Ningmin Town, which did not deliberately emphasize feminism, had a real "big woman"

Text/Observer Network Yan Shanshan Editor/Longyang "Life will always go on and get better and better."

When Li, who had suffered a lot, smiled and expressed his expectation for life, this tenacity and strength made the town's group drama of getting rid of poverty really complete.

Unlike the recent popular female drama, Ning Min Town is not a feminist drama. There is no superficial drama of self-reliance and self-improvement, and there is no routine of sudden awakening after lovelorn. But with the simple and tenacious portrayal of female characters, the play has a real "heroine".

There is no deliberate emphasis on women's rights, and there are not many scenes, but it does not affect the better sense of power of female characters.

As a drama "Ideal Shines on China-SARFT Celebrates the Founding of China * * * Production Party100th Anniversary", Ningmin Town, formerly known as "Ningmin Town", tells the story of Xihaigu people moving, overcoming difficulties and heading for the broad road under the guidance of the national poverty alleviation policy and the help of Fujian counterparts since the 1990s.

Li, played by, is the gentlest female character in this drama about the daring and daring of poverty alleviation cadres.

She is the baby girl of Ma Defu (Huang Xuan), a childhood sweetheart. Her father, Li Laoshuan, married her to a strange man in a neighboring village because of a cellar, a donkey, two sheep and two cages of chickens. Huashui almost escaped from her marriage, but in the end, because she couldn't bear to be bullied by her father, she stayed to clean up the mess and became a victim of arranged marriage. Although the screenwriter "kindly" arranged for a husband who fell in love with Hua Shui, the latter was unfortunately disabled.

However, such a seemingly "bitter feeling" and "resignation" in marriage did not completely succumb to fate, and she embarked on another road of struggle-working to get rich. While trying to support her family, she pinned her hopes on her daughter, hoping that she could go out, fall in love freely and do what she wanted.

Hua Shui, a poor and ordinary but tenacious character, is played by Rayza, a Kazakh girl born in Beijing. Her unique facial features and straightforward personality have shaped the images of Ning Guiren in The Queen of the Palace and Tan Qi in The Longest Day in Chang 'an.

But this time, she was thoroughly remoulded in Ningmin Town, totally embarassed, and created a woman in the northwest countryside.

Under Rayza's interpretation, Huashui's experience earned the audience's tears, and the audience admired the simplicity, kindness, tenacity, stubbornness and growth of the characters. "Rayza's Acting" even got a hot search after it was broadcast.

Feel these tears:

When I fled my marriage, I looked at my sweetheart Ma Defu and couldn't bear to take myself back. When I gave myself money and asked where to go to work, Huashui didn't dare to look at Ma Defu, but she cried quietly because of injustice:

Because she was worried about her old father, she ran half of the water to get married. She looked at the scene of the Buddha. Although they didn't say anything, they showed their helplessness and grievances incisively and vividly:

Because two water cellars were "sold" by my father to settle down, I found that there was no water cellars in my home after crossing the door. My husband didn't want to dig a well for her, but suddenly he was disabled by a landslide, and the splash provoked the burden of the family.

Despite her pain, she didn't blame her fate, and the way she worked hard was unforgettable.

Unable to meet the conditions of "hanging the village" (relocation of immigrants), Hua Shui took her husband and daughter on the road alone, and it took seven days and seven nights to reach Jintan Village, becoming the 60th household in the immigrant village, successfully making the village reach the power supply conditions.

In fact, her life is more bitter than anyone else, but she seems to be more satisfied than anyone else.

Seeing that Mai Miao, who is a few years younger than herself, wants to work in Fujian but hesitates, Huashui encourages her to do what she wants to do: "The most important thing in this world is to live up to expectations and let her family live better. Going out to earn money is the most important thing to see the world. "

When Huashui built her own mushroom shed with a loan, when asked about her arranged marriage with her husband, there was no sadness or melancholy on her face, only hope for life. She said, "Life must go on, and the better."

Speaking of the expectation of her daughter, Hua Shui can't hide her smile: "Study hard, fall in love and do whatever you want." The watery smile makes people forget that this is a person who has already become a mother.

And the splash of mushrooms also affects the hearts of many viewers.

Interestingly, Rayza also encountered a common problem in the female workplace, and the child was not weaned at the time of shooting.

And the handling of the crew is also very mature. When Rayza was chosen to play Splash, she was worried that she was breastfeeding, which might bring trouble to the crew, but the crew and co-actors gave her good protection during the filming.

Rayza said that being a novice mother made her feel anxious, but playing splash games taught her how to be a mother.

@ Rayza revealed that she breastfed in the wilderness of the shooting place every day.

When it comes to understanding this role, Rayza admits that she has always interpreted this role with a smile. "She won't be crushed. When she is full of despair, she will immediately light a pillar of hope for you. "

Other female characters in the film also have a unique aura.

The vigorous Yang county magistrate () is not a beauty in the workplace. Even if his face is haggard, he still shows perseverance when he issues immigration tasks, and he still shows "knife mouth and tofu heart" when he cares for his subordinates.

While other heroine dramas are still pursuing the "girlish feeling" of actresses, the female roles in Ning Min Zhen are not deliberately highlighted, but vividly show the beauty of women.

The audience has a steelyard in mind.

Recently, the most popular dramas with female characters, whether it's The Legend of Fei Yun Tai, played by Xiaohua after 80s, or Fu Zaiyang, which was first electrocuted by Zhang Ziyi, have been broadcast on the Internet, and there have been frequent hot searches related to the heroine's girlhood and career, but the scores in Douban are only 4.7, 5.6 and 6.2.

The audience thought that actresses over 30 were playing teenage girls, but they didn't think that Rayza, 34, was playing girls under 20 when she first appeared. Apart from the advantages and disadvantages of the characters' living environment, the greater reason is that the former only stays at the level of coquetry act young, and the clear eyes in the water make people believe that this is a pure girl full of hope for life.

Mao Jian, a professor and film critic at East China Normal University, once said when talking about such films: "Looking back at domestic films, some films that did not particularly emphasize women's rights during the socialist period were particularly remarkable. Although the issue of women's rights is still unfolding between the family and the relationship between men and women, it will never linger in small love, let alone become a junior three or a junior four. "

A female character like Li has no makeup on her face, and her role is not limited to "very personal expression", but it reminds people of a female group of an era. Compared with some TV dramas that focus on women's rights but are empty and thin in content, Ningmin Town depicts women more beautifully and powerfully.

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