cut.

But what is certain is that the climax of Che in the new century is inseparable from his personal experience, profound understanding and unique feelings about our living environment as an intellectual.

1in the summer of 990, Huang Jisu, who had never been to a university, was directly admitted to an American university for a master's degree in sociology. 1993 returned to China. Having never studied drama, he became a screenwriter. Thanks to the free theater tickets sent by Dr. Lin Shen, a friend who grew up together, Huang Jisu began to know a little about drama. His direct relationship with drama originated from Night of the Clown. There is an Israeli student in the Central Academy of Drama, whose stage name is "Laughing into the sky". "Laugh to the sky" is a Jew who is looked down upon in Europe, so he immigrated to Israel and became a clown in a theater company in Israel. He was unwilling, so he went to China to try his luck, but his livelihood still depended on teaching English in the company or playing a foreign villain in a TV series, and the feeling of being oppressed at the bottom still lingered. The spirit of the half-life bird has been skillfully put into a modern routine of resisting tyranny and fighting for freedom, and it has been interpreted into a colorful comedy script "Night of the Clown". Laughing Up to the Sky took a fancy to it and wanted someone to translate it into Chinese, so Lin Shen introduced him to Huang Jisu. It is not easy to stage such a drama in China, but through the translation of this book, according to Huang Jisu, he began to have a good impression on drama, which was a business that was "out of tune" and extremely unpleasant in the past. Later, because Laughing in Heaven was not a well-known artist, we couldn't find a funding script and couldn't stage it. Huang Jisu was "very embarrassed for this snobbish society" after hearing the story of "Laughing my head off".

Later, Huang Jisu wrote the play Love Ants, which adapted the accidental death of an anarchist. The most interesting thing is that in April, 2006, "Cutting" by Beijing People's Art Theatre and "Accidental Death of an Anarchist" by Capital Grand Theatre were staged at the same time, but both were sold out at the same time, and the box office was surprisingly good. Huang Jisu once said: "The socialist exploration with human nature as the ultimate goal is the most tragic deviation of human beings from the animal world in value, a tortuous course and an epic with mixed feelings of sadness and joy." We look forward to the success of "Scissors" in other places, and it will also become an epic in the history of drama performance.

In 2006, Huang Jisu wrote the play "We Walk on the Road", which was strongly criticized by the society and finally put forward "Let's Walk Together".

His recent books "China Unhappy" (co-author) and "Keeping a Distance from the Elite" have a wide influence.