Performance information of Beijing Opera House

1. Address of the new theater of the Central Opera House. What are the four basic skills and roles of Beijing Opera? 3. What is Peking Opera? Information about the origin of Peking Opera. Peking Opera is called Peking Opera by foreigners, and its representative is the address of the new theater of the Central Opera House.

No.23, South Third Ring Road East, Fengtai District, Beijing.

Beijing Opera and Dance Theatre is located in Chaoyang District, Shuangjing City, next to the East Third Ring Road. Independent office building, dance rehearsal hall, folk art rehearsal hall and band rehearsal hall provide Beijing Opera Theatre with good hardware facilities.

On the planned land of 7,000 square meters, the municipal government has clearly developed and built by attracting foreign capital to further improve the conditions for artistic production and cultural management.

Precautions:

The company has workshops, dance troupes, opera troupes, national orchestras, folk art troupes, stage art engineering departments, performance planning departments, "Guangdelou Theatre" and other art production and operation institutions, as well as "Beijing Banquet Theatre" controlled by Bego. Main business: dance, ballet, vocal music, national instrumental music, folk art, dance beauty projects, various performance planning and art training.

What are the four basic skills and four roles of Peking Opera?

The four basic skills and roles of Peking Opera are explained as follows.

Beijing opera can be divided into four major businesses: life, Dan, purity, ugliness and * * *.

The four artistic skills of Beijing opera performance: singing, reading, doing and playing are also the four basic skills of Beijing opera performance.

What is Peking Opera?

This should first come from an English translator, and this translation is "Beijing Opera".

In fact, there is still some controversy about the translation of the word opera. For example, someone simply translated it into an opera. But some people advocate translating it into a stage play. Yes, in fact, our Peking Opera is a kind of stage play.

Ok, let's talk about this English word. Beijing opera is translated into opera on official occasions. And according to the American translation, it can be directly translated into, chinabeijingopera, so this is the saying of Chinese Peking Opera! Because opera's translation is opera. But I think opera can be translated into stage play or even more straightforward "rap art"

