What qualities should a director possess?

Because of the director's special position and great responsibility, we must pay attention to the improvement of our own quality when studying and cultivating directors. Mainly in the following three aspects:

1. Have a little spirit

Spirituality mainly means that art feels good. Feeling is the most direct psychological process, and it is the basis of forming various complex psychological processes. Art is often treated without rational analysis, but through intuition to make judgments and obtain ideal results. People often say "follow your feelings" because what you feel is the freshest and most attractive, and it can often bring people into a good situation.

Step 2 be a little savvy

Understanding mainly refers to sensitivity to new things in life. Through the observation and experience of life, we can deeply know and understand life, and find and experience the philosophical level that ordinary people are not easy to find and experience. How do you make the audience realize or understand deeply by joining the director's poor understanding ability, which you haven't realized yet, or have realized very shallow things? Therefore, the director's poor understanding will inevitably affect the profundity of the work.

Step 3 be strong

Toughness mainly refers to perseverance and perseverance. Some people say that a writer must overcome his laziness, laziness and indulgence if he wants to publish his works. When a director wants to produce a work, he should not only fight with himself to overcome his weaknesses, but also fight with others, so that everyone can work together to overcome difficulties.

Personally, I think these qualities can be cultivated, as long as you work hard. Amdova said: "Movies can be learned".

The qualities and skills that TV writers and directors should possess.

TV literature and art is a beautiful landscape in various TV programs, which can not only bring people aesthetic pleasure, but also make people have rich rational thinking while enjoying it. Many kinds of literature and art that people like can be found in TV literature and art, and the literary works presented on TV are full of brand-new and more attractive artistic charm because of their combination with TV. With the development and progress of the times, China's TV literary career has also changed by leaps and bounds, and some excellent literary works can be seen on many TV channels almost every day. However, as TV writers and artists, we often hear the audience's criticism and higher requirements for TV literature and art, especially when we face the strong impact of the international TV industry after China's entry into WTO, the ever-changing TV technology and even the future development of online media, we have to seriously examine ourselves and how we will face such unprecedented pressures and challenges.

TV literature and art is a comprehensive TV art, and as an independent individual, the director of TV literature and art is the core of TV literature and art creation. Generally speaking, artistic creation is carried out by individuals, and as a TV literary director, while emphasizing individuality, it is more necessary to realize and complete the director's vision and pursuit through the collective creative activities of the film crew. I remember an old director comparing the relationship between the film crew and the director to wheels and axles. Without wheels and axles, there is nothing to rely on. Wheels must be driven by axles to move in a given direction. In this interdependent relationship, the director's core strength is unshakable, but the overall cooperation of the film crew directly affects the director's work results. Therefore, the difficulty of TV editing and directing is not limited to simple artistic creation, but various. This also puts forward many requirements for TV literary and art directors. Below, I will briefly talk about the qualities that TV writers and directors should have and the matters needing attention in their work, for colleagues to correct me.

As the planner, organizer and leader of the creation and production of TV literary works, TV literary and art directors should first have relevant knowledge and artistic accomplishment in the field of literature and art, as well as the basic qualities and professional skills necessary as TV directors.

First, the inclusiveness of TV literature and art, which covers many artistic categories, challenges the director of TV literature and art and requires him to have high literary literacy. Therefore, it is particularly important for TV writers and directors to strengthen the study of literary theory and knowledge.

There is a saying in China that "a clever woman can't cook without rice". As a TV literary director, if there is no extensive literary literacy, it should be said that literary literacy is the basis of TV literary director. In our daily work, the most contact is TV variety shows. An ordinary variety show often includes music, dance, sketch, cross talk, opera and other programs. When creating, we will apply the relevant knowledge of these art categories and conceive each section according to the theme of the party. To create a song, the TV director is not a specific lyricist or songwriter, but he must have a clear grasp of the rhythm, style and style of the song, and this kind of creation can only be revised after many times of running-in. The director should always keep a clear head and be able to put forward opinions and suggestions until he is satisfied. Imagine that if the director's musical literacy is poor, he can't come up with guiding ideas, or even speak some layman's words, then what will the created works look like, either they can't go on or they are sloppy. I have heard an ironic saying, "If you can't do anything, just be a director". On the one hand, this statement reflects the low quality of some people in the TV director industry, on the other hand, it also shows that there is misunderstanding about the director work. The director is by no means as simple as shouting "Go" at the scene. On the surface, "beginning" is actually the director's full self-confidence and serious and responsible working attitude towards a work on the basis of a lot of careful preparations in the early stage.

