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The Historical Humanities of Yaoshi Town
The Guo family in Shangji Village, Yaoshi Town, Shangzhou District is descended from Guo Ziyi, the general of the Tang Dynasty. The village now has a well-preserved Guo ancestral hall and Guo Family Tree.
Guo Jianjun's Family Tree was compiled in Xianfeng period of Qing Dynasty (1851-1861), which recorded Guangyi, the ancestor of Guo Ziyi, a general of Tang Dynasty. He was originally from Quyang County, Taiyuan Prefecture, Shanxi Province, and was granted Guangluqing by Han Dynasty. He was transferred to Guo Ziyi as the seventh generation, and was born in Xima Village, Lianhuasi Town, Hua County, Shaanxi Province. In the Hongwu period of Ming Dynasty (1368), the 18th Guo Xiu was ordered to explore the south, and he succeeded in his plan. His family moved from Xidong Village, Ganxiang County, Henan Province to Yaoshi, Shangzhou, and built a ancestral hall to offer sacrifices to his ancestors. After Guo Xiu died, he was buried in Zhongxiang, Shangzhou, namely Guo Village, Zhongxiang, Yaoshi Town.
Guojia Ancestral Temple is located in Shangji Village, Yaoshi Town, covering an area of more than 1,6 square meters and a construction area of nearly 6 square meters. It has undergone maintenance and reconstruction, and the existing buildings are in Qing Dynasty style. Among them, there are 3 halls, 3 anterooms and 3 purlins, 4 wing rooms, 3 theatres and 16 rooms. Between the theater and the main building, there is a courtyard of more than a thousand square meters. Inside and outside the walls, beams, eaves and cornices of the whole building, a large number of murals, paintings, calligraphy and inscriptions have been retained. Among them, a mural painted on the Xishan wall in the front hall is 2.5 meters high and 6 meters wide, and it is still recognizable today. The content is the story of the rebellion in Guo Ziyi's Ping 'an history and the achievement of collecting Uighur and Tufan. There are nearly 3 paintings, more than 3 calligraphy and inscriptions. Painting forms include gold painting, ink painting, color piling, etc. The paintings involve maids of the Eight Immortals, farming and herding, chopping wood and firewood, calligraphy and painting, fishing and hunting, life feasting, lions and beasts, flowers and so on. It is an ancient architectural painting art with relatively complete preservation, large stock and great value among all kinds of ancient buildings discovered in Shangluo. There were a large number of imperial court officials, literati and scholars, as well as the plaques and couplets of Guo's later generations, which were destroyed during the "Cultural Revolution", and there are a few existing ones, all of which are included in Guo's Genealogy. There are still steles in the ancestral hall, and the Guo Family Tree contains more than 1 inscriptions (articles), covering the migration of the Guo family, the compilation of genealogy, the creation, reconstruction and maintenance of the ancestral hall, and the purchase of land and property. The earliest time was in the 14th year of Jiaqing in Qing Dynasty (189), and it was as late as the 7th year of Tongzhi in Qing Dynasty (1868). In The Family Tree of the Guo Family, there are detailed records of the migration and inheritance of the Guo family for more than 2, years, from the ancestor Guangyi (Han granted Guang Luqing) to now, especially the life achievements of many descendants of the Guo family, represented by Guo Ziyi, the seventh grandson of the Guo family, who have been court officials for generations. In addition, there is also a record of the Guo family cemetery in Guo Village, a middle village about 5 kilometers away from Shangji Village.
Now, Shangji Village in Yaoshi Town has improved the system of cultural relics safety protection in the ancestral temple according to the provisions of the Law on the Protection of Cultural Relics and under the guidance of the district cultural relics management department, and got in touch with the Guo Ziyi Research Branch in Shaanxi Province, and invited Guo Ziyi's portrait from the Guo Ziyi Research Association in Thailand, which added a lot of color to the ancestral temple. According to the requirements of provincial and municipal cultural relics departments, the cultural relics management department of Shangzhou District has carefully investigated and sorted out detailed texts, drawings and other materials, and is ready to recommend the Guojia Ancestral Hall to the national cultural relics department step by step and apply for the sixth batch of national key cultural relics protection units.
It is understood that ancestral hall buildings are the physical carriers of clan relations in feudal society in China, and they are the public places for feudal families to worship their ancestors and discuss affairs. More than 2 ancestral halls have been found in Shangzhou, but they can't compare with Guo ancestral halls in terms of their founding years, building scale, well-preserved degree and cultural connotation. Quancun (Qing Dynasty) Wang Shixu
Suddenly, it was Quancun, and Ziyu Huang Chuan was both popular and prosperous.
In the secluded hedge house in Liu Yin, chickens and dolphins are seen in the mulberry shadow.
The whole poem means that although it is surrounded by mountains, Quancun, a place in the northern countryside, is suddenly enlightened and the farmland is flat. Like the neighboring Ziyu and Huang Chuan, it has a sincere custom. The fenced houses in the village are hidden in the middle of the green trees surrounded by locust trees and willow trees. In the fields with mulberry and hemp, you can often see the shadow of chickens and pigs raised by village households rushing to each other.
This poem is written innocently and naturally, without any embellishment. The language is also easy to understand, which is not much different from our daily spoken language. It is really like the old spring in Quancun, and it is refreshing to meet it. It is refreshing to taste it with your mouth. There is no reason for this, mainly because the author's emotions are clear, he doesn't cover up the affectation, and he doesn't artificially exaggerate. He only writes according to the true colors of Quancun (good place, good environment and better people), and it seems tasteless at first taste. After chewing, the sweet taste will be born between the mouth and the auxiliary.
"Folklore and Dun", customs are equally simple and honest. "tun": originally refers to piglets, which generally refers to pigs.
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