Urgent! ! ! 1900 legendary creation background? Works of the same kind as The Legend of 1900?

The Legend of 1900 is adapted from the novel Novisento by Italian writer Alessandro Baricco.

/kloc-the legend of 0/900 (the legend of 1900).

Reality or imagination

Both the screenwriter and the director played a big trick here. Originally, this was not a problem. The English name "legend" itself contains the meaning of "legend" (what is the Italian original? )。 But at the beginning of the film, the director made Mike take the lead, and all his efforts were to convince everyone that 1900 was true. Naturally, all the listeners, like us, are both skeptical about his words and interested in his stories. That's why the owner of the music store finally stood up, stretched himself and said lazily, "Well, your story is really well compiled, but our store is going to close."

No one believes that 1900 is true-except maybe Mike and the director. But does the director really believe that 1900 exists? In fact, his clumsy tricks show that he is the most suspicious one. True faith does not need to try to convince others. Then he actually used people's distrust as a storytelling strategy here. But I have to say that this strategy is not necessarily brilliant, because it is an abused means. Finally, the director asked Mike to try to save 1900, which was even more clumsy. The director made it so "realistic" that the story lost its legendary beauty.

I couldn't help laughing to myself when I saw that all the people were confused by Mike's efforts. It seems that they were finally persuaded by Mike that genius has such quirks. What surprised me even more was that the last Mike was still so young, and before that, his reputation had already spread far and wide. Why does it seem that no one knows him except Mike, but Mike needs to take pains to convince him one by one?

Theme-free variation

It is difficult for people to find a suitable theme to analyze this film. From the beginning, 1900 existed on the ship, and magically mastered such a difficult musical skill as playing the piano. He didn't get off the boat at first, so we couldn't analyze the reason. We only saw what the director gave us. At this time, he hasn't seen the land, so he can't have a final idea, or he can't understand that he once had the idea of walking around the land and almost put it into practice. At this time, we can only explain that he didn't want to get off the boat, or he believed his black father's words, and there were big sharks eating people on the shore. But obviously, the latter may be effective when he is not sensible, but I'm afraid he won't be able to have that effect when he is an adult-otherwise we can only interpret him as an idiot. So at this time, his not getting off the boat can only be said to be an accident. Without reason, there is no meaningful value without reason. Later, he heard the peasant poet (he could hear the singing of the sea and said, what is a poet? ), the other party began to yearn for it, which is even more contrary to the spiritual proposition of the whole film. On the contrary, the shore here is more mysterious and important. Later, he met the woman, and his impulse to go ashore became stronger. Finally, he was going to get off the boat, which made our hearts hang, and we were excited and nervous. However, at this moment, a classic scene appeared. Beside the boat, he threw his hat into the sea smartly and then returned to the boat. We say that until this time, his thought and behavior of not getting off the boat have real philosophical significance and highlight its value. However, at this time, his life is coming to an end, and the film is coming to an end. So from the perspective of the whole film, how to analyze that it always runs through a unified theme?

Sincerity or hypocrisy

Perhaps the best part of the film is the competition between 1900 and the originator of jazz. But that part is too dramatic, too artificial. Not to mention jazz musicians, I am not very comfortable with the sincere feelings of 1900-but I have to admit that he felt me at that moment, and the person who can applaud his opponent is admirable. One-on-one competition is fierce. The director used all kinds of imaginable techniques to set off the whole atmosphere (but I have to say that these techniques are not new, for example, through the audience's expressions). When 1900 was forced to play A Christmas Song, my heart was very excited. I thought the real excitement would come. When 1900 repeated the performance of jazz musicians, I was still interested in the director. The director is still in a rut. Does he think playing fast is good music? Then everyone is faster! This reminds me of Jin Yong's martial arts world. Real masters often disdain to use weapons, or use the dullest ones, such as uncut black iron, or children's toys, such as wood blade, or even branches and sticks. Their martial arts are often gentle, such as Taiji Chuan, but because they are masters, the power released is the most powerful. I thought 1900 would be such a master. He played the simplest Christmas songs and the music played by jazz musicians, which surprised and puzzled laymen. But a master, such as the founder of jazz, should be able to find the extraordinary in the ordinary. The same piece of music seems to be reborn in the hands of 1900, making him give up. I think this is much more interesting than having 1900 smoke a cigarette and burn a steel wire.