Secondly, on the basis of extensively absorbing artistic nutrition, TV writers and directors should improve their aesthetic ability and cultivate their creative thinking ability. Because there are many kinds of arts involved in TV literature and art, we should specialize in several subjects according to the needs of practical work, form our own strengths, and achieve the goal of drawing inferences from others. Directors who are engaged in TV literature at work must strengthen their literary cultivation, read a large number of literary works, and choose useful materials for further processing and re-creation. In the process of material selection, the quality of material selection directly reflects the director's appreciation level. The so-called appreciation ability is the ability of aesthetic perception, imagination, understanding and judgment of literary and artistic works. To improve the ability of appreciation, we need to cultivate and exercise in many aspects, constantly accumulate experience from the practice of appreciation, and combine extensive reading with intensive reading, not only in quantity, but also in intensive reading of first-class representative works to establish higher aesthetic standards.

As an artistic creator, the director's thinking in images is a frequently used way of thinking. Through thinking in images, a typical image originating from life and higher than life can be created, and creative thinking is a higher requirement for directors. The so-called creative thinking is to use unique imagination to break through past experience and create a new image different from others. Without innovation, there is no vitality. As a director of TV literature and art, he will face new challenges every day, and TV viewers will never be satisfied with the existing program style. This requires the director to constantly use creative thinking to make the program constantly new. Phoenix TV Chinese Channel, which is deeply loved by Chinese people, always launches some new programs regularly and irregularly, and the existing programs are constantly being transformed, which can always let you see good programs full of new ideas. Music TV is even more obvious, and those works that are unique and refreshing are the ones that can impress the audience the most.

Thirdly, TV art is a comprehensive art with high-tech content and audio-visual combination, which has its own development laws and characteristics. As a director of TV literature and art, we should be familiar with these professional knowledge and keep up with the development of the times. We should also be familiar with the director's professional skills, pay attention to communication and development direction.

Depending on the content and style, the production process of TV cultural programs may be very different. As a TV director, you must be familiar with TV technology and means, because a little progress in technology may bring a big leap to TV art. A few years ago, virtual studio technology began to be applied in the TV industry, and some sharp-minded literary directors introduced this technology into the production of literary programs, such as the rotating stage of CCTV. Through this new technology, an unprecedented fantasy visual world was created on the TV screen, which received good results. Literary and art directors should stand at the forefront of TV art, have the mission of applying and popularizing new technologies, new means and new skills, and can creatively carry them forward through their own wisdom. When shooting an MTV not long ago, we used a D-700 camera, which is relatively advanced in China at present. Before using this equipment, we made a detailed understanding and found that the machine can adjust the color and contrast of the picture and the details of the characters. With the close cooperation of technicians, we adjusted almost all the shots according to the needs of the picture, and the effect was very good. Everyone present admired the magic of science and technology, but also.

Audio-visual language should be the professional skill of TV literature and art directors and the artistic expression means used from time to time in the process of TV literature and art programs. "Montage" was originally a patent for movies, which originally meant combination in French. In TV, the shots are connected in a certain order to express specific plots and meanings. With the progress of the times, the audience's reading ability is improving, and the audio-visual language is also developing and progressing. As a director of TV literature and art, we should pay attention to communication, learn more first-class works, enrich our vocabulary through continuous learning, always maintain a young and active attitude, and even have the confidence and courage to lead the trend of the times.

In addition to mastering montage language, TV literary and art directors should also master a series of editing and directing methods, such as scene scheduling, lens scheduling, performance control, light and color scheduling, sound music, rhythm and so on, in order to enhance artistic expression. A large variety show often has dozens of small programs. The director should not only deal with every detail of the design, but also organically integrate the series of programs in order to relax and set off progress. This requires the director to comprehensively use various means, such as song and dance programs, how to handle the dance scenes, how to schedule the actors, the relationship between the colors of costumes, beautiful scenery and lights and the theme and emotional colors of the program, and the scheduling and use of several cameras (the characteristic application of the big rocker camera). The quality of these directors' means will directly affect the quality of their works. But how to deal with it, there is no certain law, and it needs specific analysis. Never stick to the rules and dare to innovate. Success always belongs to those who dare to create and try.

Television literature and art serve the broadest masses of the people. Television literary and art directors should go deep into life, recognize and explore the most typical and essential things with unique eyes in the rich source of life, and insist on coming from life, so that the works created can be meaningful and touching. The fundamental purpose of TV literature and art is to meet the people's growing spiritual needs. Under the guidance of the Party's policy of "letting a hundred flowers blossom", while developing entertainment, we can't ignore the correct direction of public opinion, and we can't let vulgar tastes and decadent ideas flood the screen.

In the work, as the artistic command and organizational command of a work, the director of TV literature and art should handle and coordinate all kinds of relations, and some problems should be paid special attention to. Due to the limitation of space, they will be discussed in another article