Begging for years to steal film reviews.

In the fickle life, time is the biggest thief. "

-"the thief of the years"

If the night in Beijing is not too deep, the wind is too strong, passers-by are in a hurry, and no one can see other people's faces clearly, I will not choose to let tears fall from my eyes in such a spring breeze; If it weren't for beautiful music and sad stories, I wouldn't force my father to make a sudden phone call to my father in the south. I just said, "Dad, I haven't talked to you for a long time. Say hello. " I didn't say that I thought he and my mother were moved by a movie called Thieves in Those Years.

I don't want to use "sentimentality" to describe such a film that is taken seriously and full of nostalgia. Anyway, depression is a feeling, loneliness is a feeling, and nostalgia is also a feeling. Then the yellow lens, melodious and emotional music, and the laughter of children running and chasing in the streets where ordinary people lived in Hong Kong in the 1960 s are also feelings, but the word "feelings" is said too much, which really seems too cliche and inadvertently reveals the barrenness of their own language.

Although the plot of this well-crafted film is still a bit trite, no one can avoid the love between the poor second generation men and the rich second generation women, the hero who is terminally ill and will eventually die, the ordinary people who have a hard life but are optimistic about reality, and the sweet music that sets off the sad atmosphere all the time, but this does not prevent the vulgar people who watch movies from being moved. Love and affection, the ups and downs in ordinary and cruel real life, are the most touching elements in any era as long as they are properly combined. Let's see what movies are full of screens and screens to escape these stereotypes. Even Tang Priest and Monkey King will talk about love with people and demons vigorously. As director Alex Law and screenwriter Zhang Wanting, the most admirable combination of gold medals is that they brought the fighting spirit of Hong Kong people in the 1960s into the story, and their lives were miserable. However, as Mrs Luo said, "As a man, you must always believe", as Sally Yeh and Alejandro Delfino sang, "The world is always beautiful".

I think it's a huge mistake to watch the trailer of the movie. After watching the title and trailer, I knew that time should be said to be a thief in the movie, so I never thought that my younger brother who stole the tortoise, the goldfish bowl, the the Monkey King statue in the temple, the rice flag and the moonlight cup would really become a thief. Facing the loss of my dearest brother, my brother threw all the stolen things into the sea, because grandma said that if you fill the sea with the most precious things, you can see your dead relatives. The Monkey King, like a rice flag that sank to the bottom of the sea and a moonlight cup that sank to the bottom of the sea, could only lie motionless on the water. The goldfish bowl that was once worn on his brother's head like an astronaut's hat shook his fragile body on the sea, waiting to burst. The sea is so big, how to fill it? The water is so deep, how can you finally see it? The cruelest thing is time. It took my brother, my father and my grandmother, and everything that was about to wither and die. Yes, this is everything, and no one can escape. Compared with the straightforward name now, another name of the film, "1969 A Space Odyssey", may stimulate people's imagination more.

The seemingly simple and routine movie plot, even if you don't dig deep into it, it's not difficult for the audience to see other hidden keywords, such as colonies, Cantonese fragments, old Hong Kong stars, church schools, mainlanders emigrating to Hong Kong, Hong Kong people emigrating abroad, English songs ... too many memories stolen by years are taken back by the illusion created by images, and then they are stuck in people's hearts like needles.

Under the background of great times, little people bear too many heavy burdens. Fortunately, Yam Tat-wah, Wu Junru, Qin Pei and many other senior Hong Kong-made filmmakers unswervingly shouldered the burden, and the performances of their brothers (especially younger brothers) were also surprising. We should interpret those profound meanings and leave them to professional film critics. We should borrow movies to express our feelings and leave them to ordinary people like me. How can you not be sad if you do what you want? Looking back, I am shocked that it is the most difficult to stay when the world is ruthless, and the years when life is like a dream are thieves.