Primo Conti character introduction

Primo Conti

Portrait, a type of figure painting. Specifically refers to paintings depicting human figures. It can be divided into head portrait, bust portrait, full body portrait, group portrait, etc. It takes objectively existing characters in real life or history as the object of depiction, and focuses on depicting the specific appearance characteristics and inner charm of the characters themselves through creative methods such as describing the spirit through form and imagination, so as to achieve the effect of both form and spirit. . Primo Conti (1900-1988) was a famous Italian portrait painter in the 20th century. His painting style is unique and combines the characteristics of various painting schools. His portraits can be regarded as the vane of figure painting and have had a profound influence on painting. Influence.

Chinese name: Primo Conti

Foreign name: PrimoConti

Nationality: Italy

Birthplace: Florence

Date of birth: 1900

Occupation: Painter

Representative work: "Portrait of a Lady"

Gender:: Male

Good at: Portraits

Character Profile

Primo Conti (1900-1988) was a famous Italian painter, composer and writer in the 20th century. Born in Florence, Conti began to show interest and talent in the art of painting from the age of 8. When he was 11 years old, one of his self-portraits received a very good response from art critics. His 1913 musical Romance for violin and piano brought him into contact with the Futurist movement for the first time, and also made him gradually become interested in the style of the Futurist movement. His love for this innovative trend in art at the time was almost entirely reflected in his paintings, and he gradually developed a unique painting style that incorporated elements of Art Nouveau, Fauvism, Expressionism and Orpheism. Features.

Art career

In 1917, after Conte met Giacomo Balla, the most outstanding figure of Futurism, in Rome and Filippo Tommaso Marinetti, the founder of the Futurism movement in Naples, he officially decided Jump into the futuristic movement. Between 1917 and 1919, Conti's work had a profound impact on the Futurist movement, and Conti's work also had some metaphysical implications in its style.

The 1920s were a complicated period for Conte. He explored various areas such as Mannerism (also known as Mannerism or Mannerism), the exotic, the Metaphysical School, and the great historical and religious paintings.

Conti married Munda Cripps in 1930 and had two daughters. During this period, he drew inspiration from familiar daily life and created many high-quality works, including "Girl and Butterfly", "Portrait of a Lady", etc.

From 1935 to 1939 he designed sets and costumes for the Florence Opera Festival (Maggio Musicale Fiorentino).

In 1941, Conti became the director of the painting department of the Academy of Fine Arts in Florence.

From 1947 to 1957, he served as president of the Association of Fine Arts and promoted the merger of the Association of Fine Arts with the local artist group in Florence, Casadi Dante.

Between 1948 and 1963 he accepted a profound and mystical ministry and joined the Franciscans.

In 1983 Conti published his autobiography "The Throat of the Blackbird".

In 1980, Conte established a foundation named after Conte in the Italian town of Fiesole, dedicated to the protection and inheritance of culture and art.

Representative Works

"Portrait of a Lady Indoors"

"Portrait of a Lady Indoors" is the highest level work of Primo Conti and is also the representative work of Mercure Paris. One of the foundation's collections of classic female portraits. There is no shortage of bold colors in the picture, but there are also exquisite and delicate paintings everywhere.

The layout of this beautiful lady in the painting is also ingenious, using the classic golden section principle. What is particularly worth mentioning is the depiction of the lady's hands, which are extremely meticulous. The natural brushwork and skillful colors depict the lady's hands in the painting with rich texture. From the delicate hands, we can conclude that this lady was born in a wealthy family, lived a stress-free life, received a good education, loved reading, or was proficient in several musical instruments. From her attire and her reserved and confident eyes, we can see that she is different from ordinary wealthy ladies and is a woman eager to acquire new ideas.

"Portrait of a Lady"

Portrait of a Lady (1953)

Oil painting on canvas

Signed in the upper right corner of 70×90cm and date

The ladies in Primo Conti's paintings are noble and elegant, with bright colors. The lady in his "Portrait of a Lady" sits elegantly, and her dark red dress looks noble and elegant. The makeup and dress are just right, the expression on the face is leisurely and contented, the earrings and jewelry complement each other, and are full of aristocratic atmosphere. The transition between the background color and the character coloring is very natural, and the blue corner of the chair is inadvertently exposed, and the entire color style feels fresh and bright. The sensual and romantic colors displayed in the whole painting express the artistic sentiment of nostalgia and longing.

"Blue Ribbon"/"Portrait of a Girl"

Blue Ribbon/Portrait of a Girl

(1953 work)

Oil painting on canvas 70×90cm

After the dramatic destruction of World War I, after years of thinking and studying my own painting theory, and after abandoning the fusion of confusion, fantasy and unclearness, this is Conti's final painting shows us the existence of life itself. In this "Girl Portrait" from the 1950s, Conti created a high-quality snapshot based on still material.

"Portrait of a Boy"

Portrait of a Boy (1953 work)

Oil painting on canvas 70×90cm

"Portrait of a Boy" "Portrait" is another famous painting by the painter Primo Conti. It was customized by Parotti, a Genoa industrial family, for Primo Conti. Now the work has been collected by the Mercure Art Foundation in Paris. The tone of the entire painting is bright and pure, as if the light fell with many fine crystals from the beginning and then melted into the paint. Conti presents the viewer with the eternity of color. Blue, red, green, pretty much the same all the time. It's as if the tone and color combination are one and the same. This painting represents Conti's mood in painting during this period. The style became increasingly clear, the colors were simplified, and there was even a fresh brushstroke. "Boy Drawing" demonstrates Conti's quiet and far-reaching creative style.

