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Yellow crane tower 1

Cui Hao (? -754) Tang Dynasty poet. Bianzhou (now Kaifeng, Henan) people.

The ancients went, and now only the Yellow Crane Tower is left.

The yellow crane never revisited earth, there have been no long white clouds for thousands of years.

In his poems, the poet expressed his nostalgia with the legend of immortal riding the yellow crane and the scenery around the Yellow Crane Tower in reality as the theme. In the two sentences "And White Clouds Never Fly Other" and "River Waves Bring Sad Fog", the former is about the melancholy of missing cranes, while the latter is about the anguish of missing homesickness. Although the meanings are different, the morphological characteristics are exactly the same: the same melancholy, the same loss and the same heaviness. These two different emotions are integrated in the poem, which plays the role of mutual care and mutual foil. They are not only situational language, but also emotional expression, so as to achieve the point of blending scenes. According to legend, Li Bai was greatly admired after reading it, sighing, "Cui Hao has poems on it."

Step 2 send friends away

Li Bai (70 1-762) was a poet in the Tang Dynasty. The word is too white,no. Qinglian lay. His ancestral home was in Ji Cheng, Longxi (now near Tianshui, Gansu).

Green mountains are located on the north side of the city wall, and the sparkling water surrounds the east of the city.

Here we say goodbye to each other, and you, like losing your father, are floating in the wind and traveling far away.

Floating clouds are like wanderers, like wandering, and the sunset slowly goes down the mountain, which seems to be nostalgic.

With a wave of his hand, he will be separated from now on, and his friend on horseback will carry him on a long journey, blowing a long wind, as if reluctant to leave.

Qingshan outside the north gate and Baishui outside the east gate. As soon as we leave here, you will drift away like a lonely tent. White clouds are like wandering thoughts, and the sunset is slowly falling like my reluctant feelings. Wave to each other and leave from now on; Xiaoxiao A?vagho?a, can't bear to part.

This is a poetic farewell poem. The poet and his friends rode away, affectionate and touching.

The first couplet, "The mountains in the north are blue and the water in the east is white", points out the farewell place. The poet has sent his friends out of the city, but they are still together and unwilling to part. In the distance, I saw the green hills across the north of the outer city, and the sparkling river gurgled around the east of the city. These two sentences "Qingshan" versus "Baishui" and "Northland" versus "Dongcheng" are unique in the first couplet. And "green" and "white" alternate with each other, and the colors are bright and beautiful. The word "horizontal" outlines the static posture of Qingshan, and the word "around" depicts the dynamics of whitewater. Poems and pens are freely written, depicting a vast and beautiful picture.

The two couplets in the middle are related to each other and write about the deep feelings of parting. Zhuan Xu "You must leave me here and drift away for hundreds of miles like loose grass". When you leave here, you will fly with the wind like a loose grass and go thousands of miles away. These two sentences express deep concern for the wandering life of friends. Put pen to paper like running water, comfortable and natural, not constrained by antithesis, unique. The necklace couplet "I will think of you in the clouds, so I will think of me in the sunset", but it is neatly written, "floating clouds" to "sunset" and "wandering" to "old human feelings". At the same time, the poet skillfully compares "floating clouds" with "sunset" to show his mind. A touch of white clouds in the sky, floating in the wind, symbolizes the uncertainty and arbitrariness of friends; A red sun slowly sets in the distance, which seems to be unbearable to leave the earth suddenly, which symbolizes the poet's mood of saying goodbye to his friends. Farewell in the background of beautiful scenery and the sun shining in the west is particularly nostalgic and inseparable. There are both scenery and feelings here, and the scenes are mixed and colorful.

The end of the sentence is more affectionate. "We waved goodbye and my horse kept neighing." A thousand miles to send you, not never say goodbye. "Waving" is the act of writing separation, so how do you feel inside? The poet didn't say it directly, but wrote a moving scene of "and my horse is neighing again and again" This sentence comes from the Book of Songs, Car Attack and Sasha Vujacic A?vagho?a. Banma, a stray horse. The poet and his friends waved goodbye at once and greeted them frequently. Two horses seem to know their master's mood and are unwilling to leave their companions. When they left, they couldn't help whistling, as if they had infinite affection. With horses like this, how can people be inferior! Li Baihua used classical poetry to write the word "half", which was full of new ideas and set off romantic friendship. It can be described as ingenious.

