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Brief introduction of kazuo ishiguro.
Although she has a dual cultural background of Japan and Britain, kazuo ishiguro is one of the few Asian writers who don't take immigration or national identity as their theme. Even though critics always try their best to find out the essence of Japanese culture from his novels, or dig out the clues of post-colonial theory, in fact, kazuo ishiguro himself has never deliberately manipulated the national identity of Asians, but he is proud to be an internationalist writer.
For kazuo ishiguro, the novel is an international literary carrier, and in the increasingly globalized modern world, how to break through regional boundaries and write a novel that is meaningful to people living in any cultural background is his goal. Therefore, kazuo ishiguro is very different from Luxi and Naipaul, who are also called "the three great immigrants in English literature". However, the theme of kazuo ishiguro's novels seems complicated and changeable, moving in and out between Eurasian civilizations. But in this modern world of multicultural collision and communication, what is enough to cross the border and cause people to sing universally? In fact, kazuo ishiguro buried a common theme in his novels with a rather subtle brushwork, that is, empire, class, memory and innocence were lost forever.
Memories are kazuo ishiguro's favorite narrative style, and Don't Let Me Go is no exception. At the beginning of the novel, through the memory of cloned Kathy, she slowly uncovered her childhood in Hellson school. It was a lost world that could never be seen again, only in Kathy's memory. Because of memories, Don't Let Me Go can't stay on the surface of realism, but exudes a dreamy and confusing aesthetic feeling. Through this journey of tracing back memories, Kathy is not only reconfirming herself, knowing others and experiencing enlightenment, but also sewing up the moments that are inadvertently scattered in her life. When recalling, the enlightened narrator, with a pair of clear eyes, once again reviewed the ignorance, ignorance and ignorance of that year, and finally realized that youth had passed away, innocence had been defiled, and pain had been engraved in the depths of the body, which could not be eliminated. However, he could only stand by helplessly and witness the destruction of soul and body, and unspeakable sadness was born from then on.
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