Suzuki History Museum

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In fact, as an injection of a brand-new culture, Japan accepted the typical architectural form of southern China in 1 century. Although it has many defects, it is still used because it is suitable for the environmental and climatic conditions of the Japanese archipelago.

In the middle of the 6th century, Buddhism was introduced into Japan from China, and it also brought China's traditional architectural technology and art, including China's architectural structure, architectural technology, layout and urban planning ideas (for example, the architectural planning of Nara, the ancient capital of Japan, is almost the same as the layout of Xi 'an ancient city in China), which made Japanese architectural technology advance by leaps and bounds. At this time, on the one hand, Japan imitated China's architectural style, on the other hand, it merged it with its own inherent culture, and gradually created its own distinctive "Harmony Architecture" and "Tang Architecture". At the same time, some Japanese styles such as Sleeping Temple and Academy have gradually formed in residential buildings, as well as some architectural types with strong Japanese styles such as Cao Anfeng Tea Room and Several Houses. Compared with the grandeur of China architecture, Japanese architecture is more exquisite, elegant and simple, and it is better at expressing the structural beauty of architectural structure and the texture and color beauty of materials. In addition, Japanese architecture seems to be unique in the concept and skills of reproducing natural beauty with architecture.

The history of Japanese architecture can be roughly divided into three stages: the early stage-from the middle of the 6th century to the12nd century, that is, the architecture in the period of flying birds, Nara and Heian; Mid-period-from the end of12 century to the middle of 16 century, that is, buildings in Kamakura era and Muromachi era; Recently-/kloc-from the mid-6th century to the mid-9th century, that is, the buildings in the Taoshan and Edo periods. However, the evolution of Japanese-style Japanese-style houses has roughly gone through the stages of building sleeping halls, building academies, building teahouses and living in several places.

The earliest recorded house is the board house of Yana Fujiwara, which was built in Tianping period, near Jiangxiang Music Palace. There, screens, curtains and curtains are used to divide the internal space. The interior decoration is simple, equipped with daily necessities, and equipped with a chair seat and a flat seat, and the royal chair is used at work.

Around 552 AD, Buddhism was introduced into Japan from China via Korea, and it also brought the traditional architectural techniques and styles of the Southern and Northern Dynasties and the Sui and Tang Dynasties in China. Since then, Buddhist temple architecture has become the main building in Japan, and its influence has spread throughout palaces and shrines. During the period of Asuka (593-709 AD), the layout and forms of Buddhist temples were different, and gradually formed a unified style in the Nara era, which not only had the obvious characteristics of China's Tang Dynasty architecture, but also was in the transition to Japanese style. Shrine is one of the architectural types with typical Japanese style, usually with the main hall as the main body. The main hall is generally rectangular and square, with wooden frame, overhead at the bottom and two slopes at the top. A log ranked as "vertical fishwood" is placed horizontally on the main ridge, and a pair of square trees at both ends of the ridge are raised high and cross each other, which is called "thousand trees". The wooden components such as columns, walls and railings in the shrine are treated into plain faces with clear wood grains and soft colors. On the avenue leading to the shrine or on the fence, there is always a gate named torii. Its form is that a pair of wooden pillars erect a beam, which is suspended at both ends. Under the beam, it passes through another square wood picked out at both ends. Although torii's body is simple, its proportion is exquisite, its posture is simple and light, and it has a special beauty. By Heian period (794- 1 184), this transition was basically completed, and a harmonious building with Japanese characteristics was formed in the Buddhist temple building, and a "sleeping temple building" was formed in the aristocratic mansion. The bedroom was built in the last years of Ping 'an, and it is a folk house that imitates the palace-style architecture in China. The interior space of all bedrooms has no obvious distinction except painted cages (mud-walled huts), and only screens and curtains are used to divide them when there are activities. Necessary indoor supplies are called "room ceremony" and "bedding", and tatami is only laid in necessary places.