Information about the origin of Peking Opera

1. As we all know, the unique historical background of China's opera was formed in Italy at the end of 16. From18th century to19th century, opera reached a very high level in many countries in the world, especially Italy, France, Germany, Russia and other countries. However, China's opera was in its infancy in the 1920s, and it started from the children's music mode. At the beginning of the 20th century, China had the European Grand Opera. Later, artists from China tried to create European grand operas. However, at that time, China's economy and culture did not have the soil for the development of European grand operas, and it lacked the audience base. So at that time, the European grand opera was just a flash in the pan in China. The emergence and development of China opera is mainly due to social changes and the needs of the masses. At the beginning of the 20th century, in order to popularize the vernacular Chinese, musician Li Jinhui created and performed a children's musical, which was the bud of China opera. In 1930s and 1940s, in order to promote War of Resistance against Japanese Aggression, artists in China created many musical and dramatic performances, such as Yangko Opera. It was not until 1945 that the large-scale opera White-haired Girl came out that it began to be called a "milestone" in the development of China opera. Thus formed a unique musical model called "National New Opera". In fact, the "national new opera" was born in mass movements, more precisely for the needs of propaganda. Because China traditional opera is not suitable for the expression of realistic content, and China audience likes and is used to singing and dancing, artists have created a brand-new musical form "National New Opera". "National New Opera" is neither a copy of western traditional opera in China nor a continuation of China's opera. The characteristics of "national new opera" are drama as the main body, followed by the music after the script. Secondly, not only pay attention to singing, but also pay more attention to Taoism and performance. Its singing is based on natural vocal methods. Inheriting the national artistic tradition is a very important foundation, and at the same time drawing lessons from the creative techniques of European grand operas to create a new musical model. Therefore, it is called "national new drama" mainly to distinguish it from "old drama". The success of the opera "White-haired Girl" lies in its brand-new content, brand-new form, brand-new perspective, brand-new music and brand-new singing style, which has created a musical variety that is deeply loved by the masses. Especially because of its popularity and close connection with the real life of the masses, its performance effect is probably incomparable to any musical at that time. Its performances and audiences are countless. The above is the historical background of the birth of "National New Opera". China's operas had a glorious period. After The White-haired Girl came out, new national operas sprang up like mushrooms after rain, and a large number of new dramas emerged one after another, such as Revenge of Blood and Tears, Hongye River, Wang Gui and Li Xiangxiang, Long March, and Fighting the Invaders. So "White-haired Girl" became the masterpiece of national new opera, which was not only widely performed in China, but also toured in Eastern Europe and the former Soviet Union. It was also translated and performed by Mongolian National Music Theatre, and later adapted into a ballet by Japanese, becoming one of the most influential stage plays in modern China. Until now, it is still one of the reserved programs of our China opera. However, the artists in China are sober and know that the appearance of "National New Opera" is only the beginning of China Opera Road, so when 1953, the first largest opera house in New China, was established, it was named "Central Experimental Opera House". The word "experiment" means that the mode of the opera "White-haired Girl" should not be the only mode of China's opera, and China's opera needs constant exploration, learning and innovation. After the founding of the People's Republic of China, many musicians who returned from abroad joined the traditional Chinese opera team, and the artists had a heated debate on the development direction of China's traditional Chinese opera. In order to better develop China Opera, the Central Experimental Opera House was divided into two opera troupes at 1956. The first group of operas is the Road of National New Opera, which is today's China Opera. The Second Troupe mainly studied the modes and singing methods of western traditional operas to create and perform China operas, which is now the Central Opera House. Although the Central Experimental Opera House at that time basically developed along the road of "national new opera", its creative themes began to be greatly broadened, including not only realistic themes, but also historical themes, fairy tales and folk themes. Especially in music creation and vocal music training, more and more skills and methods of absorbing western traditional operas are absorbed. The Central Experimental Opera House not only processed and performed the opera White-Haired Girl for many times, but also created and performed The Wedding of Little Erhei, Liu Hulan, Song of the Grassland, The Story of Huaiyin, Yuan, Spring Thunder, Xia Hong, Hong Yun Ya, Gadamer, Wang Fuyun and Ah. From 65438 to 0958, the Central Experimental Opera House took three China operas, Liu Hulan, Song of the Grassland and Story of Huaiyin, to visit and perform in the former Soviet Union, such as Moscow, St. Petersburg, Novosibirsk and IrKuske, and was warmly welcomed. 1964, the leaders of the Ministry of Culture of China realized that China Opera needed to further broaden its own development path, and decided to completely split the two troupes of the Central Experimental Opera House into China Opera House and Central Opera House. It is hoped that the two opera houses will "develop independently and reach the same goal by different routes". Now it seems that this decision based on practice and development is reasonable. Even the opera of western mode is gradually formed in the process of continuous development. At that time, other provinces, cities and military troupes also produced a large number of popular operas, such as Honghu Red Guards, Red Coral, Jiang Jie, etc., so the Chinese opera at that time developed rapidly. At that time our hospital had its own theater. Whenever there is a new opera in the theater, the audience will queue up in front of the theater to buy tickets. In order to watch the opera, people queue up in front of the ticket office all night, whether it is in severe winter or in cool summer, and the theater is often full. According to statistics, Peking Opera was the most popular stage performance in Beijing at that time. Not only Beijing, but also theaters in other provinces and cities are full every year. In the seventeen years after the founding of the People's Republic of China, he traveled almost all the large and medium-sized cities in China, even to the frontier and rural areas, which attracted great attention from the national audience. At that time, not only the song and dance theaters in various provinces and cities staged operas, but also many county towns had their own troupes. It can be said that in the 1950s and 1960s, there was an unprecedented prosperity in China. Three, the fault and recovery of China opera Ten years after the Cultural Revolution, the development of China opera was completely interrupted. It was not until the end of the Cultural Revolution in the late 1970s that China's literature and art were revived. However, the brain drain of opera talents is serious, and the opera team is aging day by day. Undaunted, the staff of the opera house United. At first, the theater restored some opera plays in the past, and then began to create new opera works. Especially in the 1980s, successive national opera performances gave birth to new opera works. Only in China's operas, we have produced a large number of new opera works. Such as Starlight, Starlight, Wei Baqun, Help Her, He Long's Death, Moon Song, Gulantanm, etc. The most noteworthy is the appearance of the operas "Regret for the Past" and "Yuan Ye", which began to break through the original mode of national new opera and turned a new page in China opera. In 1980s, China's reform and opening up opened the long-closed door, and the development of literature and international cultural exchanges between Hong Kong and Taiwan opened the eyes of opera artists. Great changes have taken place in both creative methods, artistic styles and aesthetic orientations. Especially with the introduction of operetta and musical, the newly created repertoire has made a rapid breakthrough in the original artistic mode, which naturally makes the title of "national new opera" no longer used. The new operas created and performed at that time, whether in the mode of "White-haired Girl" or in the mode of western opera, operetta and musical, were all called China Opera. Of course, the concept of "Chinese opera" is only a relative general term. However, this development is very gratifying. For example, the large-scale opera Yuanye is a representative contemporary original opera in China. Yuanye is completely different from the "national new opera" in the past. Composers show dramatic conflicts layer by layer with the great boldness of vision and complete musical structure of the whole macro drama. For example, The Chorus of Yuan Ye in the Prelude Cemetery is a symphonic combination of orchestral music and human voice. The chorus has no drama or even obvious melody, but it is a symphony of cries and grimaces of pain and indignation. Let the audience feel a creepy shock and show the dark age of cannibalism to the bones. In particular, the large-scale independent movement in front of the scene of "The Hall of the Dead" vividly describes the psychological changes of the autumn tiger before and after revenge. In the play, aria, recitation, duet, chorus and dialogue are closely and organically combined in the complete symphony structure of dramatic contradiction development, and the whole opera is completed in one go. Therefore, it is generally believed that this is a great achievement of China's opera music creation. The main actors of the play went to the United States to attend the "annual meeting of opera and musicals" of O 'Neill Theatre Center, and gave three performances of "stage reading", which attracted the attention of artists there. The opera "Yuan Ye" also won the "Special Honorary Certificate Award" of the Third Munich Association for International Studies. From 199 1 to 1992, "Yuanye" was completely performed by the Washington Opera House at the Kennedy Center. 1993 was rehearsed by Taiwan Province Provincial Symphony Orchestra in Taibei, with a performance of 10. 1997 The opera Yuan Ye premiered in Europe. Vilen's performance abroad has been highly praised. German critics say that "composers have written the same feelings, love for life and desire for happiness", USA-Today in the United States called Yuan Ye one of the most important events in the world opera history since the 20th century, Washington post in the United States called Yuan Ye the first China opera to occupy a place in international dramas, The New York Times in the United States called Mr. Jin Xiang's tortuous creative path, and Halansy, chairman of the Swiss Classical Music Festival, said. Vilen conquered Switzerland "and so on. Since then, "Yuan Ye" has become a fixed repertoire of our college, and it is known as "the classic opera of the century". 1999, the opera "Yuan Ye" won the excellent performance award in the 50th National Day exhibition. In 2000, the opera Yuan Ye won the 9th "Wenhua Award" of the Ministry of Culture. Today, "Yuanye" continues to be staged, especially in the "campus drama" organized by the government. The opera "Yuan Ye" is widely performed in colleges and universities all over the country, which is very popular among teachers and students.