This farewell poem is novel and unconventional. The green mountains, clear water, flaming sunset and white clouds in the poem are in harmony and bright colors. The horse is ringing, and the image is fresh and lively. Natural beauty and humanistic beauty are intertwined and vividly written. The rhythm of the poem is lively, the feelings are sincere, warm and optimistic, and there is no lingering sadness. This is the characteristic of Li Bai's farewell poems, which the critics deeply appreciate.

3. Autumn Poetry

Liu Yuxi: (772~842) Born in Pengcheng (now Xuzhou, Jiangsu), he was a poet and philosopher in the middle Tang Dynasty.

Since ancient times, every autumn has been sad and lonely.

I say autumn is better than spring tide.

In the clear sky, a crane is walking among the clouds.

It brought poetry to Bixiao.

Translation:

Since ancient times, I feel sad and lonely every autumn.

I think autumn is better than spring.

A crane flies in the clear sky of Wan Li.

It triggered my poetry about the blue sky.

Appreciate:

Autumn always plays a sad role in nature, and its "thinness" has long been a unique image that has been chewed and recalled by generations. Thus, in autumn, in the withered pages, in the square Chinese characters, I murmured, confusing sadness, sadness, missing and caring.

Liu Yuxi's Autumn Poems, on the other hand, found a new way, eulogizing the beauty of autumn with abnormal style and greatest enthusiasm. What is even more valuable is that "Autumn Ci" is still the work of the poet after he was relegated to Langzhou. Two original poems, choose the first one.

"Autumn has been sad and lonely since ancient times, and I said that autumn wins the spring tide." Since Song Yu left a famous sentence in Nine Arguments, sadness has become a hue and an emotion in autumn. Sadness has become the autumn in my heart. However, at the beginning of the poem, the poet begins with a discussion, categorically denying the previous concept of sorrowful autumn, showing a radical and upward poetry. I'm talking about the poet's self-confidence, which, although infected, is an unfortunate color. However, the poet's broad mind has significantly resolved this misfortune. "Winning the Spring Tide" is the poet's full affirmation of autumn scenery. This kind of recognition is not only a temporary emotional impulse, but a poet's rational thinking on autumn at a higher level.

"Clouds are scattered by cranes in the clear sky, which brings poetry to Bixiao." The poet grasped the unique landscape of "crane flying in the sky" in autumn, showing the open scene of crisp autumn, clear skies in Wan Li and white clouds fluttering. The crane in Lingyun, also carrying the poet's poems, swam to the sky together. Although this crane is lonely, its momentum is extraordinary. The meaning of a word "beat" is self-evident. Perhaps, the poet uses "crane" as a metaphor, or perhaps, the poet regards "crane" as an unyielding embodiment. There is philosophical implication, artistic charm, thought-provoking and memorable. It gives readers not only the vitality and plain color of autumn, but also a noble spirit and noble sentiment.

4. Lushan tourism

Mei (1002 ~ 1060) was a poet in the northern song dynasty in China. The word Yu Sheng.

In the early morning, the rolling Lushan Mountain, with thousands of peaks competing and beautiful, is spectacular, which just caters to my interest in natural scenery.

Along the way, the mountain range in front of me is constantly changing, and a person is immersed in the winding and deep wild road, but forgets where to go.

The sun rises, the snow melts, the mountains look more silent and empty, the silly bear is slowly climbing the tree, and the deer is leisurely sipping the stream.

Where is he? There are chickens outside the cloud.

Translation:

Just in line with my interest in the scenery of Shan Ye, the rugged mountain roads are high and low. Climbing the mountain all the way, constantly changing beautiful posture, deep path, let me feel lonely and lost. In the evening, in first frost, the bear climbed to the tree, the forest was quiet, and the deer drank water leisurely by the stream. Where are they? There was a crow outside the cloud, which seemed to answer.

Precautions:

Appreciation: Mei, a poet in the Northern Song Dynasty, wrote a poem "A Journey to Lushan Mountain", describing the whereabouts and interest of the mountain. It is because of this mountain full of interest that the poet feels that Shan Ye's trip is full of happiness. We can even assert that the sentence 1 in this poem is the main sentence of the whole poem, that is, "just (happy)" because there are "interesting" sentences in the later poems. In other words, the structure of this poem is slightly similar to that of a general article.

