Top ten classic movies in Hong Kong, how can they be considered classics if they don’t watch them several times~

There was once a sincere movie in front of me but I didn’t watch it.

I regretted it when I couldn’t see it anymore.

The most painful thing in the world is this.

I would say three words to which movie: It’s so beautiful!

There are many movies in Hong Kong that everyone talks about and are willing to watch again and again

There are many classics that you will never tire of watching. So, what are the top ten classic movies in Hong Kong?

No.10 Gunfire

"Gunfire" is a gangster film produced by Galaxy Image, directed by Johnnie To, starring Anthony Wong, Ng Chun-yu, Lui Songxian, Simon Yam and others. The film was released in Hong Kong on November 19, 1999. The film tells the story of a gang leader who is being hunted down, so he hires a group of underworld men to protect him. In the process, a gun battle occurs between gang brothers. In 2000, the film won the 5th Hong Kong Film Golden Bauhinia Award for Best Film and other awards.

The surprise of "Gunfire" is that Johnnie To continues the theme style of previous films while still being able to perform under limited conditions. Make some successful breakthroughs. In "Gunfire", Johnnie To also did not give up on portraying the internal and external conflicts of gangs, the battles between gangsters, the fate of the erring brother, and the friendship between bodyguards. Johnnie To used a sideways approach to express these plots that should have been ups and downs. , allowing the audience to see gangster behavior from a different perspective. It turns out that the world is still so cruel.

No. 9 A Better Tomorrow

"A Better Tomorrow" is a gunfight movie invested and shot by New Art City Pictures Co., Ltd., directed by John Woo, starring Ti Lung, Leslie Cheung, and Chow Yun-fat. Ti Lung is the first starring role. The film uses Song Zihao, Mark and Song Zijie as the main characters, bringing together the contradictions between Jianghu brotherhood and biological brotherhood, reflecting their different setbacks, failures, repentance and revenge.

The love between father and son, brotherhood, friendship, love between men and women, feelings of injustice and victimization, and feelings of revenge and hatred touched upon in "A Better Tomorrow" vividly depict the love and affection in men's hearts. Compared with the film works of John Woo's mentor Chang Cheh, Woo not only made the transition from Chang Cheh's ancient costume boxing and martial arts scenes to fashion shootout scenes that are in line with modern Hong Kong society, but also, in the core of the story, Chang Cheh's The tragic knight at the end of his life was also transformed into a modern heroic hero by John Woo. The emotional drama of women, which had always been ignored by Chang Cheh, became a bridge of communication between brothers in "A Better Tomorrow".

No.8 Police Story

"Police Story" is an action film released by Golden Harvest Film Co., Ltd., directed by Jackie Chan, starring Jackie Chan, Maggie Cheung, Brigitte Lin, Dong Piao and Taibao. The film was released in Hong Kong, China on December 14, 1985. The film tells the story of police officer Chen Jiaju who risked his life to capture a major drug lord. Due to insufficient evidence, he was framed and framed to kill his colleagues, so he embarked on the road to clear himself of his injustice.

For Jackie Chan, "Police Story", which combines martial arts, gunfights, comedy, and drama, is the continuation of his film career. For the audience, it is another film and television work that they will never tire of.

No.7 God of Gamblers

"God of Gamblers" is a Hong Kong gambling film released in 1989. This film is directed by Hong Kong director Wong Jing and stars Chow Yun-fat, Andy Lau, Zhang Min, Wang Zuxian and others. The film tells the story of Gao Jin, a gambling god who is world-famous for his superb gambling skills. Due to an accident, Gao Jin accidentally fell into the trap set by Xiao Dao, suffered a serious head injury and lost his memory. Gao Jin's men colluded with foreign enemies in an attempt to replace Gao Jin's position and seize his family property. A gambling king battle that attracted worldwide attention kicked off on the high seas.

"God of Gamblers" is actually not about gambling, but more about a person's perseverance and struggle despite repeated setbacks. In the story, Wang Jing gathered family love, brotherhood, and deified Gambling skills, split personalities caused by amnesia and other extremely rich drama elements, the plot structure is complete, the characters are distinct, and the personalities are outstanding. Even details such as eating chocolate are vividly and interestingly created, which has become the brand feature of God of Gamblers. "God of Gamblers" can be regarded as the pinnacle of Hong Kong gambling films at a high level. Apart from this, there are almost no other films of the same type that can equal it.

No.6 Huang Feihong

As a martial arts master of a generation, "Once Upon a Time" has been filmed into movies and TV series many times. The most classic version is probably Huang Feihong played by Jet Li, 90 At the beginning of the year, Jet Li accepted director Tsui Hark's invitation to star in "Once Upon a Time in the Sky", which caused a sensation in Hong Kong. After that, he filmed five "Once Upon a Time" in a row. The first three were directed by Tsui Hark, and the last two were directed by Wong Jing. , directed by Sammo Hung.

Jet Li's version of Once Upon a Time is youthful yet dignified, civilized yet traditional. He is a hybrid character that is both Chinese and Western, both new and old. In Jet Li's version of Huang Feihong, we can see not only the shadow of the ignorant "Big China" mentioned by Mr. Liang Qichao, but also the image of a heroic "Young China". In this drama, the protagonist Huang Feihong is played by Jet Li, the "has-been Shaolin kid" at the time. Due to plot needs, the film adds many fictional characters, such as Aunt Thirteen, who has an ambiguous relationship with Huang Feihong. These images played a vital role in re-establishing a tall image of Huang Feihong in the minds of the audience in the future and making the plot more dramatic.

