How did Donnie Yen perform in Special Identity?

In this film, Donnie Yen plays a young and dangerous man. The fights he met in the street and in different places were also very Jianghu. To put it bluntly, it's like fighting. To tell the truth, this style is in line with his title of street fighter. When Donnie Yen was born in street fighting (1 1), Donnie Yen's family immigrated to Boston, USA. At that time, yellow skin was one of the discriminated classes in western society, and Donnie Yen was rebellious. Fighting was one of the compulsory courses for Donnie Yen when he was young. With his martial arts, he took part in fights almost every day, and soon became famous in Boston's famous violent area "Cruel Street". His fighting style of pursuing actual combat was cultivated at that time, which also made Fighting in Zhen Shi one of the symbols that distinguished him from many action stars. His career in Bloodstained makes the action of this film look extremely ferocious, and the fighting style in the opening mahjong hall directly defines the action tone of this film.

This battle is like PK in Street Fighter, Black Belt in Lu Huiguang Muay Thai and Muay Thai in Donnie Yen all staged in the fuse. In this film, in order to conform to the role positioning, Donnie Yen did not appear the highlight state of "taking one as ten", but sometimes appeared "timid". In the first scene, Donnie Yen uses a similar method to deal with Lu Huiguang, which is actually Brazilian Jiu Jitsu. This is a good way to deal with Muay Thai (the posture of Muay Thai is relatively high, paying attention to the basic posture of the lower plate, putting your hands on your chest and your leg strength pointing to the third way, which is really difficult to deal with the low level), but the movements are also awkward. But the most vicious trick in Muay Thai, "Crocodile wagging its tail" (swinging its elbow), failed, and its opponent was disarmed by a lock throat.

The second scene was a group fight, not "one for ten", but against a group of messengers with machetes. Fight if you can, and run if you can't. You took advantage of space and terrain, and there were several parkour shots (to be honest, you didn't run very well). This fight feels bloody and real, and there is a feeling of wanton resistance to martial arts guidance. However, careful observation shows that these movements have no moves at first glance, but they all adhere to the idea of controlling the enemy with one move in fighting tactics, and only hit the soft spot, including kicking the neck in the first battle and punching in the team battle, all in order to destroy the opponent's combat effectiveness. They are not exaggerated but practical, and their skills are permeated with simplicity and rudeness. This group fight scene is a bit like the legend of war wolves.