Liupan Mountain Poetry

The poems of Liupan Mountain are as follows:

Qingpingle in Liupanshan 1

Mao Zedong

The sky is high and the clouds are light, looking at the flying geese in the south.

If you don't reach the Great Wall, you are not a hero, but you will fight for 20,000.

At the top of Liupan Mountain, the red flag flutters in the west wind.

Holding a long tassel today, when will it be a black dragon?

2. Liupanshan

Zhu in Ming dynasty

The Liupanshan Mountain in the northwest cuts clouds, and a thousand stars move.

Ride through the forest and worry about it, while the cliff mourns the ape and hates it.

The Dragon Tree was connected with the frontier fortress, and Qin Guan cut off Fen in Liu Wei.

In the clear autumn, the warning signal suddenly reported, and the sunset was still above the tiger and leopard.

3. Liupanshan

Huang Ying in Ming Dynasty

Liupanshan is like a snowflake.

The withered willow meets the double track, and the sand goes around.

18 years old, cold poetry is thin, and the spring back is long.

I feel sorry for myself, but I don't want to get dressed anymore.

4. Liupanshan

Li huachun in Qing dynasty

Riding a horse in the mountain city is twice as cold as dawn, and back to the post road into the clouds.

I didn't send books home, but I finished six sets in the rain.

History and Culture of Liupanshan Mountain

Liupanshan and its surrounding areas have a long history of humanities, mainly including the agricultural reclamation civilization and nomadic culture created by nomadic tribes such as Beidi and Xirong, represented by Majiayao culture and Qijia culture.

During the Spring and Autumn Period and the Warring States Period, ethnic minorities such as Qiang, Rong and Xiongnu lived here. During the Qin and Han dynasties, due to the implementation of the immigration policy, a large number of Han Chinese flooded into this area, where farming and nomadic industries developed. During the Southern and Northern Dynasties and the Song and Ming Dynasties, this area became the frontier of the confrontation between the Central Plains Dynasty and the Xiongnu, Xixia and other foreign forces, and gradually became the settlement of the Hui people.

There are a large number of intangible cultural heritages in Liupanshan District, including nearly 30 kinds of community fires, such as Gao Tai community fire, automobile community fire, carrying community fire, running community fire, lion and dragon dance and spreading community fire. Among them, Mashe Fire is a traditional folk culture and art form created by people in Liupanshan area with the help of horses and mules, which originated from Shaanxi opera.

Performers dress up according to historical drama stories, at least line up and change their movements and postures when marching. After the 1980s, due to agricultural mechanization, performers moved drama characters to tractors to perform social fire performances. Mashehuo, which integrates performance, modeling, painting and handicraft, has become a living fossil of folk art in Liupanshan District.