Also, 1900 began to retreat. He doesn't seem to understand why jazz musicians compete with him. He applauded the jazz musician heartily and was moved to tears. But it seems that he can't stand the jazz musicians' repeated threats, and finally shows his true colors and says to the jazz musicians a little viciously, "Bastard, you asked for it!" This sentence surprised me. In an instant, his sincerity began to turn to ashes in my mind, leaving only his expression at the moment. His original sincerity seems to have a little dark color at the moment. I don't like him like this. I'd rather he was stupid. He doesn't want to fight with others, he is him, a pure genius who only loves music!

Love episode

1900 has not shown interest in women in the middle, which makes me a little anxious. I think love may be more legendary for someone who has never been off the boat. With his fame at that time, there should be countless beautiful women around him. They should be fascinated by him, and he should also immerse himself in it and enjoy the sweetness of love. But no, the director seems to have overlooked this point and only let a fat trumpeter follow. But in the second half, it seems that the director finally felt the need to pay attention to the private life of the legendary young man, so he arranged an adventure for him, and it happened that the heroine was the daughter of the peasant poet who had influenced him. She also happened to be going to find her father. Because her appearance contributed to the following things: first, 1900 completed the music in his only record. From this perspective, it was her, or love, that inspired him; Secondly, because she couldn't accept his gift (strangely, he heard everything she said, and she was farther away from him at that time, and her voice was definitely not as loud as his. The only possible explanation is that he is downwind. But judging from common sense, he is more likely to have the upper hand. ), so he destroyed the only record (Mike clipped it and stuffed it into the piano, but maybe he should keep it as a souvenir. Isn't he afraid to destroy it again at 1900? ); Third, because of her (and her father, of course), 1900 is going to live ashore and listen to the sound of the sea. It also indirectly contributed to his great idea. From this point of view, the appearance of girls is appropriate, but their love always makes me feel dispensable, as if just to complete a ceremony, or to promote some development of the above-mentioned story. So she just plays the role of a prop here, and love doesn't exist.

Why do you want to die?

The final death of 1900 is unacceptable. If you want to blame, I think you should blame the director. Because 1900 is completely immortal. Isn't it? 1900 I dare not go ashore just because I think the land is too far away and the city is too far away to see the end. This made him panic. He is afraid that he will fall into such infinity that he can no longer simply immerse himself in music. So to paraphrase a friend, "what he wants is purity." He is familiar with-and feels most comfortable with-the world is such a ship, with only 2000 people at a time. He lives by keys, and keys are limited. From beginning to end, he expressed a concept of "space". He was not born to like boats, nor was he born to live on them, but he was used to it and had to. And the "boat" he expressed did not emphasize that it must be "this boat", so we can fully understand that he can live happily on another boat. So why don't we buy him a new boat and let him die with this old one?

Such doubts may embarrass the director and all the audience, and make the ending of the story take a turn for the worse, losing the romantic color of affectation.

Maybe my analysis is too cold and artistic!

Romantic ending imagination

Although I say this is an unromantic trip, it doesn't mean that I am so opposed to romanticization. Actually, I regret the endings of 1900 Legend and Baron in the Tree. I think, if I were you, I would never handle it like that. In my imagination, 1900 should have disappeared mysteriously, that is to say, Mike should not have found 1900, but just when he was most desperate, he suddenly heard that there was a talented pianist on a boat with impeccable acting skills and beautiful music, and-it is said that he never got off the boat again. From other people's descriptions, Mike realized that it was probably 1900. At this time, a sweet smile quietly bloomed on Mike's face, so the music began, and the piano sound of 1900 was like a storm. In the sound of the piano, the camera turned to the sea, and there were beautiful ships on the sea. Behind the boat is a beautiful sunset, and the boat becomes a beautiful silhouette. The sound of the piano seems to come from every ship, so many and so urgent, as if there were multiple 1900 playing together. So the subtitles went up. ...

Similarly, the baron does not need to pull a hot air balloon. He should suddenly climb far and further along the tree one day, and gradually become a small point in the surprised sight of everyone, and finally even this small point can't be seen. Later, people never saw the baron who had never been under a tree in his life. ...

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This is the film 1900 Legend (English name: The Legend Of 1900) directed by Italian avant-garde realistic director Giuseppe Tornatore.

The shooting time was from1September 1997 12 to1March 1998 14, which was released in Italy on October 28th and in the United States on February 25th. The actor is played by Tim Roth, and the genius legend of 1900 1900 is full of conceit, spirituality and naive artistic temperament.

Push the background of the story to the beginning of19th century. The location is a huge ship carrying countless dreams-Virginia, which shuttles between Europe and America.

Danny, a black laborer on board, tried to pick up the valuables left by the rich after dinner, but accidentally found an abandoned baby on a piano. That is a lovely boy. Good Danny decided to adopt him because it was 1900, and I found him in this terrible new century, so I called him 1900. Since then, this fallen musical elf has the name "Danny Budman T. D Lemon 1900".