No.5 In the Mood for Love

"In the Mood for Love" is a romance film directed by Wong Kar-Wai and starring Tony Leung and Maggie Cheung. It was released in Hong Kong, China on September 29, 2000. The film is set in Hong Kong in the 1960s and tells the story of Su Lizhen and Chow Mo-wan, who began to contact each other and develop feelings for each other after discovering that their spouses were having extramarital affairs. In 2000, Tony Leung won the Best Actor Award at the 53rd Cannes International Film Festival for this film. In 2001, the film won the French César Award for Best Foreign Language Film. In 2009, the film was ranked first among the "Best Asian Movies" by CNN in the United States.

Through the movie "In the Mood for Love", Wong Kar-wai created an atmosphere of unclear melancholy and gentle nostalgia. Through the sad and obsessive music, the colorful pictures, and the simplified dialogues and storylines of the characters, the viewers were moved Continuous questioning and thinking, and a large amount of blank space also allow viewers to interpret and imagine the film from various aspects and perspectives from their own perspective and understanding. In handling the narrative of the story, Wong Kar-wai cuts out trivial details and transitional plots, and only conveys the results of the plot to the audience through emotional pictures and the characters' language, thereby giving the audience more room for imagination and thinking. Through the unique film narrative mode, the film exudes a refined temperament and long connotation.

No.4 Infernal Affairs

"Infernal Affairs" is a police film produced by Media Asia Film Distribution Company in 2002. It is directed by Liu Weiqiang and Mak Siu-fai, and stars Andy Lau, Tony Leung Chiu-wai, Starring Anthony Wong, Eric Tsang and others. The film tells the story of two men with confused identities who are undercover agents of the police and the underworld. After a fierce battle, they are determined to find themselves. In 2003, the film won the Best Film Award at the 22nd Hong Kong Film Awards and the Best Film Award at the 40th Taiwan Film Golden Horse Awards. Tony Leung won the Best Actor at the 22nd Hong Kong Film Awards for this film. Awards and other awards.

"Infernal Affairs" is a rare good film among Hong Kong movies. It is not a simple film that relies on the accumulation of stars. Its success lies in its great breakthrough compared with previous Hong Kong police and gangster films. This movie does not rely solely on the appearance of heroes like other Hong Kong police and gangster films. Instead, it impresses the audience with its exquisite plot, chic and neat camera editing, and uses ups and downs of the plot to express the conflicts between the characters.

No.3 Sweet Honey

The movie "Sweet Honey" was directed by Peter Chan, starring Maggie Cheung, Lai Lai and Eric Tsang, and was released in 1996. 1996 was the eve of Hong Kong's return to China, and it was also the year after the death of Teresa Teng, a generational singer. With the help of this special era background, the film tells the story of the difficult years of new immigrants from Hong Kong in the late 20th century. It uses Teresa Teng's song "Sweet Honey" throughout, successfully capturing the mutual feelings of Chinese people in the three places across the Taiwan Strait. The plot of the film begins in 1986 and ends on the day of Teresa Teng's sudden death in 1995. Against the background of the immigration wave in China, the historical changes of the ten years before Hong Kong's return are shown through the fate of small characters.

Peter Chan used the movie "Sweet Honey" to record Hong Kong's collective unconsciousness in the ten years from 1986 to 1995, and used such historical resources to predict the unknown process of the fate of the Chinese people.

On March 1, 1986, Li Xiaojun (played by Liming) said goodbye to his girlfriend Fang Xiaoting (played by Christine Yang) and came to Hong Kong from Tianjin alone. Peter Chan has always wanted to make an immigration-themed story to reflect the "rootless state" of Hong Kong people. When Peter Chan deals with such Hong Kong themes, the subjects are not native Hong Kongers, but new immigrants from the mainland.

No.2 A Chinese Ghost Story

A Chinese Ghost Story is a remake of the 1960 Shaw Brothers film of the same name, produced by Tsui Hark, directed by Cheng Siu-tung, starring Leslie Cheung, Joey Wong, Wu Ma Waiting for the starring role. It is also the most important classic masterpiece of ghost director Tsui Hark in the ghost and fantasy genre during the most prosperous period of Hong Kong cinema. The movie tells the story of scholar Ning Caichen and Nie Xiaoqian who fall in love, only to discover that Xiaoqian is a female ghost controlled by the tree spirit grandma. Later, the swordsman Yan Chixia helps Ning Caichen deal with her grandma and makes them a human-ghost lover.

"A Chinese Ghost Story" not only created a box office success for Hong Kong movies that year, but also set off a wave of costume ghost movies. Not only did a bunch of martial arts and costume movies appear in Hong Kong, but also some funny ones appeared in Taiwan. "Chinese Girl Style" works.

No.1 Westward Journey

Westward Journey is a Hong Kong movie that premiered in 1995. It consists of two episodes that are closely related in content. When it premiered in Hong Kong The titles are respectively, the first episode "Journey to the West Chapter 101: The Moonlight Box", and the second episode "The Finale of Journey to the West: The Romance of Cinderella". Journey to the West borrows "Journey to the West", one of China's four major classical novels, as the story background, but the ideas it wants to express are completely different from the novel "Journey to the West", so the use of "Dahua" implies that it is not a "novel".

"Westward Journey" began in the late 1990s and became a cultural totem, and it has not lost its pioneering position to this day. Sun Wukong/Supreme Treasure finally assisted Tang Seng in completing the unfinished business of going to the West to learn Buddhist scriptures in accordance with the agreed-upon policy reached by the senior management and Tang Seng. However, that feeling can only be savored again in memory or reincarnation. Maybe he has forgotten it, maybe he will Remember, but he can only see that feeling if he forgets himself.

Classic movies are classics because

No matter when you watch them

you will always be touched

I won’t say any more

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Brother Bang is ready to watch the drama again. . .