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Blue Base Band When Kir and Yuan went to London on 1998 to find a disc player, they finally decided on the list of six members of the Blue Foundation based in Copenhagen: First, they met the Japanese DJ“Tatsuki who immigrated to London to learn DJ skills and perform live. Then I met Kite and AB, who had done some sampling experiments in Copenhagen, so naturally Kir and Reefr were invited to co-produce their album. Later, some performances of rapper Jabber in Skizo quickly attracted Kir's attention, and Kite has been looking for a British rapper (MC) with strong personality, which is completely effortless. Finally, Jabber's performance was unanimously recognized by everyone. Although gobbeat! The company had long been interested in publishing their records, but in the end, they handed over the publishing rights of the first album to April, a subsidiary of Miracle Sound Company, and after taking the lead in launching "Wise Guy/Hollywood" EP "EP" in August 2000, they finally officially released the band's album of the same name "Blue Foundation" in 20001early. In addition to the heavy beat and profound Astract artistic conception, Blue Foundation's music works are also an element of their overall music concept: from Chile to Bergen, a port city in southern Norway, from all over Europe to the United States, and then to Kyoto, Japan, people from different countries can enjoy Blue Foundation's performances live. They are convinced that Jabber's provocative rap style often makes the whole stage boil, and that feeling can only be felt on the spot. Jabber is still very young on the stage. He has his own words for breathing. His performance includes a poem similar to BO. They toured Scandinavia and Japan, performed for a group of dancers at two o'clock in the morning, and returned from a two-week tour, their energy seemed to be able to achieve any goal. 1999, they attended the Jazz Festival in Copenhagen. They used a night of music and visual effects to show that the Blue Foundation is equally popular in performances and recording studios. They can always bring something new and unusual, and take you into the journey of modern urban music culture in London, Osaka and Copenhagen. Endless exploration of new impressions, constant attempts between culture and sound art, the Blue Foundation continues to do what they want to do. They only have one most important idea, that is, to keep true and develop constantly, and to push the music language into a field society that has never entered. That's why Calm (Japan), Bartender (Japan/Britain), Silicon (Japan), Animal Flash (D), DJ Krush+Hidden (Japan) and other artists joined forces to perform. So Tatsuki toured with DJ Krush (Japan), DJ Klock (Japan) and Baku (Japan). They exchanged musical ideas, learned from each other and had a good time. The Blue Foundation often performs in music festivals, theaters and bars, and often uses different media, such as radio, television and the Internet, to expose more people to their music. The Blue Foundation is now back in the studio and trying to collect materials for their new album. Some of the works will be co-produced with Spikey Tee and Blood and Fire Band from England, and the bellicose mentality from America will be added to the production, and some Tatsuki Solo will be specially added. Not inferior to MC Jabbe's own rap, their stories continue in constant creation. After a series of performances, this band from Denmark finally brought their new album "Days of Sweeping Everything" in 2004. Throughout the album, although there is no gloomy and depressing atmosphere like Trip-Hop, and the lyrics mostly describe the suffering and loss in love, this carefully arranged orchestration, smooth and beautiful song melody, Kir's almost perfect vocal performance, and more exquisite scraping level and beat processing all prove that they are not only inspired by frequent performances, but also proved their strength again with more mature performances. Kir sang at the beginning of the title song "When I Move on", and his voice performance can really be described by blowing bombs, especially the words "I am alone, going for a ride". Travel alone and relax your vigilance. " It is important to note that after singing, the beats suddenly overlap several times. This technique is not new, but it is especially suitable for the transition to the next section here. From the beginning, Doomsday created a brand-new combination mode of hanging disc and guitar. First, the deep guitar and bouncing beat cycle back and forth, and inadvertently the beat has evolved into scraping the disc. Before you could enjoy it, it returned to its previous beat, but before long, the ball fell to the ground and bounced again. This scraping disc finally showed its true colors, and the restless electric guitar sounded quietly. But just show your face and stick to the rhythm of shaving. As the scratching sound becomes more and more exciting, the electric guitar is fully displayed. Unexpectedly, all kinds of feminine Kir sounds just came out. After singing the first paragraph, the electric guitar roared again, but immediately hid behind shyly, but the beat became more stable and powerful, which was a clever change between the first paragraph and the second paragraph. After Kir finished the second paragraph, there was a quiet pause, and then Kir's atmospheric songs rushed out with the roaring electric guitar and magnificent beat, which was quite shocking. All this is because of the previous pause. Although it was only a few seconds, it was really fascinating. So many changes only took 1 minute! After this climax, the transition between the fourth and fifth paragraphs was replaced by the overlapping effect of scraping vegetables. Although the lyrics of the whole work are very short, only six short paragraphs, every two short paragraphs are connected and changed as much as possible, and they are not repeated every time. From the preparation to the release of the climax, they all show the skill of putting it back and forth freely. In addition, the outstanding works in the disc include the overlapping effect of delicate background melody and middle trumpet in ricochet, the lingering of slow beat and trumpet in 02. 17 Am, and Shining with a wonderful beginning like Doomsday: First, slow beat is mixed with old singing noise. Finally, the smooth and perfect performance of the finale "My Day" once again proves that this is a record with great pop potential. (Text /gorgias, transferred from the silent sound tunnel) A great psychedelic album, blue foundation is composed of musicians from different regions, so the creative style must be very rich. 0 1' s album of the same name officially established the band's position in psychedelic dance music. I thought that once this kind of band left the recording studio, its advantages disappeared. In fact, the Blue Foundation's passionate performance on LIVE is equally popular. The special processing effect of this ending sound feels like being shrouded in dense fog. Both male and female voices are very penetrating, and the skillful control of electronic elements adds a sense of mystery. The single "Enemy" released in August just listened to the change and captured my ears. I was completely immersed in this psychedelic atmosphere. Accumulated many years of stage experience, from Denmark to Japan, the ups and downs of the Blue Foundation still brought the continuation of the Nordic spirit. I don't know if it is.

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