The prospect of the later stage of film and television

From June 2006 10 to April 2007, in less than six months, 300 emerging digital film and television production companies emerged. When the financial crisis swept through all economic fields in the world, the film industry ushered in a warm spring. At present, many traditional TV stations, film and television companies and large websites are moving closer to the digital film and television industry, and a large number of professional film and television talents are recruited. With the completion of the national 15 regional animation industry base this year, the gap of industrial talents has reached 600,000, and the treatment can be imagined.

According to the data survey, the average salary of recent graduates in the film and television industry is 4000-8000, which is much higher than other industries. After half a year, the average salary is as high as 6000- 10000. In terms of the salary of fresh graduates, the salary of directors and planners is generally around 4000-6000, the salary of camera lighting is around 5000- 12000, and the salary of film and television post-production is around 5500- 15000.

For example, Avatar, which is also a famous Hollywood blockbuster, is also called the most expensive movie in Hollywood history, not to mention the box office. The expenditure on headquarters films was $65.438+0.3 billion, including $350 million for special effects production and $65.438+0.5 billion for publicity. 60% of its pictures are made by CG animation technology, and 40% of its shots are performed by real people. In other words, his later film production expenses also reached 27% of the headquarters film expenses. In fact, not only this movie, but also many movies, and his producer (who is also the investor of the movie) is the biggest headache. Generally, the special effects from the movie headquarters are only 65,438+00 minutes, but they play the role of finishing the picture, but the production cost of special effects from the headquarters is 65,438+05% of the movie cost (this data is based on many movies).

Therefore, the profits of talents in this field in this market are incalculable and absolutely very high.

In recent years, the digital development process of film and television animation is accelerating. From the prosperity of the country to the advertising or publicity forms around us, these digital film and television animations are being adopted. During the 20 10 Guangzhou Asian Games, the city propaganda film of the Asian Games showed the profound cultural heritage of Guangzhou. The 3D virtual simulation information system of Asian Games venues enables people to intuitively understand the details of venues, and at the same time, they can swim freely in major venues and feel the grandeur of each venue. At the opening ceremony, the color image content on eight large LED displays created a fantastic scene effect. There is also a three-dimensional film and television animation of the restoration of monuments in Nanyue Palace Museum, which is vivid and realistic, just like a real shot, and fully shows the historical changes of Guangzhou for more than 2,000 years. These are all innovative experiences brought by digital film and television animation display. In 20 12, when the financial crisis swept through all economic fields in the world, the film industry ushered in a warm spring. With the promotion of national policies, the film and television culture industry has developed vigorously. At present, many traditional TV stations, film and television companies and large websites are moving closer to the digital film and television industry, and a large number of professional film and television talents are recruited. According to the growing market demand and higher technical and artistic requirements, the demand for high-end talents in the later stage of film and television is increasing. However, there are still many inexperienced novices just entering the industry, which makes it difficult for film and television companies to recruit people and ordinary film and television staff to find jobs. But generally speaking, the vigorous development of the film and television industry will inevitably promote the continuous improvement of the quality of talents in the later stage of film and television in China.

According to the data survey, the average salary of recent graduates in the film and television industry is 2500-4000. After two years, the average salary is as high as 8000- 15000. In terms of the salary of fresh graduates, the salary of directors and planners is generally around 3000-6000, the salary of camera lighting is around 3500-5000, and the salary of film and television is around 3000-5000. In addition, film and television companies often consider their own strength, creative ideas, willingness to learn and learning ability when recruiting talents. Diploma, this is the second thing. As a film and television post-producer, you must be able to endure loneliness and be passionate about this business before you can go on in this business. Scene scheduling first appeared in drama art, which mainly refers to the position of actors on the stage and the relationship with other actors and scenery, that is, the standing and walking of actors, the movement track, the entrance and exit on the stage and other artistic designs for the development of drama plot and the consideration of characters' personality and relationship.

Scene scheduling also has aesthetic significance in special effects in the later stage of film and television. In the post-special effects of film and television, scene scheduling refers to that the producers of post-special effects of film and television guide the audience's sight, explain the plot and express their thoughts through the design of scene space, the movement of objects in the scene and the movement of virtual cameras. There are three forms of scene scheduling in film and television special effects: shot scheduling, that is, the control of motion trajectory, posture and painting in the picture; The combination of lens scheduling and object scheduling, even if the virtual camera and the subject are moving, makes the motion posture and volume of the objects in the picture and the picture change at the same time.

Scene scheduling goes beyond the limitation of film and television picture space and picture, so that the audience can move and observe freely in the free film and television time and space. Under the care of scene scheduling, film and television art has become a real space-time art. As far as the modeling characteristics of special effects in the later stage of film and television are concerned, scene scheduling makes virtual cameras have enthusiasm that real cameras can't, so the pictures present visual diversity, which can create more expressive visual images and form richer and stronger visual effects, which can not only deeply and vividly express the creative intention and performance style of film and television workers, but also meet the aesthetic needs of the audience.

Scene scheduling plays an important role in constructing virtual roaming: using the movement of three-dimensional characters to express the coordination between people and the environment; Through the movement of the virtual camera, the indoor and outdoor landscapes are connected, so that the audience can observe the real estate from macro to micro, thus achieving an immersive visual experience or a fantastic visual experience.