Nanping minor in Nanping minor

Nanping minor is a traditional art of the Han nationality in Jiuzhaigou County, which is famous for its beautiful lyricism. From the social and cultural point of view, it is a certain cultural layer and circle, and it is the group activity form of Han folk culture with the most local characteristics in northwest Sichuan. Nanping minor is a tune in a long history. There are several lyrics with different contents in the name tag of Quzi, which are generally created and sung orally by folk artists according to classical stories and current events. For example, when Emperor Qianlong of the Qing Dynasty attacked Jinchuan, folk singers compiled Song of Ordering Soldiers and Song of Sending Soldiers. When Eight-Nation Alliance went to Beijing, Emperor Guangxu fled to Xi 'an, compiled Emperor Guangxu to escape to Xi 'an, and twelve generals praised ancient famous soldiers. In the early days of liberation, folk singers compiled "New Twelve Generals" to praise the marshals and generals of the People's Liberation Army, and filled in the lyrics of "Looking forward to the Red Army" in "Picking Flowers". Nanping Minor is sung in the local dialect, and the pronunciation of the lyrics has its own characteristics. The language is simple, except for a few fixed songbooks, most of them are oral literature circulated by Han people.

"Nanping minor" is mainly a kind of singing for local people to entertain themselves, especially in rural areas, and it is an indispensable part of local people's life. After a day of hard work and grazing, the villagers gathered under the trees in front of the court, or sat around the fireplace where they cooked late, playing the three-stringed pipa, knocking on porcelain dishes and touching bowls to sing loudly. Especially on the wedding festival, the villagers get together, and the atmosphere is very warm. As people say: Jiuzhaigou County is "a world of playing and singing, an ocean of playing and singing." The Formation of 2zG's Nanping Minor. According to the Annals of Nanping compiled in the fourth year of the Republic of China (A.D. 19 15), "Nanping is a sheep cave, with the upper, middle and lower sheep caves inhabited by Qiang people ... until the third year of Yongzheng in the Qing Dynasty (A.D. 1725), Nanping was reopened. At the beginning of Nanping's establishment, most of the land was owned by the people, and the wasteland along the river was gradually reclaimed, with a land factory of 23,620 taels. In the 22nd year of Qianlong (AD 1757), the wasteland of Lihe River was gradually reclaimed, and the land was spread in 236. ..... In the eight years of Tongzhi, the newly-built Han farming land collected five cents and five cents of Xiaoding grain and silver every year (other counties and acres, Nanping dripping water) and recovered two hundred and seventy-two grains and silver. " Accordingly, before the early Qing Dynasty, Jiuzhaigou County was inhabited by Qiang, Tibetan and other ethnic minorities. After the establishment of Nanping (Jiuzhaigou County) in the third year of Yongzheng (AD 1725), only a few Han people moved in, and its cultivated land area was only over 600 mu. In the 22nd year of Qianlong (A.D. 1757), the cultivated land area only doubled. However, from the 22nd year of Qianlong to the 8th year of Tongzhi, the cultivated land area increased tenfold. It shows that most immigrants moved to Jiuzhaigou County during this period. According to the census data of 1979, the Han nationality who moved into Jiuzhaigou county is generally eight to ten generations, with the thirteenth generation as the earliest. This further confirmed that during the Qianlong and Jiaqing periods in the middle of Qing Dynasty, a large number of Han people moved into Jiuzhaigou County. As a folk art of Han nationality, "Nanping minor" can only be formed in this period. Nanping minor is developed on the basis of foreign folk music. After the middle of Qing Dynasty, it was gradually brought in by immigrants from Gansu and Shaanxi, among which Wenxian people brought Wenxian pipa and Shaanxi people brought Hu Mei oratorios. In the past two hundred years, based on Wenxian Pipa and Hu Mei Chorus, it has integrated northern Sichuan folk songs, absorbed local Tibetan, Han and Hui folk music literacy, and developed into Sichuan music.

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