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Development and evolution of Zhanjiang chronology
In order to meet the growing spiritual and cultural needs of farmers and build a harmonious countryside, Zhanjiang vigorously promoted the construction of characteristic cultural villages, cultural rooms and cultural festivals in 2004, bringing advanced culture into the village. After the activity, farmers began to excavate, protect and utilize the cultural resources of their village and organize their own cultural festivals. Tangbo village first turned the annual regulations into cultural festivals, and then farmers' cultural festivals were staged in various places. Farmers' Cultural Festival is rich in content, including modern ball games, fashion shows and farmers' karaoke singing competitions, as well as traditional martial arts performances, lion dance invitational competitions and grass dragon dance performances. On the basis of inheritance, the cultural festival has injected many new contents of the times and civilized elements into the traditional annual festival, such as floating color parade, family planning propaganda, going to heaven with God Five, Beijing Olympic Games and so on. Civic moral education such as "patriotism, law-abiding, honesty and courtesy" has been integrated into lion dance performances, Lei Ju performances, calligraphy and basketball competitions.
The role of cultural construction in education and civilization is obvious, and "dancing with lions to bury the hatchet" is a vivid example. Due to historical reasons, hundreds of people fought between Wenche Village and Xu Wu Village in Suixi County, which caused people in the two villages not to communicate with each other, and the feud was hard to get rid of. Through the Lion Dance Culture Festival, the two villages have strengthened exchanges, enhanced unity and friendship, and resolved grievances in the past decades.
Throughout recent years, Zhanjiang's annual example has also shown a new spirit and courtesy. Every year, the "old bottle" is replaced with "new clothes", and wandering souls become the propaganda team of the Han folk art parade and the policies of the party and the state. The integration of new political needs and traditional culture has become the universal law of the annual example evolution. For example, this year's chronology of people's villages shows the brand of "loyalty, righteousness, faithfulness and harmony" that was not seen in previous years, which is a return to Confucian culture, and the theme of Mazhang chronology is "creating health".
The diversification of modern people's cultural life has also prompted the Han nationality's ancient and unique folk custom "New Year Festival" to bring forth the old and gradually integrate into the life of the times, and increase cultural and sports activities such as floats, floating colors, Cantonese opera, light music, movies, songs and dances, acrobatics and so on. So that "Nian" has become a cultural feast of Xian Yi, Xian Yi, old and young. There are even many rural sages who return to their hometowns to donate money to build roads, help students and respect the elderly.
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