Brief introduction of Lin Yutang's life

In the field of American Chinese literature, Lin Yutang's literary creation has reached an insurmountable peak in terms of quality, achievement and influence. His literary creation in the United States introduced the misunderstood China society and oriental civilization to the western society. The following is a brief introduction of Lin Yutang's life I collected, hoping to help you.

Brief introduction of Lin Yutang's life

Lin Yutang (1895-1976) is a famous scholar, writer, linguist and inventor in modern China. 1895 was born in a _ _ family in Fujian, and his father was a church pastor. 19 12 Lin Yutang entered Shanghai St. John's University and taught in Tsinghua University after graduation. 19 19 autumn, went to the Department of Literature of Harvard University in the United States, and 1922 received a master's degree in literature. In the same year, he transferred to Leipzig University in Germany to study linguistics. From 65438 to 0923, he returned to China as Professor Peking University, Dean of Beijing Women's Normal University and Head of the English Department. 1924, he was one of the main authors of Yusi, and published the first article on the relationship between morale and ideological circles in Yusi. 65438-0926, went to Xiamen University as the dean of literature, writing essays and learning languages. 1927 secretary of the Ministry of foreign affairs. 1932 edited by the Analects of Confucius. 1934 founded "Human World" and published "Wild Collection". 1935 founded Cosmic Wind and advocated "self-centered and leisure-oriented" essays, which became the main figures of the critics. After 1935, he wrote cultural works and novels in English, such as My Country and My People, The Trembling Wind, The Wisdom of Confucius, The Art of Life, and Clouds in Beijing in France. 1944 returned to China to give lectures in Chongqing. From 65438 to 0945, he went to Singapore to build Nanyang University and served as president. 1947, director of fine arts and literature of UNESCO. 1952 co-founded Tianfeng magazine in the United States. 1966, settled in Taiwan Province province. 1967, employed as a research professor at the Chinese University of Hong Kong. 1975 was elected as the vice president of International PEN. 1976 died in hong kong on March 26th, moved to Taipei in April, and was buried in the backyard of his former residence at the age of 82.

Lin Yutang's love life

Burn the marriage certificate

Lin Yutang was born in Longxi, Fujian (now Pinghe Banzai, Zhangzhou) and had two lovers before marriage. Lin Yutang's wife Liao Cuifeng is his third lover. Liao Cuifeng is the second young lady of Liao Jia, the richest man in Gulangyu Island. However, when they planned to live for life, Liao Cuifeng's mother disagreed. She said, "He Le (Lin Yutang's real name) is the son of a priest and his family is very poor." Liao Cuifeng said firmly: "Poverty is nothing." It is this sentence that made Lin Yutang and her marriage.

1919 65438+1On October 9th, Lin Yutang married Liao Cuifeng. After marriage, she got Liao Cuifeng's consent and burned the marriage certificate. He said that "marriage certificate can only be used for divorce". Burning the marriage certificate shows their determination to love each other forever and grow old together. Shortly after their marriage, Lin Yutang and Liao Cuifeng went to Harvard University to study for a master's degree. After studying at Harvard for a year, the grant stopped, so Lin Yutang had to go to France to work, and later went to Germany. First, I studied at the University of Jena, during which I obtained a master's degree from Harvard University by transferring credits, and then I went to the University of Leipzig to study comparative linguistics, and got a doctorate from 1923.

When the economy was in trouble, Liao Cuifeng had to sell her jewelry to make ends meet. Throughout his life, Lin Yutang was also absolutely pure in ethics and morality. At present, beauty appreciates him, but he is silent, but not as good as his ears.

The way to get along with your wife

If Liao Cuifeng is angry, Lin Yutang doesn't even say a word and remains silent. If there is a quarrel, it is also a quarrel. His trick is "it is better to say more than to say less;" It would be better if a person didn't say it. " He thinks that the quarrel between husband and wife is nothing more than disagreement. When you are angry, talking more is nonsense, which increases friction in vain and is useless. He said, "How to be a good husband? When your wife likes it, you like it with her, but when your wife is angry, don't be angry with her. " Ms. Liao hates being told that she is fat, and likes being praised for her sharp and straight nose. So whenever Mrs. Lin Yutang is unhappy, she will pinch her nose and her wife will naturally laugh.

Lin Yutang once said: "Only the bitter and sweet memories are the sweetest memories." Even if you are too poor to watch movies, you can borrow a stack of books from the library. At night, two people will read with a lamp, and the fun will not change. Therefore, the master also said that poverty does not mean "bitterness", and he has never felt "bitterness"; In the world, the so-called logic that "poor couples are more sad than dead" was completely overthrown by him.