When Danny, a black man, died of work-related injuries, 1900 first heard the disappearance of music at the funeral. 2 1 day later, he accidentally came to the glass curtain wall of the first-class ballroom. He saw an instrument intertwined with his life-piano night. The crew were awakened and came to the first-class banquet hall. At this time, the crew was moved by the music of 1900. The captain accepted this self-taught musical genius.

1900 at the age of twenty-seven, poor trumpeter Max appeared, conquered the recruiter with his excellent performance and successfully stayed on the Virginia. Unexpectedly, on the third night of boarding, I was caught in a storm, and the seasick Mercedes couldn't stop vomiting. From the room to the ship's lobby. I threw up in a mess. He met 1900. 1900 claimed to cure seasickness and took Max to the lobby. After opening the fixed bolt of the piano, 1900 and Max Tooney got on the piano and went for a ride, starting a wonderful piano journey. Flying around in the lobby, through colorful glass curtain walls and luxurious wooden walls, all the way through the captain's door to the captain's bedroom!

1900 is a musical genius. His blue eyes can feel the inner rhythm of life through the appearance of things, so his musical inspiration is endless. No matter what he sees, he can immediately create fresh and moving music. All kinds of people at the first-class dance, such as the old woman who murdered her husband, the middle-aged man who indulged in the past, the prostitute who saw through the world of mortals, and the third-class guest who stole the dress and expected an affair, have all become inexhaustible sources of inspiration for 1900 when playing the piano.

The most classic part of this movie is the game with Shelley, the founder of jazz. It is the climax and core of the whole movie. This part of the classic is that through three rounds of competition, almost all the changes in the psychological state of the characters are vividly displayed. Especially in the end, under the gaze of countless pairs of eyes, 1900 picked up the cigarette that seemed to have been forgotten, lit it with the hot strings in the piano, and then walked step by step to Shelley Morton, who was standing stupefied. "You smoke, I don't smoke." ("You smoke, I don't know how to smoke." ) 1900 said softly. Then, he smartly put the cigarette on Shelley's lips.

Recorders who have heard about 1900 for a long time hope that 1900 will record records, and after improvising a series of arpeggios and scales on 1900, they will gradually enter their own musical thoughts. Just then, as if by providence, he saw a beautiful girl come to the window on the deck outside. At this moment, the girl who looks so pure and healthy inspired the creation of 1900. Staring at the girl who has been looking in the mirror is the simplest, gentlest and most touching melody of love from his heart, and at the same time, his hands naturally pop up unprecedented moving music. So 1900 decided to set foot on land to find her. He stopped when he came to the middle of the stairs connecting the spaceship with the mainland. Everyone looked at him, while he looked at the tall buildings in new york ahead. He threw away his hat and went back to the boat.

The Virginia was destroyed in the war and the authorities decided to blow it up. And 1900 finally didn't have the courage to go out of his world at sea, hiding in the depths of the cabin with his perfect musical soul and a deep blue melancholy. My good friend Max knows that he must still be on the boat. I bought a ship-breaking machine with the money from selling trumpet, and came to the abandoned ship with my own record and borrowed phonograph. Looking hard, I finally saw 1900. After some persuasion, Max finally understood that 1900, a talented pianist who was destined to be born, grew up and died on the ship, told the soul in the keys and described all kinds of people around him with the keys, which brought joy to the people in the keys and made his first love deep in the keys ... Music flowed in his blood. His life is so simple and pure. Soul and music are integrated here. After 1900 played a joke on Max, Max left the ship.

Finally, in silence, I watched 1900 press keys with both hands in the air. With six and a half tons of explosives and a loud noise, the Virginia, where he was born, was assimilated into clouds at sea.

1900 has never left the ship and the ocean in his life. Born on a boat, raised on a boat, died on a boat. His talented piano skills became legendary. His love of music made him choose to die with the boat instead of going ashore for the woman he loved deeply. The genius of art is incompatible with real life, and others can't understand it unless they wander infinitely in their limited world. Genius cultivated in one environment may wither and wither in another environment, and finally 1900 is not afraid of death in his face before death, and even feels at ease because of a special sense of belonging.

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list?of winners

1999 Italian Film Awards: 5 awards including best director (Giuseppe Tornatore Giuseppe Tornatore), best photography, best costume design, best music (Yannio Molik) and best art direction; David Award of Scholar Jury (won by director Giuseppe Tornatore)

European film awards: Best Photography.