The "interest" in the second sentence implies the displacement and superposition of the upper and lower spaces. When the poet trudged up and down between the valleys and peaks, what he saw was a charming landscape of "the height of Qian Shan". This "Qian Shan" pokes around, making people feel that not only the poet saw it, but also "Qian Shan Wanshan" was playing hide-and-seek with the poet. The mountains are very close to people, which is very interesting.

This interest also appears in the third sentence. Of course, the "interest" of the third sentence "Good peaks change everywhere" is different from the previous sentence. Its "interest" is reflected in the poet's "parallel movement", and the "ridge" becomes a "peak" or "peak" becomes a "ridge" due to the change of angle and vision. It's really "looking at the' ridge' horizontally into a' peak' and looking around the mountain is different"! This taste is very interesting.

Where is the "interest" in the fourth sentence "wandering alone in a secluded path"? Please see, the paths between the valleys are naturally deep because of twists and turns and vegetation coverage, and it is inevitable that some similar paths will be a little confused because of the "solo" action. This is very dangerous in terms of safety. You should panic! However, judging from the up and down, before and after the text content, the poet is happy and leisurely. To some extent, the poet is willing to get lost, so that he can find his original way again, and he will feel excited and successful. It should be said that the hidden person in the hide-and-seek activity is deeper than anyone else, or that the opponent can find the hidden person quickly. Obviously, the poet's third sentence in the poem is to express the poet's identity and role as a watchman. I'm not afraid of being fascinated. The more fascinated I am, the more courageous I am. The more you watch it, the more fascinated you are, and the more exciting and interesting you feel. The above situation shows that the interest is probably so!

The fifth and sixth sentences, "first frost bears rise, deer in the forest drink the stream", are close shots. There are fruits on the trees in first frost in autumn. Bears climb trees or stand up to pick fruits to eat. Leaves are scattered on the tree, and the poet can see deer drinking water in the mountain stream through the trunk. In other words, Xiong Gao. Because the forest is deep in autumn, the poet looked up as if a bear had climbed a big tree. These are only about the activities of bears and deer in autumn in Shan Ye, but they are quite naive, lively and free, because they are spontaneous and real behaviors, and no one forces them to do that. In addition, these two sentences are neatly opposed, and there are two verbs between the three things in each sentence, which gives people a sense of movement semantically. Interesting, so interesting!

The seventh sentence, "Where is he?" Ask yourself, or he can ask. The former reflects the poet's inner self-satisfaction. However, the latter shows that the poet is not worried about the long journey, but walks in the mountains to visit friends or important people. No matter in people or in themselves, they are happy. Self-interest is fun, and others are fun.

The eighth sentence "Cockcrow outside the cloud" tells people how high and far the cock crow is. It means that the poet is going to visit a hermit, not a noble scholar. Only "one rooster crows" instead of two, which shows that the distance in space is really far before hearing the loudest one, and the rest can't be heard. It's fun at the foot of the mountain and mountainside, and it's even more fun in the deep mountains and forests. Tell me, what's rare there? Are friends immortals? ..... Poets not only write "fun" in reality, but also write "fun" in imagination. Writing fairy "fun" is "fun", not "fun". Finding "fun" itself is the greatest "fun". The top of the mountain, the foot of the mountain, the mountainside, the valley and the mountain road are all filled with the poet's whereabouts and his "interest". This kind of hiking can only make the poet happy and love the scenery in the mountains. It can also be said that the poet is happy, because he is lucky enough to meet a mentor, so even if he walks in the mountains for a hundred times, he will not feel bored.

5. Huanxisha

Su Shi: (1037-1101) Northern Song Dynasty writer and painter. Zi Zizhan, a famous Dongpo layman, was born in Meishan, Meizhou (now Sichuan).

Clothes and towels rustle with jujube flowers, and cars ring in the south and north of the village. Cow clothes and ancient willows sell cucumbers.

The road was full of wine, but he was sleepy. Sun was thirsty for tea and knocked at the door to ask the savage.

This article is about the author's feelings on the road of thanking rain. The first one is about scenery, and the second one is about lyricism. It should be pointed out that the scenery written by this word is not a unified picture composed of visual images in the general sense, but a group of continuous images reflected on the poet's consciousness screen through various sounds introduced into the eardrum. Now, let's follow the author's conscious activities to experience the conception process of this word.

