Introduction of left-handed string pressing skills for guitar beginners

Guitar left-handed string pressing technique is very important! Especially in the beginner stage, guitar beginners need to practice more. Let me tell you something about the left-handed string pressing skills of guitar beginners. Welcome to read!

Guitar beginners' left-handed string pressing skills 1. Stand-up: It means that after forming an arc from the arm, wrist, back of hand to each finger, the terminal joints of the fingers should stand up in the direction perpendicular to the fingerboard as far as possible, and press the strings downward with the fingertips. It is easy for anyone with basic physical knowledge to understand that only when the force is perpendicular to the panel can the force of pressing the string be the smallest and the most labor-saving. If the end joint can't press the string vertically, it will not only make the force stronger, but also make the left hand easily tired and nervous, and often push or pull the string to one side, resulting in pitch deviation. Generally speaking, fingers 2 and 3 are easy to stand up, and fingers 1 and 4 are not easy to stand up. Moreover, 1, 4 means that it is difficult to stand up because of physiological relationship, but you should try to stand up, press the strings and set high standards for yourself. As time goes on, it will gradually improve until it is completely erected. Please practice more.

2. In place: Guitar is a musical instrument with high pronunciation technology, and it is also prone to noise. Pressing the strings in place with your left hand means that you should get as close to the fret as possible every time you press the strings, but don't let your fingers touch the fret, or even press it on the fret, so that your right hand can get the best sound with the least force. There are often two situations when the left-handed string is not in place: ① the finger is pressed to the middle of the word or even higher, and the finger is pressed too far away from the sound, which will lead to knocking or rubbing noise when the string vibrates; (2) The fingerstring is too close to the needle, or it is pressed on the needle. At this time, even if the right-handed plucking technique is good, the sound will be dull, or even no sound will be made. Both of these situations should be avoided as far as possible, and the requirements should be raised at the beginning, so as to form a strict and accurate habit of pressing strings.

Left hand exercise suggestion 1, the tiger's mouth can't stick to the neck, and the thumb is pressed behind the neck!

2. Press the strings close to the fret, instead of pressing them on the fret, which is more labor-saving and less likely to make noise.

3. When pressing the strings, use the position of the fingertips, and bend the knuckles inward, so that the fingertips are perpendicular to the fingerboard as much as possible.

Let's talk about chord inversion practice skills first:

In fact, there are not many skills to change chords, but you can get started quickly by mastering some necessary knowledge. These experiences can help you avoid some wrong practices at the beginning, and the real practice is just two more words.

When I learn chords, I start with low chords, such as Em, Am, c, g and so on. And I believe there must be some friends who feel the same way with me, that is, even if every single chord has been pressed well, when practicing chord conversion, it is often beyond my power and the conversion is always not smooth. This involves the coordination of the left and right hands, the familiarity of the left finger with the fingerboard, the flexibility and strength of the finger, and so on. So in general, we still need to practice more. Come on!

I feel the experience in my study and share it with you!

1. If the transformed two chords belong to the same finger chord, move the finger by keeping the finger chord unchanged.

For example, in the practice of Am-E-Am, the fingers of AM and E chords are exactly the same, but the chords are different. When changing chords, the three fingers pressed by the strings should keep the original fingers moving instead of moving one by one, which is not easy to make mistakes and the sound changing speed is faster.

2. When switching chords, try not to move your fingers. Like C- Am- In the practice of C, the index finger keeps pressing on the 1 fret of the second string when changing, so you just need to move the other two fingers and don't let go of the index finger. In this way, with one reference finger as a reference, the other two fingers are not easy to make mistakes. There are AM-D7, C-F big 7, G7-DM and so on.

3. When the two chords have nothing in common, try to move the fingers that press the root and bass strings first, and then move the fingers that press the treble strings.

The explanation of this principle is that when we play a broken string with our right hand, we often play a string and a bass string first, and then play a treble, so that when the conversion cannot be done in one step, we can try to avoid the conflict between the left and right hands. The understanding of this article is simple, but it is not absolute, because some decomposition types start from treble strings and will change according to the actual situation. However, it is always good to hold down the root sound when the transformation is not enough.

Novice reading skills Guitar scores include six-line scores, harmony scores and simple scores, and six-line scores have cross marks and number marks. In fact, for beginners, it is completely possible to play with your fingers at once.

Finger-playing spectrum consists of six-line spectrum and line spectrum, which is also the reason why many beginners are discouraged. In fact, beginners need to know that the fingering spectrum has only six-line spectrum, while the chord spectrum in fingering spectrum can be ignored. This breaks a common problem when beginners want to learn fingering: do you need to press chords and notation at the same time when fingering? Chords are accompaniment and notation is melody, which is easy to misunderstand that fingering needs chords and melody to play together. In fact, notation and flowers are the correct understanding of fingering.

This way, you can get started immediately, and it is definitely for beginners, because going through the chord stage is not called crash. However, getting started is temporary. I don't encourage beginners to get started quickly, but tell them how to get started quickly. Once a person who can only read the six-line score and has never been exposed to chords can start playing simply, then the motivation for learning will follow.