Why did people in the forties and fifties want to protect antiques, but people in the eighties and nineties shirked their responsibilities?

Lao Wang personally answered the first question briefly. Of course, you are also welcome to leave a message under the humble room. In recent years, foreign cultures began to invade from 100 years ago, from the Westernization Movement advocated by the rulers to the signing of a series of unequal treaties, to today's film culture, cola culture and automobile culture. Let's look around. Everyone likes foreign culture. What's the name of the hotel "Vienna", what's the name of the supermarket "Diana" and so on, and the food "KFC". It should be said that foreign culture has been deeply rooted in people's hearts, and it was the first time for them to contact after 80 s and 90 s. They adore foreign things, just as young turtles were hot 20 years ago, and now more than100000 people study abroad every year.

It should be said that our domestic full-time universities are obvious in cultural education. Jilin, Nankai, Peking University, Nanda University, Fudan University and Zhejiang University are all on the list, but why are they unwilling to shoulder the heavy responsibility of protecting culture? For example, they have a typical image. After immigrating to Singapore, he won the gold medal of Asian outstanding art appraiser, the gold medal of Woodman, the global outstanding art appraiser, and Li Jianchen, the head anchor of antique live broadcast. 1989. The highest performance of a single live antique show is S $800 million, and he has a large number of fans in both Singaporean and China antique circles. He once said on Sina Weibo: "I love my motherland, but my cultural and artistic career is in Singapore, and I don't want to accept the unspoken rules of the domestic antique industry. The domestic antique industry will not solve the problems of identifying fakes, taking fakes and taking fake photos within 10 years. " Lao Wang personally thinks: "Immigration is not desirable. Even if there is a lot of chaos in China, you must go forward, don't retreat, and choose to escape. "

It is definitely not advisable to worship foreign things and flatter foreign countries. The essence of antiques lies in inheriting, exploring history and cultivating sentiment. After 80 s and 90 s, we must keep the cultural bottom line of our country. If we don't know where Li Jianchen's "roots" are, even if our academic achievements are high, we will be despised. I want to emphasize here that there is no personal attack. Li Jianchen is worthy of recognition both academically and as a person, and he was the best successor in 1980s and 1990s. However, as far as things are concerned, Li Jianchen's immigration to Singapore is worthy of attention.

Cultural heritage is a big problem. In the 1940s and 1950s, people had feelings for antiques. Many friends around me can say that they spent nine tenths of their salary on antiques. Indeed, they are also facing a thorny problem at present. It can't be sold, no one admits it, but it is also despised by others and maliciously labeled as a "national treasure gang". If people born in the 1980 s and 1990 s don't want it, personal advice is to donate it to a local museum or sell it yourself. now

In fact, this is sad. Fortunately, my own children have no objection to my collection and are willing to pass it on. But in the long run, if the cultural fault and the culture of worshipping foreign things and obsessing foreign things are not cured, the consequences will be unimaginable.

It's never too late to mend!