Beijing opera is called Beijing opera by foreigners, and its representative figure is

1, Tan card. Tan Xinpei, the representative figure, plays the role of an old student.

2. Yu Pai. Yu Shuyan, a representative figure, plays an old man and expresses his thoughts and feelings by singing.

3. Liu pai. Liu Hongsheng, a representative figure, plays an old man and is famous for his high voice.

4. yang pai. Yang Xiaolou, a representative figure, is a martial artist who pays attention to "singing martial arts".

5. Mei Pai. Mei Lanfang, a representative figure, is one of the "Four Danish Famous Danes" and is good at playing various roles such as Tsing Yi, Hua Dan and Beijing Opera blues.

6. Cheng Pai, a representative figure, Cheng, one of the "four famous artists", plays Tsing Yi. According to the characteristics of his own voice, he created a gentle, sad and continuous singing voice.

7. Geppet. Gai Jiaotian, a representative figure, is mainly a martial artist. He can play martial arts and sing in martial arts.

8. Speech school. The representative is strict.

9. Golden School. Jin Shaoshan, the representative, plays the role of Hua Lian.

10, all cards together. Representative Zhou (stage name Kirin Tong) plays an old student.

1 1, quick shot. Xun Huisheng, the representative figure, is one of the "Four Famous Dan" and plays Hua Dan.

12, go up. Shang Xiaoyun, the representative figure, is one of the "Four Famous Artists", who mainly plays Tsing Yi.

13, Ma Pai. Ma, a representative figure, together with Tan, Yang and Xi Xiaobo, was called the "four bear markets" in 1930s.