"Civitate"

Oil painting Civitate

120x81.5cm

Signed upper right corner (1955)

"Civitate" is a close-up of a woman meditating, while at the bottom there is a portrait of a man sitting alone on the edge. The surrounding work scenes appear blurred due to the prominence of the people. Conti's 1955 work.

"Portrait of a Lady"

Oil painting of a lady, 1950

23.75X17.5cm

Signed "P.Conti-1950" in the upper left corner "

The portrait of a lady has saturated colors and rich tones, reflecting the lady's noble temperament leisurely.

Personal Achievements

During Primo Conti’s artistic career, he was appointed director of the Painting Department of the Florence Academy of Fine Arts and served as president of the Art Association, which contributed to - - "Dante's House". He published his autobiography "Blackbird's Throat". A foundation named after Conte was established in the Italian town of Fiesole.

A large number of Conti's works are preserved in the Primo Conti Museum in Villa Coste in Fiesole, Italy (near Florence).

His outstanding masterpieces "Portrait of a Lady Indoors", "Portrait of a Lady", "Portrait of a Boy" and "Portrait of a Girl" were collected by the Mercure Art Fund in Paris.

Social Evaluation

Primo Conti has a high talent for controlling color, and he presents the eternity of color to the audience. Blue, red, green, almost always the same, as if the hues and color combinations were one and the same. Giovanni Constri once commented on the color of Primo Conti's paintings: He has a rare attainment in the field of color, like the melody of seashells, very beautiful, and the best in gray tones. .

Background introduction

1. The Art Nouveau movement

began in the 1880s and reached its peak between 1890 and 1910. The name of the Art Nouveau movement comes from a store called "La Maison Art Nouveau" opened by Samuel Bing in Paris, where he displayed products designed in this style. Art Nouveau is the continued deepening and development of the Arts and Crafts movement in France. This new form of art bears the styling traces of European medieval art and 18th-century Rococo art and the decorative features of handicraft culture. It also has the aesthetic characteristics of oriental art and contains people's nostalgia and yearning for the new century. It is A comprehensive reflection of all the complex emotions of people during the transition period from agricultural civilization to industrial civilization.

2. Fauvism

It is a modern painting trend that was popular in France from 1898 to 1908. Fauvist painters were keen on using bright and strong colors, often using paint squeezed directly from paint tubes, and using straightforward and extensive brushwork to create strong visual effects. They were the first modernist school in Europe in the 20th century. Get rid of the inherent color characteristics of objects, use concise lines and exaggerated colors to achieve the complete release and independence of colors in the picture. The emergence of Fauvism freed Europe from hundreds of years of traditional natural color concepts. Fauvism The significance of Pai is that colors can have their own character characteristics without being attached to any natural form and their authenticity.

3. Expressionism

One of the important modern art schools. A literary and artistic school popular in Germany, France, Austria, Northern Europe and Russia in the early 20th century.

4. Orphism

Inspired by Cubism, the so-called "Orphism" painting emerged after 1910, which was described by the poet Guillaume Apollinaire in 1912 Named after Robert Delaunay and others, in his view, the creation of pure combinations of shapes and colors by these painters on canvas is just like what Ofer did in the myth through pure music form, "using the visual field that has not yet been Art that borrows elements completely created by the artist to draw new structures is pure art."

5. Futurism

It is one of the modern literary and artistic trends. Initiated by Marinetti in Italy in 1909. It was widely popular in Italy from 1911 to 1915. It spread to various European countries during World War I. Based on the philosophy of Nietzsche and Bergson, he believes that future art should have a "modern feel" and advocates expressing the so-called "concurrency of moods" of artists when they create. Marinetti, an Italian poet, writer and literary critic, published the article "The Creation and Manifesto of Futurism" in Le Figaro in February 1909, marking the birth of Futurism.

6. Mannerism

It is also translated as Mannism, Mannerism and Mannerism, meaning "style". It opposes the guiding role of reason in painting, emphasizes the artist's inner experience and personal expression, pays attention to the sense of form in artistic creation, and the use of slanted lines and curves is obvious. Mannerism was generally opposed to the artistic habits of the High Renaissance. This was not because the painters despaired of achieving Raphael's balance and immediacy, but because this balance no longer conformed to the atmosphere and trends of the time.

Mannerism gradually matured under the development of two of Raphael's apprentices, Giulio Romano and Andrea del Sarto. Andrea del Sarto's studio It also produced standard Mannerist painters Pontormo and Rosso Fiorentino. During the heyday of the Renaissance, when classical realistic depictions of the human body and perspective had reached their peak, some painters began to deliberately distort the structure of the picture to create irrational emotions and artistic spaces. Greco is also considered by some to be a Mannerist painter, but Greco also expresses unique personal characteristics in his paintings, not only the distorted design of the picture, but also the "acidic" tone can be felt in his paintings. The characters he depicts appear elongated and distorted, and the irrational perspective, suffocating light, and crowded composition make the viewer feel hazy and troubled. Rome, Florence and Mantua were the centers of the development of Mannerism. Venetian painting developed its own unique style in different "schools", represented by Titian's painting career.

7. Metaphysical School

It is an art movement around 1910 like Futurism, but it has a completely different tendency. Unlike Futurism, Futurism praises machine civilization. The scientific and technological achievements and progress of society, while the metaphysical school focuses on expressing the pathology of Western society and is skeptical of scientific and technological progress. As its name suggests, this painting school is deeply influenced by the idealism of Schopenhauer and Nietzsche, but it has more influence from Freud's ideas. In fact, they were embodied earlier than the later Surrealist school. Inspired by the application of intuition, hallucination and subconsciousness in psychoanalysis, the works are full of mysterious and weird atmosphere, and mostly depict the stability, timelessness and immortality of objects.