The secret of a happy marriage

1969 65438+1On October 9, a pair of wedding candles were lit in the living room of Lin Jia Garden at the foot of Yangming Mountain in Taipei, and Lin Yutang and his wife quietly celebrated their 50th wedding anniversary. Lin Yutang presented Liao Cuifeng with a gold brooch with "Jinyuyuan" and James? Whitkan? Li Lai's immortal poem Old Lover.

Lin Yutang believes that Liao Cuifeng belongs to the "water" that accepts all things and benefits mankind.

But I am the "gold" that runs through everything.

Lin Yutang believes that marriage is not based on fickle love, but love grows in marriage, and the happiness brought by the complementarity between men and women can increase day by day.

Someone asked them the secret of "golden jade" for half a century. The old couple argued that there were only two words, "give" and "receive". In the past18,000 days, they gave to each other as much as possible, no matter how much they received. Lin Yutang said: "Marriage is like a carved ship. It depends on how you appreciate it and how you deal with it. "

1On March 26th, 976, Lin Yutang died in Hong Kong, and the coffin was transported back to Taipei and buried in the backyard of the Lins' compound at the foot of Yangming Mountain. Liao Cuifeng stayed with him all day.

Appreciation of Lin Yutang's works

Lin Yutang's Gossip on Dongpo, Fishing in new york, Travel in Tainan and On Western Neo-Confucianism all embody the richness and beauty of openness, and are more artistic and natural. Lin Yutang's prose does not pay attention to the overall idea, nor does it pay attention to the authority of composition or writing rules. He believes: "stereotyped writing has laws, articles can't, and articles have laws, so it becomes stereotyped writing." ⑦ For this reason, Lin Yutang appreciated Jin Shengtan's Preface to the Water Margin. The preface begins with a sentence: "Don't get married at the age of 30, let alone get married; Forty without being an official, let alone an official; Fifty is not suitable for living and sixty is not suitable for walking. " Suddenly it's completely emotional. The full text laments that time flies and life is short. Talking about the fun of friends gathering and talking has nothing to do with the water margin, just for fun. Someone must have accused Jin Shengtan of digressing. But what does it matter if the article is irrelevant? What's important is that the author expresses his feelings of life that he is surging inside and eager to vent. It is because of his hatred of "rules" that Lin Yutang finds it strange that a knowledgeable person like Jin Shengtan, an uninhibited talent, is sometimes confused and unconsciously trapped under rules and syntax. He wrote Jin Shengtan's storytelling specially designed for the author to calculate the suppression, and he was full of "wonderful, wonderful". It's really a dwarf who can't fathom the elephant. ⑧ Lin Yutang also pointed out that the turning point from the beginning to the end of the article, etc., are all formed along the natural waves of literary thinking, which are ever-changing, like steep cliffs, deep pools and shallow streams, without clever management, but karma has its own twists and turns, which is beyond the control of the construction law of Tang Ming Temple.

Therefore, Lin Yutang's prose has a new format and a different style. Most of the structures are very casual, and there are no traces of ups and downs, colors and echoes. Only the natural rhythm flows, emitting a simple atmosphere. This is Lin Yutang's own tone. It constitutes Lin Yutang's "personal style" with true feelings and original opinions. Lin Yutang's attitude towards free writing is just the opposite of Liang Shiqiu's. Writing should be like running water, with no definite quality at first, always doing what you should do and always stopping at what you should do. This is what Su Dongpo said, and Lin Yutang sincerely agrees. Liang Shiqiu believes that this is "a lot of talents, and people are out of reach." He also said that Xu Zhimo was a writer, and he claimed to run wild horses. He belongs to the category of "endless writing". Brilliant as he is, he is not an article.

Lin Yutang wants a composition like a conversation, and Liang Shiqiu wants a conversation like a composition. Liang Shiqiu even thinks that the conversation should be rigorous, with a theme, a draft, a hierarchy, a beginning and an end. He criticized: "Not many people are willing to write articles, and even fewer people know how to cut them." It sounds incredible to Lin Yutang that the conversation should also be tailored. Therefore, Lin Yutang is a disciple of Benedetto Close, an expressionist who advocates breaking the shackles, and Liang Shiqiu is a disciple of IrvingBabbit, a new humanist. Babbitt talks about "article discipline". No wonder Liang Shiqiu's essays are sophisticated and structured. This is naturally one of the characteristics of modern prose. But Liang Shiqiu put too much emphasis on composition. Yu Dafu quoted a passage from an article published by Liang Shiqiu in "New Moon": "People who write essays recently don't know that they are too demanding of nature and ignore art too much, and often fall into a bumpy road. No matter what kind of topic you write, all kinds of essays are laughing and cursing, and the tone of sucking cars and selling pulp and cursing streets has become the normal state of prose. There is emotion in such arrogant words, but there is no tone. " Yu Dafu asked: "When writing prose, do you have to wear a big dress, a tall hat and white gloves to dig out the literal words in the anthology?"

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