The author walked a long way on Xie Yu's way, tired and still drunk. Suddenly, there was a rustling sound in my ear, as if something had hit me and my headscarf. At this time, he realized that it was the jujube flower that fell on him. Then there was a creaking sound in my ears. The farther I go, the stronger it becomes. It came from all directions, from the south and from the north, without looking or asking. This is the car sound that the author is familiar with. From the sound, the author realized that he had entered the village. At this moment, suddenly came Hawking's cry, which was introduced into the eardrum. Looking intently, it turned out to be a farmer wearing an "ox coat" sitting in the shade of an ancient willow tree with a pile of cucumbers in front of him. In short, the seasonal characteristics of the countryside, the working life in the village and the poverty in the countryside are all interrelated to varying degrees, which are vividly reflected.

The writer's feelings and conscious activities in the next film. Sleeping after Drinking is a supplement to the previous work. Structurally, this sentence is flashback, indicating that the first three sentences are written from the auditory aspect, mainly because the wine is still unfinished, the road is long and Xiu Yuan is slow, and the human body is sleepy, so what is written down is only fragments heard in sleepy eyes, rather than a complete and unified picture of visual composition. Although the sentence "The Sun is Thirsty" is written about the conscious activity of farmers who are eager to find water at home because of thirst, it also reflects the author's informal and carefree personality. It seems that Su Shi doesn't seem to have too many defensive shelves, and the distance from farmers is not too far. Reading such words will make people feel real and cordial, and they can smell the breath of rural life at that time. This word is different from the previous one. It mainly focuses on the writer's emotional fragments on the road, and the focus is not on reflecting the poverty in rural areas. Because of the relief of rain and drought after the disaster, the author's joy is much stronger than before.

This word pays attention to the tempering of words and sentences, and does not show traces. For example, some critics think that putting the word "Sasha Vujacic" at the beginning of a sentence is "syntactic inversion". In fact, the author's purpose is to emphasize the sound of "jujube flowers" falling on "clothes towels" and meet the requirements of plainness, rather than writing the form of falling flowers. Just because these two words are placed at the beginning of the sentence, it shows that the author knows from the sound of "rustling" that jujube flowers fall on him. In addition, the words "falling", "ringing", "scattering" and "knocking" are also used flexibly and appropriately.

6. 1 1 April 4th is a stormy day.

Lu You: (1125-1210) a poet of the Southern Song Dynasty. The word Wu Guan, No.,was born in Yuezhou, Yinshan (now Shaoxing, Zhejiang).

I don't feel sorry for myself in a remote village.

Think about keeping the wheel platform for the country.

Lying at night listening to the wind and rain,

Iron horse glacier dream.

Translation:

I lay flat in the lonely and desolate country, not feeling sad, but thinking about defending the country.

Late at night, I was lying in bed, hearing the sound of wind and rain, and dreamt in a daze that I was riding an armored horse, crossing the frozen river and heading for the northern battlefield.

Appreciate:

This is a patriotic poem written by Lu You, who is nearly seventy years old, lying in a cold quilt on a stormy cold night, supporting his aging body.

The first two sentences of this poem directly express the poet's own feelings. "Sleeping stiff" tells the poet's old feelings, while "lonely village" shows a state of isolation, which is extremely "stiff" and "lonely". Why not "feel sorry for yourself"? Because the poet's passion for patriotism has reached the level of selflessness, he no longer pays attention to personal health and living environment, but has the spirit of "thinking for the country and guarding the wheel platform". However, he doesn't know that the reality is cruel and independent of human will. All he can do is "think". These two sentences focus on the word "thinking", which shows the poet's unswerving ambition to serve the country and his concern for the country and the people!

The last two sentences are the deepening of the first two sentences, which are vividly written around the word "dream" The poet's concern for national affairs led to the dream of a military campaign, which reappeared his ambition of "guarding the wheel platform" in the form of a dream. Dreaming reflects the sadness of political reality: the poet's desire to serve the country was rejected, and he could not kill the enemy. His feelings of protecting the enemy could only be reflected in his dreams. However, the poet "has no self-pity", but his heart of serving the country and killing the enemy is even stronger. I think about it every day and dream every night. Therefore, the dream of "Tiema Glacier" fully shows the poet's strong patriotic thoughts and feelings.