Who is the author of Picturesque Painting?

The painter is Mr. Qu Jinlai, a famous landscape painter in China, a landscape painter in China and a poet. He graduated from the advanced advanced class of landscape painting in Tsinghua Academy of Fine Arts. He studied under landscape painters Wang Jiajun, Ge Shouting, Dong Qianru and Shi Yunxiang. Strive to integrate theory with practice in creation. The pen and ink are broad and hearty, and the painting style is famous for its vigor, boldness and boldness. He often makes huge landscape paintings with vigorous brushwork and broad momentum, and is praised by the media as a powerful painter of contemporary Chinese painting.

The picturesque scenery of mountains and rivers gives people a spectacular sense of artistic conception. The towering mountains give people the feeling that "there are no birds in a hundred mountains and no footprints in a thousand paths". When the mountain turned, an ancient temple was exposed in the mountain. Is there a kind of "I don't know the way to Duixiang Temple, but I wander under the mountain clouds for miles"? Ancient trees are towering, but there are no pedestrian paths, and there are bells in the mountains in the temple. The spring water in the mountains hits the dangerous rocks, and the sun in the pine forest is cold. At dusk, by a dry pond, thoughts can conquer the dragon of passion. "Feeling? Out of the shore and into the water, two boats on the river slowly walked, which suddenly made people enter the imagination of "the lonely sail is far away and the blue sky is exhausted, only the Yangtze River flows in the sky". The transformation of artistic environment in the works makes the viewer directly enter it through imagination and association, and feel the spiritual voice of the painter when he creates the works. Artistic conception is the most difficult part of Chinese painting, and it is a comprehensive reflection of the author's "emotion", life accumulation, creative composition and knowledge level. Only in this way can the characteristics of scene blending be shown in the works.

As an eight-foot work, Picturesque can be said to be a scene step by step in composition. The whole work seems to be the location of the winding loop of the great river. One foot on the left is slightly exposed, and a small tree at the foot of the mountain looks at the right and waves. Close-up on the right, the strange rocks along the river are scattered in front, and the groves are lined up on the strange rocks. These small trees are not upright, but seem to stand on the strange rocks at will, fluctuating with the trend of the strange rocks, showing their wanton growth. In the middle of the close shot is the mouth of the great river, but the author did not seal it in the middle, giving the impression that the two rivers meet in front.

The picturesque mountains are pushed away layer by layer, and each layer of mountains is full of changes. The mountains and rivers in the nearest place are steep, giving people a feeling of breaking out of the paper and pressing the viewer directly. On the back of the mountain, the author pressed the mountain heavily with heavy ink blocks. A strange stone was piled up on the bank of the mountain, and a temple above the boulder was located on the river. The clouds behind the temple pushed out the more magnificent mountains behind. Golden clouds and golden mountains set off the morning glow and look resplendent. In the distance, I came to the plain by the river, and the plain took my work to the farther mountains.

The mountains in the distance are misty and connected with the river on the left. The river flows around and down, and together with the mountains, it constitutes the beautiful scenery of this picturesque mountain. The works are set in the mountains, clouds and rivers are empty, and the changes in fiction and fact give people beautiful enjoyment.