The heart-wrenching movie How to Go Home can only feel the importance of "home" after leaving home?

This is the first Lebanese film I have ever seen. "What's Home for" is really a heart-wrenching movie. The childhood of begging, beating, cheating and insulting is still being staged at the moment. Individual narration has become a common problem in the life of refugees in the Middle East from the perspective of children. The documentary style brought by a lot of shaking hand-held shooting is shocking and realistic! Zan's suffering and struggle, Zan's sister Saha died in a child marriage, Ethiopian refugees without identity and abandoned refugee babies are all touching.

How to Be Home is unrestrained and full of wanton sensationalism. The director told the story of the difficulty of survival in a sharp and realistic way. In the cruelty of nearly two hours, he still did not forget to give people hope. The last shot was warm, but it was deeply penetrated. When I first came into contact with Lebanese movies, I almost burst into tears in the cinema. A female audience around me said that I was not stabbed in tears, but I was probably too deeply involved in the play. Every choice of boys is interrogating the audience's understanding of the true meaning of life.

How real and sad. Finally, when he was laughing, I finally couldn't help crying. This kind of thing is not only in the war-torn Middle East, but also in every country, only more in underdeveloped countries and regions. As one of the refugees, he is unfortunate; But he was lucky to be chosen to star in this film, which can be said to be his true colors. what can I say? As a person living in a peaceful area, cherish the beauty of life. May every child be treated gently.

A chaotic world, it seems that all the troubles are on this 12 year old boy. Life is not the hardest, only more difficult. But? For what? With what? Why not? , or in people's choice. In this war-torn country, the poorer, the poorer. Little people always try to fight against life, but it is always useless to fight. It was not until the end of the film that the smile in the poster was revealed. Similar to the documentary shooting method, all the details are extremely real and distressing.

12-year-old Zan, it hurts so much to watch, and feels so uncomfortable after reading it. I live in my own world and should cherish my present life. The last smile, so distressed, but so clear and bright. If "Four Hundred Strikes" is the maladjustment of childhood growth and society, then "How to Be Home" is to passively accept the pain and helplessness of war. The standpoint of criticism is immigration policy and super-guerrillas. Imagine, if there were no war, would this couple be more unscrupulous?

So much suffering is on the weak body, but he grows indomitable like a weed, trying to cover up those weaker people and sue those shameless parents. Many times, the fewer parents, the more fertile they are, bringing innocent children into this world to suffer. Their ignorance and selfishness are simply outrageous. The two children are simply acting magic, with both documentary realism and multi-level delicate expression.

A film that is more real than deductive, a masterpiece that reflects the living reality of refugees from the perspective of children, with a very realistic plot and overall oppression and cruelty. The little boy's performance was excellent, and his clear eyes revealed numbness and sadness that should not belong to this age. A glimpse of the survival of the bottom people in Lebanon, the experience of the little boy's perspective substitution is very real, and his acting skills are bursting from an early age. Finally, hit the floor's accusation and adult perspective of the court are slightly sensational, but they have achieved the effect of heart abuse.

The most worrying thing is not that this story is adapted from a real event, but that the man in this story is the man in the real story, and the girl is worse than the boy. Based on a true story, the child really put up with it. Perhaps it is because of experience that we can be so familiar and natural when facing the camera. The real and unfortunate world in a child's eyes stings the audience in all corners, and it is also the parallel world we are living in. So we can feel it? The power of movies? Real existence, not just entertainment.

Perhaps this film is more like a documentary about the poverty of children and refugees, but it is far more sensational than a documentary. The plight of the bottom, humanistic care and excellent children's perspective show the suffering of the bottom children and the Hermon refugees. Although sensational, it is really shocking. Maybe female directors is too emotional, but it feels just right here, because they all have a pair of eyes with stories. The sermon at the end+sensational, although somewhat reduced the texture of the film, is still quite touching on the whole.