The Formation of Sichuan Opera's Five Tones Coexistence and Qing Dynasty

Does the subject want to ask "what is the relationship between the formation of the coexistence of five voices in Sichuan Opera and the Qing Dynasty"? It is related to the history of "Huguang filling Sichuan" in Qing Dynasty. Huguang filling Sichuan was a large-scale migration tide from Huguang to Sichuan in Ming and Qing Dynasties. From the tenth year of Kangxi (167 1) to the forty-first year of Qianlong (1776), the migration movement was the largest and lasted for 105, forming a situation in which five parts of Sichuan Opera coexisted. Sichuan Opera, commonly known as Sichuan Opera, is mainly popular in Sichuan, Chongqing and other provinces and cities in southwest China. It is mainly composed of five tunes: Kunqu Opera, Gaoqiang Opera, Huqin, Tanxi Opera and Dengdiao. Gaoqiang is one of the main tunes of Sichuan Opera. Since its introduction into Sichuan, it has merged Sichuan dialect, folk songs, labor songs, questioning and other forms, and has been refined several times.