1999 Silver Ribbon Award of Italian Film Journalists Association: five awards: Best Director (Giuseppe Tornatore), Best Costume Design, Best Producer, Best Screenwriter (Giuseppe Tornatore) and Best Art Director; In addition, Yanio Molik Nye won a special silver ribbon award for her creation and research work on the soundtrack of this film.

2000 German Academy of Arts Film Association: Association Film Award-Silver Award for Best Foreign Language Film.

Golden Globe Award in 2000: Best Original Film Score (Janjo Molik Nye)

Classic dialogue between Chinese and English

1900: Moonlight City. You just can't see the end of it.

What I saw didn't stop me, Max.

I didn't see it.

Take the piano.

Keys. Go. The key is over

You know there are 88 of them.

They are not infinite. You are infinite.

On these keys, the music you can create is infinite.

I like this. I can live on it.

But you let me stand on the springboard and push them out.

In front of me.

A keyboard has millions and billions of keys that never end.

That keyboard is infinite.

Then there is no music you can play on the keyboard.

That's God's piano.

Do you see the street?

There are thousands.

How do you choose one?

A woman, a house, a way to die ...

You don't even know where it ends.

Haven't you ever been afraid to talk to

Thought of it?

I was born on this ship.

The world passed me by.

But 2000 people at a time, there are ancient wishes here.

But never between the bow and the stern ..

You play your happy moments on a piano.

Infinite.

I learned to live like that.

Land?

Land is too big a ship for me,

This is a beautiful woman, a long bridge, perfume.

John, I don't know how to play music.

I'll never leave this ship.

At best, I didn't leave my life.

After all, I don't exist for anyone.

This huge city stretches on and on.

What I saw didn't stop me,

But what I can't see is. Can you understand?

Take the piano as an example.

The keyboard has a beginning and an end.

You know where 88 keys are. You can't go wrong.

They are not infinite, but you are infinite. The music you can express on the keyboard is infinite.

I like this. I can handle it easily.

Now you let me walk through the springboard into the city,

Waiting for me is an endless keyboard.

How to play such a keyboard?

That's God's keyboard!

Do you see countless streets?

How to choose only one of them?

A woman who has used it all her life, a house of her own, a way of life and death ~ ~ ~

You don't even know when the end is.

Aren't you afraid to collapse at the thought of it?

I was born on this ship.

Things are changing, but this ship can only carry 2000 people at a time.

There is hope here, but only between the bow and the stern.

You can play your happiness on a limited piano.

I'm used to this life.

Land?

Land is too big for me,

Too beautiful woman, too long journey, too strong perfume, music that can't be started.

I will never leave this ship,

In that case, I would rather give up my life.

After all, I have never existed for anyone, have I?

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Original title: Legend of the Ocean

English translation: the legend of 1900

Chinese translation: 1900 legend-Taiwan Province/sound and light fly with me-hongkong/1900 legend.

Screenwriter: Giuseppe Tonatore Giuseppe Tornatore/Alessandro Barricau

Directed by Giuseppe Tonato Giuseppe Tornatore

Starring: Tim Roth plays Tim Roth (1900)

Prut Taylor Vince Pruitt Taylor Vince plays Max Tuni.

Melanie Thierry Melanie Thierry as a girl.

Type: Drama/Music

Length:125min Country/Region: Italian Language: English

Release: Thin Line Function (USA)

The director of 1900 Legend tells the behind-the-scenes story of how to shape the image of a piano genius.

There is a competition clip in the movie: the black pianist just finished playing a piece, and 1900 immediately played his piece, which is quite surprising! It's great to repeat it as soon as you hear it. This reminds pianist Du Taihang of an interesting story in the history of music: Liszt, the king of piano, played a very difficult piece at the concert, and then Liszt said, "Only I can play this piece in this world." As a result, a young man came up from below and played his song once. Liszt immediately said to the audience, "Now there is another person who can play this song." This young man is Bicai, the composer of the opera Carmen.

In addition, many viewers are concerned about whether the piano performance in the film is performed by the actor himself. The actor of "1900" told us the truth: he didn't have the stature of body double. For this film, he had to hire a piano teacher from England to teach him to play the piano. The teacher told him that the first thing to play the piano is to know how to control the rhythm of his hands, so he imitated those rhythms and began to point at the piano. Then the teacher taught him to put his hand on the right key, and he practiced it again and again. It took him about five or six months to learn it. But his piano teacher is not satisfied and wants to really teach him to play the piano. The actor grimaced at this moment and said, "Oh, my God! I think it will take a century! "

/kloc-MP3 download of movie soundtrack legend in 0/900.

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The same film pianist, perfume and piano lessons.