From the Kamakura shogunate era (A.D./KOLOC-0//KOLOC-0/85-/KOLOC-0/335) to the Muromachi shogunate era (A.D./KOLOC-0/335-/KOLOC-0/576), Japanese local forces rose, and palaces, shrines, Buddhist temples and mansions gradually spread to the whole country. At this time, Japanese architecture, on the one hand, continued to be influenced by China architecture, and at the same time, created with national characteristics. Japanese residential buildings have also begun to break the ancient culture, forming a fixed architectural style with tatami on the ground, decorative ceilings, corner columns, high and low shelves and academies. This is a building made by the Academy of Sciences. The "Academy Building" often chooses one of several rooms in a house to make an inclined house study and decorate it to adapt to the lifestyle of monks and warriors. Its indoor floor is slightly higher than other rooms, and incense burners, candlesticks and vases are arranged in pairs on the floor. In the period of Antu Taoshan (A.D. 1753- 1602), Japan's existing culture began to move towards modern culture, forming a splendid culture represented by castle architecture and a real academy building. At this time, drinking and tasting tea from China gradually became a habit, and the tea ceremony was formed under the tea tasting and tea fighting advocated by Zen masters, which became a unique comprehensive art of Japanese aesthetics and affected the construction of academies. Teahouses became popular, among which Cao 'an teahouse was the most popular. Cao Anfeng's tea room often adopts mud walls, grass roofs and floor-to-ceiling lattice windows, and a small and ornamental tea room is set around it. Bamboo fences, "service stones", stone washbasins (or fountains and wells) and stone lanterns (often named after the owner of the teahouse) are arranged in an elegant and quaint environment, and trees are planted on the road leading to the teahouse. The tea ceremony is called "tea ceremony". This kind of teahouse is very small in scale. If it is built alone, it is often built in the suburbs of Shan Ye, which is built with the formation of mountains and rivers. If it is built in a corner of the house, it will be combined with the wild courtyard. It pays attention to dynamic and static changes, often centering on a single study, and has a quiet, elegant and pure atmosphere. Materials and structures are usually wooden columns, mud walls, or windows made of bamboo, and bark trunks are often used as wooden components.

With the passage of time, the residential forms of several houses gradually appeared. "Jiji" (Japanese transliteration) refers to a wooden sliding door with translucent paper pasted on the outside, and some paper is sandwiched between two wooden compartments. It was introduced into Japan from China, and can be used to separate indoor space, and can also be used as the external wall of houses. Digital residence is a kind of rural residence in Japan, with regular platform style and practicality. It is the product of the integration of teahouse-style and academy-style houses. Digital residence is often used to divide space, and it is customary to draw wooden components in dark colors and ink carts on the barriers. The artistic conception is simple and elegant. In Japan, the well-known Guili Palace (built in1616-161) is the integration of architecture and courtyard, showing a spatial form of mutual infiltration and integration of man-made and nature, which highlights the traditional Japanese architectural style and elegant beauty. This is a classic of several-room architecture handed down from generation to generation. Modelling technique, which is harmonious with the courtyard, is the foundation of the inheritance and development of Japanese-style houses, and the tradition of "counting houses" is still strongly reflected in the architectural style of Japanese-style houses today.

The academy building and several houses interacted, infiltrated and became complete, and gradually evolved into modern Japanese harmonious houses.

In the Ming Dynasty (A.D.1868-1911), the government recruited foreign architects to build western-style buildings. Therefore, the interior decoration has gradually adopted the form of "compromise between the West and Japan". Meiji Palace, which was built in the 21st year of Meiji (1888), set a model of dual structure for Japanese architecture, decoration and furniture industry in the future: western style was adopted in the public part and harmonious style was adopted in the interior part, which made the interior and exterior different. Today, western-style furniture still occupies the mainstream in Japan, and the practice of dual structure has been used to this day. Generally, the living room, dining room, etc. of Japanese residential buildings are all foreign houses with modern furniture such as sofas and chairs, while the bedrooms are harmonious rooms with traditional furniture such as tatami, lime-sand walls, fir boards, and paper-pasted lattice sliding doors. The lifestyle of "harmony but difference" is accepted by most people, while "all-western" or "all-harmony" is rare.

I can't find any information about Suzuki History Museum in Japan on the Internet.

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